HomeMy WebLinkAbout2017-460-E Arts - Pam Baggett - 2017-18 Arts Grant Agreement DocuSign Envelope ID:3E2A8197-2735-44CA-8810-5AD399233576
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August 1 5, 201 7
Pam Baggett
8800 Wilkerson Rd.
Cedar Grove, NC 27231
GRANT AWARD LETTER
Fiscal Year 201 8
Grant Category Artist Project Grant Program
Funding Source Orange County
Award $1 ,365
Start Date _July 1 , 201 7
End Date June 30, 2018
OCAC Report Due Friday, July 6, 201 8
Project Title Project Poetry!
Staff Contact Katie Murray, Director
919/245-2335
kmurray @orangecountync.gov
Stipulations 1 . Grantee must properly credit the Orange County Arts
Commission using the proper logo and/or credit line on all
publicity materials. View proper credit line language and
download logos on the OCAC website at
https://artsorange.org/grants/grantee-resources
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DocuSign Envelope ID:3E2A8197-2735-44CA-8810-5AD399233576 C
l( ORANGE COUNTY ARTS COMMISSION
�a a »v (r 1 1∎iJ r J F 1 a Z I7®1 GRANT AGREEMENT N
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THIS AGREEMENT, entered into this 17 day of August, 2017, by and between Orange County
("County"), by and through the Orange County Arts Commission ("Arts Commission") and Pam
Baggett("Grant Recipient").
WHEREAS, the Arts Commission is a countywide arts agency that ensures the growth of
local arts experiences by providing funding and support for diverse high quality programs and
projects.
WHEREAS, the Arts Commission administers the annual Grants Program to provide
economic opportunities to Orange County artists and non-profit organizations coordinating arts
projects benefiting the citizens of Orange County.
WHEREAS, the annual Arts Grants Program is supported by Arts Commission with
funds from the Grassroots Arts Program of the North Carolina Arts Council, a division of the
Department of Natural and Cultural Resources, a state agency.
WHEREAS, the Grant Recipient was selected by the Arts Commission to receive the
annual Arts Grant through the procedures duly adopted by the Arts Commission; and
WHEREAS, both parties wish to promote and maintain the integrity and clarity of the
Grant Recipient's ideas and statements and delineate the Grant Recipient's obligations to the
County;
NOW, THEREFORE, the County and the Grant Recipient, for the consideration and
under the conditions hereinafter set forth, agree as follows:
1. Approved Grant Project. Grant funds are provided under this Agreement for the project
("Project") described in the Grant Recipient's Grant Application, attached hereto and
incorporated herein as Exhibit A.
2. Grant Award. Grant funds in an amount not to exceed one thousand three hundred sixty
five ($ 1,365) have been awarded by the Arts Commission to the Grant Recipient for the
approved Project. The Recipient shall be required to match funds at least dollar-for-
dollar with cash from the Grant Recipient's funds not derived from either Orange County
appropriations or the North Carolina Arts Council, as outlined in the attached Exhibit A.
3. Contingency. This grant is contingent on North Carolina Arts Council Grassroots
Program funding to the Arts Commission. Final decisions on Grassroots Program funds
to the North Carolina Arts Council are subject to approval by the North Carolina General
Assembly.
4. Responsibilities of the Grant Recipient
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DocuSign Envelope ID:3E2A8197-2735-44CA-8810-5AD399233576
A. Implementation. The Project implementation shall take place between July 1,
2017 and June 30, 2018. The Project shall be implemented in the manner
described in Exhibit A. Time is of the essence in the implementation of the
Project.
B. Modifications to project. Grant Recipient shall present major changes to the
original proposal, including but not limited to changes in design, implementation
schedule and increase in Project budget by more than 10%, in writing to the Arts
Commission for approval. Arts Commission shall approve or disapprove Grant
Recipient's request for modifications within seven (7) days of receipt thereof
Consent to project modifications shall not be unreasonably withheld. Arts
Commission's decisions shall be in writing. In the event the Arts Commission
fails to approve or disapprove the requested modifications within the time stated
herein, the modifications shall be deemed approved.
C. Non—assignment. The grant cannot be assigned or transferred to a different project
or artist without prior written approval of the Arts Commission.
D. Records. Grant Recipient must maintain records and other evidence pertaining
to costs incurred and revenues acquired during the Project implementation. Grant
Recipient shall maintain financial records pertaining to the Project for three (3)
years from the date of this Agreement, in case of audit.
E. Use of Funds. Grant Recipient shall not use the grant funds to repay outstanding
taxes or other debts of any nature. The grants shall be utilized solely for the
purpose described in the attached Exhibit A.
F. Final Report. Grant Recipient shall submit to the Arts Commission a Final Report
on July 6, 2018. The Final Report shall be in the format required by the North
Carolina Arts Council. Failure to submit the Final Report or late submission of
the Final Report, for any reason, shall be grounds for denial and/or cancellation of
grant funds for the Project and future grant proposals.
5. Responsibilities of the Arts Commission
A. Payment. The Arts Commission shall release the grant funds in the amount of
$1,365 to the Grant Recipient.
6. Publicity
A. Acknowledgement. Credit must be given to the Orange County Arts
Commission and/or the North Carolina Arts Council using the proper logo(s)
and credit line in brochures, news releases, programs, and all other printed and
online publications. Copies of such printed materials must accompany the
evaluation report. Official Orange County Arts Commission and North Carolina
Arts Council logos may be downloaded at www.artsorange.org/grantee-resources
and may not be altered in any way. When no printed information is used, verbal
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credit shall be given. In addition, all print and promotional material must include
the following credit line and logo(s) (check all that apply):
i. x County Funds Only. Orange County Arts Commission logo required.
Credit line required for audio projects: "This program is supported by the
Orange County Arts Commission. "
ii. North Carolina Arts Council Funding. The Orange County Arts
Commission and the North Carolina Arts Council logos are required. Credit
line: "This program is supported by the N.C. Arts Council, a division of the
Department of Natural and Cultural Resources. "
B. The Grant Recipient must enter all events, exhibits and performances open to the
public and related to this grant award on the ExploreChapelHillARTS.com
website and display Orange County Arts Commission publicity materials
(postcards, brochures, etc.) prominently and consistently at their venue or
performance space. In addition, the Grant Recipient must add a link to the
www.artsorange.org (Orange County Arts Commission logo preferred) to their
main webpage.
7. Indemnity. The Grant Recipient agrees to indemnify and hold harmless the County, the
Arts Commission and the North Carolina Arts Council and their officers and employees
from any and all claims or actual injury, damage or loss to a person, or real or personal
property that results from or is in any way connected to the use of the grant funds.
8. Independent Contractor. The Grant Recipient is an independent contractor and not an
employee, agent or other representative of the County and/or the Arts Commission.
Nothing contained in this Agreement shall be construed to create the relationship of
principal and agent, or employer and employee, between Grant Recipient and Arts
Commission or Orange County Government. Grant Recipient understands and agrees
that he/she is not authorized to incur any expenses or any liability whatsoever on behalf
of the County or the Arts Commission and has no authority, expressed or implied, to
obligate or make representations on behalf of the County or the Arts Commission. In
addition, Grant Recipient agrees to maintain his or her own worker's compensation
insurance for himself/herself and his or her employees for the duration of the art work's
installation.
9. Termination
A. In the event of any of the circumstances set forth below (hereinafter referred to as
"default"), the Arts Commission may immediately terminate this Agreement:
(i) Any fraudulent representation in any verification required to obtain
payment under this Agreement or other dishonesty on a material matter
relating to the performance of services under this Agreement.
(ii) Nonperformance, incomplete service or performance, or failure to
satisfactorily perform any part of the Project or to comply with any
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Revised August 2017
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provision of this Agreement, as determined by the Arts Commission in its
sole discretion.
(iii) Failure to adhere to the terms of applicable county, state or federal laws,
regulations, or stated public policy.
B. In the event of default by the Grant Recipient, the Arts Commission has the
discretion to elect to terminate this Agreement, in whole or in part and/or require
the Grant Recipient to repay the grant funds within seven (7) from written notice
of default or allow the grant recipient the opportunity to cure the default. This
clause shall not be interpreted to limit the County's or the Arts Commission's
remedies in law or in equity.
10. Miscellaneous.
A. Entire Agreement. This Agreement and the attachments contain the final and
entire understanding of the parties with respect to the subject matter of this
Agreement. All modifications and amendments to this Agreement shall be in
writing. This Agreement shall be binding upon the parties, their heirs, successors
and assigns.
B. Governing Law. Both parties agree that this Agreement shall be governed by the
laws of the State of North Carolina. Provider shall at all times remain in
compliance with all applicable local, state, and federal laws, rules, and regulations
including but not limited to all state and federal anti-discrimination laws, policies,
rules, and regulations and the Orange County Non-Discrimination Policy and
Orange County Living Wage Policy (each policy is incorporated herein by
reference and may be viewed at
http://www.orangecountync.gov/departments/purchasing_division/contracts.php).
Any violation of this requirement is a breach of this Agreement and County may
immediately terminate this Agreement without further obligation on the part of
the County. This paragraph is not intended to limit and does not limit the
definition of breach to discrimination. By executing this Agreement Provider
affirms that Provider is and shall remain in compliance with Article 2 of Chapter
64 of the North Carolina General Statutes. By executing this Agreement Provider
certifies that Provider has not been identified, and has not utilized the services of
any agent or subcontractor, on the list created by the State Treasurer pursuant to
G.S. 147-86.58.
C. Entire Agreement and Signatures. The parties have read this Agreement and agree
to be bound by all of its terms, and further agree that it constitutes the complete
and exclusive statement of the Agreement between the parties unless and until
modified in writing and signed by the parties. This Agreement together with any
amendments or modifications may be executed electronically. All electronic
signatures affixed hereto evidence the intent of the Parties to comply with Article
11A and Article 40 of North Carolina General Statute Chapter 66.
[SIGNATURE PAGE TO FOLLOW]
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DocuSign Envelope ID:3E2A8197-2735-44CA-8810-5AD399233576
IN WITNESS WHEREOF, the Orange County and the Grant Recipient have signed this Grant
Agreement, effective on the last date this Agreement is signed by both parties as indicated by the
dates set forth under signatures below.
For and on behalf of the Grant Recipient
riDocuSigned by:
oum b 8/31/2017
Ars b71 pp't; Date
For and on behalf of Orange County Government
DocuSigned by:
�jbUtUttt lka)MWtt,V'S(LL 9/5/2017
o1i ntaii3mersley, County Manager Date
5
Revised August 2017
DocuSign Envelope ID:3E2A8197-2735-44CA-8810-5AD399233576
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2017-18 G NT APPLICATION COVERSHEET
f f
Applicant: Pam Baggett
- -
Date Received: 61 17 Date Notified Complete: 6-2-17
Project Title: Project Poetry Date: 8/1/1 7-5/1/1 8
Use of Funds: Artistic Staff
Total number served: 30-60 per event/15-20 per workshop
Community served: Whole county
Demographics: Seniors / writers of all levels/ages
CHECKLIST
Completed application form with ffi Resumes of key artists/instructors
signatures El Sample publicity
▪ Narrative @ Work samples
• Project Budget worksheet @ Letters of recommendation (not required)
AMOUNT REQUESTED: $1365 AMOUNT GRANTED:
FINAL SCORE:
DocuSign Envelope ID:3E2A8197-2735-44CA-8810-5AD399233576
1 /
46141\411
cr." 2017-18
ORANGE COUNTY ARTS ARTIST PROJECT GRANT PROGRAM
COMMISSION APPLICATION FORM
PART 1: APPLICATION ORGANIZATION INFORMATION
Artist Name: Pam Baggett
Street Address: 8800 Wilkerson Road
City: Cedar Grove State: NC Zip: 27231
Phone: 919-732-9403 Website (if applicable):
Email: nightair@mindspring.com
PART 2: PROJECT INFORMATION
PROJECT SUMMARY
Title of Grant Program or Project: Project Poetry!
Grant Amount Requested: $1365.00
Project Start Date:August 1, 2017
Project End Date: May 1, 2018
PROJECT NARRATIVE
Please attach a narrative providing the information requested below for the project you propose. Please be as concise
and specific as possible:
1. Summary of the proposed project-what will you do, where will it be performed or displayed, when the preparations
and public component take place, any organizational partners.
2. Community impact-describe the project's public component, how many people and what populations will be
impacted.
3. Artist experience-include a brief description of your similar arts projects in the past, if applicable.
PROJECT BUDGET
Please provide a projected budget for your proposed project utilizing the format below. You may attach an additional
detailed budget if necessary, but the tables below must be filled out. Please see the attached Glossary of Budget Terms
for more information. NOTE: Matching funds are not required but may be encouraged depending on the project. If you
have additional funding sources, please include them in the chart below
PROJECT EXPENSES Explanation Grant Request Amount +Matching Funds -Total Expense
Administrative Staff:
A. Personnel Artistic Staff: $1,365.00 $1,365.00
Technical/Production Staff: $
B. Outside Fees and Artistic Contracts:
Services Other contracts:
C. Space Rental
D. Travel
E. Marketing
F. Remaining Project
Expenses
G. Total Cash Expenses $1,365.00 $1,365.00
201/ C,Iuwook Program n(,t(i1)1'AppUcaf ion Packet
onnunign Envelope ID:nEoAa1or-2ron-44CA-8o1n-5Aoaooxao57o
A. Admissions
D. Contracted Services
Revenue
X. Other Revenue �
Corporate Support: �
A. Private Support Foundation Support: �
Other pnvate support: �
Federal: �
E. Government Support State/Regional: �
Local(not including this request): �
(D. Applicant Cash �
C Grant Amount Requested $1'385.00
(in this application)
H. Total Cash income (must
equal Total Cash Expenses, $1'305i00
Item G above)
PART 3: APPLICATION CHECKLIST
~ ^ ^^ ~~ �~ ^ ^^ ~ ~~^-' - '-'-
APPLICATION CHECKLIST
Please compile in this order. Do not staple, bind, or put into individual folders or sleeves. Provide one copy,
one sided, 8.5 x 11 white paper. A digital copy of the application is not necessary.
[]
Application Form, including signature
[]
Narrative
[]
Detailed Budget(if necessary)
[] Resumes of key artists involved in grant funded program(s)
[]
Sample pnognams, prese, or other materials from this or similar past programs
[]
Letters of support from community partners (if applicable)
[]
Work samples by artist(s), labeled with artists' name, title of work, date of work, produced in the last three years:
o Visual artists: CD. DVD, or high resolution photographs (8 images per artist MAX), clearly labeled with
dimensions and media and indicate top of image
o Dance or theater artist: CD or DVD, or link to high-quality online video(3-5 minutes)
o Music and spoken word: CD . MP3 or link to high-quality online video (3-5 minutes)
o Literary arts: Manuscript(10-15 pages) submitted as .pdf file or hard copy
PART 4: CERTIFICATION
I understand that failure to respond to any of the above items may adversely affect the consideration of this application. I
certify that I am committed to the completion of the proposed p ject in compliance with legal requirements and granting
procedures. I certify that the information contained in this application, including attachments and supporting materials, is
true and correct.
Printed or typed name: Pam Haggett
Signature: 4 �
/20101),),0e)
` ~--- - `— '^/
DocuSign Envelope ID:3E2A8197-2735-44CA-8810-5AD399233576
Date:
2017 Grassroots Progrt';rrn( real Application Pc.:rc kel -�
DocuSign Envelope ID:3E2A8197-2735-44CA-8810-5AD399233576
Pamela S. Baggett
8800 Wilkerson Road
Cedar Grove NC 27231
919-732-9403
nightair@mindspring.com
My goal with Project Poetry! is to create poetry events that serve a wide range of audiences in Orange
County, both within and beyond the writing community. Events will take place at three facilities
between the months of October 2017 and May 2018. The events are as follows:
• Organize and host a two-hour reading at the Orange County Main Library in Hillsborough on
October 17, 2017. The event will feature four poets reading work on the theme of Poets on
Family.
• Prepare and teach a three-hour writing workshop, Writing About Family, to be held at the
Orange County Main Library in Hillsborough on October 21, 2017. The workshop will explore
both the joys and painful truths about family and relationships. The workshop will be open to
the public; writers working at all levels and in other genres will be welcome.
• Organize and host a two-hour reading at the Orange County Main Library in Hillsborough on
February 21, 2018. The event will feature four poets reading on the theme of Black History,
Black Futures.
• Prepare and teach a three-hour writing workshop titled Skin, to be held at the Orange County
Main Library in Hillsborough on February 24, 2018. The workshop will explore skin as the
organ that houses us. We'll write about scars, wrinkles, piercings, and tattoos. More importantly,
we'll connsider what our skin color has earned or cost us and how racism affects us personally
and as a society.
• Prepare and present a 45-minute lecture entitled Peace of Mind: Poetry as a Friend on Life's
Journey for seniors at the Passmore Center in Hillsborough and the Seymour Center in Chapel
Hill. Dates to be determined.
• Prepare and teach a two-hour writing workshop for seniors at the Passmore Center and the
Seymour Center on the theme of Journeys, Real and Metaphorical. The workshop will be
structured to serve both experienced poets and new writers. Dates to be determined.
At library events, library staff will provide support by advertising all events both on-line and in the
library. They will also provide and set up a meeting space to accommodate each event.
At events at the Passmore and Seymour Centers, staff will advertise the events to seniors and provide
and set up a meeting space to accommodate each event.
Community Impact:
• Past readings at the Orange County Library in Hillsborough have attracted 30-60 attendees, and
DocuSign Envelope ID:3E2A8197-2735-44CA-8810-5AD399233576
I anticipate that grant-funded workshops will attract similar numbers.Audiences have been a
mix of poets and interested non-writing members of the public.
• Past workshops at the library have served 5-15 writers, both experienced and new, with ages
ranging from 16-80. My goal is for each workshop to serve 15-20 participants. Increased
advertising will enable me to reach those numbers.
• Kim Lamon-Loperfido of the Orange County Department on Aging estimates that the lecture on
Peace of Mind at the Passmore and Seymour Senior Centers will reach audiences of 25-40
seniors at each facility.
• Kim Lamon-Loperfido of the Orange County Department on Aging estimates that the writing
workshop on Journeys at the Passmore and Seymour Senior Centers will attract 30-40
participants at each facility.
Artist's Volunteer Experience:
• Co-organizer and co-host since January 2014 of the Second Thursday Poetry Reading at Flyleaf
Books in Chapel Hill.
• Organizer and host since April 2015 of five poetry readings at the Orange County Main Library
in Hillsborough, featuring distinguished local and regional poets:An Evening of Local Poetry;
Poetry and Race; Poetry and Personal Identity;An Evening of Accessible Poetry; and Poetry of
Witness.
• Organizer and host of Remembrance: an Evening of African-American Poetry, to honor the
Charleston, South Carolina parishioners murdered in June 2015. Held in June 2016 at the
Chapel Hill Library.
• Organizer and instructor for seven writing workshops since April 2015, held at the Orange
County Main Library in Hillsborough: Getting Honest and Yet More Honest; Heroes, Heroines,
and Heartthrobs; Writing About Race; Poetry and Personal Identity; Revising Toward Clarity,
Energy, and Elegance; Writing Poems of Witness; and Wrestling the Four-Tongued Beast:
Revision and Imagery.
• 2014-15: Co-writer and co-facilitator of two writing support groups for women survivors of
domestic violence, funded by a grant from the Orange County Arts Commission and conducted
at the Compass Center in Chapel Hill.A journal of survivors' work, The War Against the
Mirror: Reflections on Domestic Violence was produced with funds from the grant.
Paid Work in the Arts:
• Instructor of the following poetry classes/one-day workshops held at the Seymour Center in
Chapel Hill: Writing Your Life Story Through Poetry, an eight-week workshop; Poets Critique
Group, an eleven-week workshop; Writing from the Rope Bridge; Soundtrack; and Writing
Poems of Witness.
DocuSign Envelope ID:3E2A8197-2735-44CA-8810-5AD399233576
Pam Baggett
8800 Wilkerson Road
Cedar Grove NC 27231
919-732-9403
nightair@mindspring.com
Detailed Budget for Project Poetry!
Labor Costs:
• Organize and host two-hour reading: 4 hours total@$35/hour $140.00
Poets on Family
• Prepare and teach three-hour workshop: 10 hours total@$35/hour $350.00
on Writing about Family
• Organize and host two-hour reading: 4 hours total@$35/hour $140.00
Black History, Black Futures
• Prepare and teach three-hour workshop: 10 hours total@$35/hour $350.00
Skin
• Prepare and present a 45-minute lecture: 4 hours total@$35/hour $140.00
Peace of Mind
• Prepare and teach a two-hour workshop: 7 hours total@$35/hour $245.00
Journeys, Real and Metaphorical
• Total grant request: $1365.00
DocuSign Envelope ID:3E2A8197-2735-44CA-8810-5AD399233576
Pamela S. Baggett
8800 Wilkerson Road
Cedar Grove NC 27231
919-732-9403
nightair@mindspring.com
Artistic Resume
Journal Publications:
• Atlanta Review, Vol. XVIII,No. 2, Spring/Summer 2012: "A Love Poem for My Muse" and
4‘Joy',
• Crab Orchard Review, Vol. XVII, No. 2, Summer/Fall 2012: "Rehrersburg, Pennsylvania,
1857"
• The Sow's Ear, Vol. XXII,No. 4, Winter 2013: "Hunger"
• San Pedro River Review, Vol. VII, No. 1, Spring 2015: "What to Do with a Father"
• Kentucky Review, on-line, January 2015: "Are They Boulders," "At Stouchsburg Cemetery,"
"Country Man," "Driving My Aunt Back from the Nursing Home Where We Visited Her
Sister," "Photograph: Burlap #2," and"Visiting Her Sister at the Nursing Home"
• Tar River Poetry, Vol. LV,No. 2, Spring 2016: "Even Now" and "Truckload of Jesuses"
• Atlanta Review, Vol. XXII, No. 2, Spring/Summer 2016: "Break on Through—Ray Manzarek
Speaks"
• The Greensboro Review, Number 100, Fall 2016: "Summer Vacation"
• Nimrod International Journal of Prose and Poetry, Vol. 60,No. 2, Spring/Summer 2017: "Days
Like These" and"First Birthday Alone"
• San Pedro River Review, Spring 2017: "To a Friend, with Gratitude"
Anthology Publications:
• Forgetting Home: Poems About Alzheimers (Barefoot Muse Press, 2013): "Hunger"
• Kakalak 2014 (Main Street Rag, 2014): "Pompeii Fairy Tale"
• The Southern Poetry Anthology Volume VII: North Carolina (Texas Review Press, 2014):
"Hunger" and "Joy"
• Creatures of Habitat (Main Street Rag, 2015): "So Much"
• Kakalak 2015 (Main Street Rag, 2015): "Dear Aunt Sue"
• Kentucky Review 2015 (Future Cycle Press, 2015): "Are They Boulders," "At Stouchsburg
Cemetery," "Country Man," "Driving My Aunt Back from the Nursing Home Where We Visited
Her Sister," "Photograph: Burlap#2," and "Visiting Her Sister at the Nursing Home"
• Kakalak 2016 (Main Street Rag, 2016): "Snow and the Memory of Snow"
Journals and anthologies in which poems are forthcoming:
DocuSign Envelope ID:3E2A8197-2735-44CA-8810-5AD399233576
• Cold Mountain Review:"Twenty-First Century Pastoral" and "When I Look at Radiance"
• Crab Orchard Review: "What Passes Through This World Sounds Like Crying"
• The Well-Versed Reader(an anthology of narrative poems for reading groups): "Mrs. Sidberry,
Carolina Beach, 1967," "Lucky Girl, 1968," and "Father Arrests Son in Nightclub Homicide,
Kills Both in High-Speed Drive Off Cliff'
Poetry in Plain Sight:
A program which displays poster-sized poems in downtown Winston-Salem business windows
• September 2016: "At the Sugar Shack, Carolina Beach, 1969"
Nominations:
"What to Do with a Father" nominated for the Pushcart Prize by San Pedro River Review, 2015
Lectures and Readings:
• October 2014: Featured poet at Carrboro's West End Poetry Festival
• April 2016: Featured poet at Carrboro's Poetry on Your Plate
• October 2016: Peace of Mind: a Poetry Lecture at the Orange County Main Library in
Hillsborough
• February 2017: Featured poet at the Memory Cafe held at the Passmore Center in Hillsborough
for older adults with memory issues and their caregivers
Volunteer Work in the Arts:
• Co-organizer and co-host since January 2014 of the Second Thursday Poetry Reading at Flyleaf
Books in Chapel Hill
• Organizer and host of the following poetry readings held at the Orange County Main Library in
Hillsborough, featuring distinguished local and regional poets:
April 2015:An Evening of Local Poetry, featuring Aaron Belz, Jaki Shelton Green,
Celisa Steele, and Crystal Simone Smith
February 2016: Poetry and Race, featuring Jaki Shelton Green, Joseph Mills,NC Poet
Laureate Shelby Stephenson, and L. Lamar Wilson
March 2016: Poetry and Personal Identity, featuring Al Maginnes, Maria Rouphial,
Andrea Selch, and Crystal Simone Smith
October 2016: An Evening of Accessible Poetry, featuring Joseph Millar, Florence Nash,
DocuSign Envelope ID:3E2A8197-2735-44CA-8810-5AD399233576
Mark Smith-Soto, and Priscilla Webster-Williams
February 2017: Poetry of Witness, featuring William Black ley, L. Teresa Church,
Maura High, and Earl Huband
• June 2016, Chapel Hill Library: Organizer and host of Remembrance: an Evening of African-
American Poetry, to honor the Charleston, South Carolina parishioners murdered during a Bible
study meeting on June 17, 2015. Featured poets: L. Teresa Church, Jaki Shelton Green, Sheila
Smith McKoy, and Gideon Young
• Organizer and instructor for the following writing workshops held at the Orange County Main
Library in Hillsborough:
April 2015: Getting Honest and Yet More Honest
July 2015: Heroes, Heroines, and Heartthrobs
February 2016: Writing About Race
April 2016: Poetry and Personal Identity
October 2016: Revising Toward Clarity, Energy, and Elegance
February 2017: Writing Poems of Witness
May 2017: Wrestling the Four-Tongued Beast: Revision and Imagery
• 2014-15: Co-wrote and co-facilitated two survivor-led writing support groups for women
survivors of domestic violence, funded by a grant from the Orange County Arts Commission
and conducted at the Compass Center in Chapel Hill.A journal of survivors' work, The War
Against the Mirror: Reflections on Domestic Violence was produced with funds from the grant.
Paid Work in the Arts:
• Instructor of the following poetry classes/one-day workshops held at the Robert and Pearl
Seymour Center in Chapel Hill:
Summer 2015: Writing Your Life Story Through Poetry, an eight-week workshop
Fall 2015: Poets Critique Group, an eleven-week workshop
September 2015: Writing from the Rope Bridge
November 2015: Soundtrack
February 2016: Writing Poems of Witness
DocuSign Envelope ID:3E2A8197-2735-44CA-8810-5AD399233576
POETRY READING
an evening of accessible poetry g
Thursday, October 27 2016
6 : OOJ :45
r ount Public
Hiflsborough, NC Wits its references to obscure mythological goes or little-<nown
events in history, poetry can seem like a (private duo whose
mission • to excluce. But there's another <Inc of (poetry,
access' ole (poetry, which Gigs into everycay experience, tne muc
anc sweat of life as well as its aeauty, distilling life into readaole
work that resonates with our own experiences. Featurec
reacers at the event will ae Joseph Villar, Florence Nash, Mark
Smith-Soto, anc Priscilla Weaster-Williams.
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DocuSign Envelope ID:3E2A8197-2735-44CA-8810-5AD399233576
Pam Baggett
8800 Wilkerson Road
Cedar Grove NC 27231
919-732-9403
nightair@mindspring.com
What to Do with a Father
Girl, you do love a man. Even little you craved
the sweat and car-grease smells coming off
your daddy's worn green Dickies, ripped
from back-crawling into boxy caves beneath
Chevies or up under the house to fix pipes
while your mama fretted about mud-stained floors
and no water pressure. Loved scabbed up
filthy knuckles scraping your baby-soft fingers,
loved getting dirty enough to rate the soiled Lava
next to Mama's pristine Dove.
You were a girl who knew what to do
with a father. Six years old,you climbed
that rickety ladder to the roof, begged to help
pry up loose shingles, to knock in nails that locked
new ones in place.At seven you asked for a tool belt
for your Chatty Cathy doll. Stood with his tipsy
friends at Dingler's gas station, hands in pockets,
wet the greasy pavement with your spit. Knee-schooched
next to him along the garden's hot sand rows,
drowning cabbage loopers in Campbell's soup cans
of unlit gasoline. Saturdays you slouched
against him while he watched Elvis, John Wayne,
Audie Murphy. You loved that singing cowboy
because your daddy did. Cried when Elvis
limped into the desert to die, because even young
you couldn't stand to see a man look so defeated.
Appeared in San Pedro River Review: Vol. VII,No. 1, Spring 2015; nominated for the Pushcart Prize
DocuSign Envelope ID:3E2A8197-2735-44CA-8810-5AD399233576
Pam Baggett
8800 Wilkerson Road
Cedar Grove NC 27231
919-732-9403
nightair@mindspring.com
Photograph: Burlap#2
The ripped threads are only burlap
and nothing else, green and bronze strands
that glow in the peach light of an October dawn.
They don't mean anything by their frailty,
didn't ask to be teased out of the larger scene
of two wooden tobacco wagons with burlap sides,
hitched to a tractor and driven on bald tires
to the edge of the neighbor's waiting field.
Yet, in this light, all is art, camera fodder.
This early, nothing about the day has frayed,
though there exists always the possibility.
The cries of stray birds, the only sounds
on this cold morning. Later, a phone ringing,
someone you love who tells you someone else
you love rose at dawn like you, tried to stand
but collapsed, dragging the night's warm blankets,
faded with years, to the floor. But you aren't yet
at that part of the story. You're still in the field,
bent low to photograph the shredded burlap,
the dazzle of light at its tasseled ends.
Appeared in Kentucky Review on-line, January 2015 and Kentucky Review 2015(Future Cycle Press)
DocuSign Envelope ID:3E2A8197-2735-44CA-8810-5AD399233576
Pam Baggett
8800 Wilkerson Road
Cedar Grove NC 27231
919-732-9403
nightair@mindspring.com
Twenty-First Century Pastoral
Ignore the white plastic bucket hung
upside-down on a fence post, faded blue tarp
flung over a pyramid of rusting oil drums,
towering hemlocks turned skeletal
by Asian woolly adelgids, and this could
be a field a hundred years ago, red oak, butternut,
shagbark hickory framing a mountain pasture,
grass grazed low, billows of wild white
asters, silken seedheads of native clematis
blanketing the lichened wooden fence.
Pretend not to see the Japanese stilt grass
seeding in the ditch, crowding out goldenrod,
purple lobelia, forget the beer cans,
cigarette butts littering the gravel road,
the mangy feral cats cowering in an abandoned
car, and it appears humans have done little
harm here,just carved out a plot for two cows,
a swaybacked horse, a small white house
with an eight-cord woodpile out back,
children that wade in the creek
on hot summer days.
Turn your back on the pick-up truck
in the distance, raising dust in another year
of record heat, record drought, and you bask
in a world in balance, where ferns share
the creek-bank with moss and rhododendron,
a hawk swoops down to snatch a mouse
from the field, not taking the rest.
Slated to appear in Cold Mountain Review
DocuSign Envelope ID:3E2A8197-2735-44CA-8810-5AD399233576
Pam Baggett
8800 Wilkerson Road
Cedar Grove NC 27231
919-732-9403
nightair@mindspring.com
To a Friend, with Gratitude
You listened as I described last year's
mountain visit, how I moved from the road
a rain of acorns, buckeyes, scarlet magnolia seeds
smaller than a fingernail. I was so tender
from my separation, crazed, really, at marriage's end
I couldn't bear the thought of them crushed.
To you, I vowed this trip to walk closer
to sanity, to recognize each creature's fate
as its own—
until I came upon the mother possum
split open from a car's hard blow, four infants
scattered around her, hairless and blind.
I did what you would do: found a stranger
who lent a shovel, plastic bags to keep blood
from my hands. I picked up the little ones thrashing
on hot asphalt, placed them in shaded grass
at road's edge, worked the blade beneath the mother,
a bellyful of babies still in her pouch, latched
to cooling teats. I laid them all together,
waited as her young pawed the air, slowly,
slower. For pity's sake, for sanity.
Appeared in San Pedro River Review, Spring 2017
onnunign Envelope ID:nEoAa1or-2ron-44CA*o1n-5Aoaooxaa57o
Pam Baggett
8800 Wilkerson Road
Cedar Grove NC 27231
919-732-9403
oig}dair6Bnzi`dnpriog.cozo
Hunger
For years she saw the moon
as a dish of mashed potatoes,
clouds as the cream she scooped
from steaming milk. When geese
honked across a clear October sky,
she saw the slide of fatted birds
across his carving board.
Those years flew faster
than a flock of sixty geese.
Her egg timer hasn't dropped
a grain of sand in the two years
since he died. Yet she can't
remember how to make
her famous airy cakes.
Asked the recipe for butter frosting
she shakes her head, muttering
about stars. She's forgotten
everything except the moon,
which she peels and peels,
hoping he will grow hungry
and come home.
Appeared in The Sow's Ear, Vol. XXII,No. 4,Winter 2013;the anthology Forgetting Home:Poems About
Alzheimers(Barefoot Muse Press, 2Ol3); and The Southern/`ootty Anthology Volume VII:North Carolina
(Texas Review Press, 2014)
DocuSign Envelope ID:3E2A8197-2735-44CA-8810-5AD399233576
Pam Baggett
8800 Wilkerson Road
Cedar Grove NC 27231
919-732-9403
nightair@mindspring.com
Truckload of Jesuses
0 Jerusalem, Jerusalem, you who kill the prophets
and stone those sent to you, how often
I have wanted to gather your children together,
as a hen gathers her chicks under her wings,
but you would not let me. Luke 13:34
Ninety-eight degrees on a two-lane highway,
small white feathers flying onto the windshield—
ahead, a flatbed eighteen-wheeler stacked
with crated chickens. The eyes of the birds
on the outer edges grow wide at the roar
of cars, of wind, and how their tiny sacred hearts
must beat in wattled throats.
Where is mercy? Is it in the seat beside me,
where my mother softly hums
her daily mantra: okay, okay, okay,
the chant of one whose eyes grow wide
at everything? She looks at me, says,
My mother feeds those chickens every morning,
with a smile as if she peers from beneath
her mother's apron up into that long-lost face,
then she turns and waves okay, okay
as the truck signals a right at the slaughterhouse.
Appeared in Tar River Poetry: Vol. LV, No. 2, Spring 2016
DocuSign Envelope ID:3E2A8197-2735-44CA-8810-5AD399233576
Pam Baggett
8800 Wilkerson Road
Cedar Grove NC 27231
919-732-9403
nightair@mindspring.com
What Passes Through This World Sounds Like Crying
Midnight. I walk beyond the reach
of lights into rough-mown pasture, soak
my shoes in the day's late shower.A full moon
gleams through clouds like high-beams
through fog, silhouettes two geese that soar
overhead, one silent but for its wingbeats,
the other squawking its distress.
At the nursing home where I've spent
three panicked days, my mother's learning
to sleep until wakened by strangers
who come to change her sodden diaper,
careful with the purple wound, black stitches
of her broken left hip. They tell me she clings
to the bed rail, wails my name.
In daylight, she watches every car
that enters the parking lot, looks a question
at me with each strange new sound: the blast
of air when the door opens, intended to keep out
flies, the beep-beep of a truck backing up.
It's the questions I can't answer—
how the brain smooths to calm unrippled
water, tiny flickers
of thought, how the body outlives
its memory of putting fork
to mouth, of thirst,
how a woman
becomes a silhouette of herself—
Questions that send me out, disturbed
as geese frightened from a pond
where they'd hoped to drift
through the warm humid night,
lush with the scent of wild roses,
a whippoorwill that won't stop
its plaintive song.
Slated to appear in Crab Orchard Review
DocuSign Envelope ID:3E2A8197-2735-44CA-8810-5AD399233576
Pam Baggett
8800 Wilkerson Road
Cedar Grove NC 27231
919-732-9403
nightair@mindspring.com
Days Like These
She's stretched out beneath the pecan tree
on a towel-draped beach recliner when I arrive,
puffing smoke rings that disappear
into the cloudless sky. Bliss of chardonnay,
radio blaring Pearl Jam and the Beastie Boys.
Despite the noise, she's three hundred
pages, two thousand years from her backyard,
chariots clattering down cobbled Roman streets.
The neighbor's black Lab shoves past me
to flop at her feet. She takes his sodden tennis ball,
flings it as we talk, her arm snapping harder
at the mention of her mother, who forgets
to eat, locks her out, falls asleep.
In the air between us, the unspoken shrieks
like raucous crows: plunging t-cell counts,
experimental chemos, tumors that shrink
while those in her chest shift and swell,
smoke rings that refuse to dissipate.
Coming weeks when wine won't quell
pain and she'll be too feeble to walk outside,
escape her mother's barrage: What time is it?
How old am I? Were you asleep?
Meanwhile, shocking blue days
like these, she buries herself in books
she refuses to finish, the pages dog-eared
somewhere near the end.
Appeared in Nimrod International Journal of Prose and Poetry, Spring 2017
DocuSign Envelope ID:3E2A8197-2735-44CA-8810-5AD399233576
Pam Baggett
8800 Wilkerson Road
Cedar Grove NC 27231
919-732-9403
nightair@mindspring.com
Voodoo Child(Slight Return)
If I don't see you again in this world
I'll meet you in the next one, don't be late.
Jimi Hendrix
My friend, in your grave two years
and a winter. Is there a you to tell I'm not over it?
Or am I talking to the wind when I walk,
black crows screeching like the notes
Jimi bent until they ripped us open, broke us
in ways so different from how I feel broken now.
When you, then your mother, died,
I bid goodbye to the brick ranch where we'd slept
beneath posters of the Stones and the New York Dolls,
or stood in that funky pink-tiled bathroom,
staring at our zits, our too-small tits in the mirror.
You: gorgeous hair, swarthy Greek skin,
a mix of confidence and self-delusion
that let you believe Johnny Ross might one day want you,
even after years of being ignored.
Me: slender, small, distrustful,
though we talked each other into believing
everything boys said, rubbing the subject of love
like a worry stone.
We took our own friendship for granted
so that it fell apart at seventeen. Fast-forward
to our reunion, like a band getting back together,
that old synchronicity, before cancer played you,
a note rolling off into infinity. Rock stars and teens
may be immortal,but I suspect the rest of us
are dust. If I'm wrong, keep the porch light burning—
soon as I'm gone from this world
I'll meet you in the next one. Don't be late.
Slated for a chapbook entitled Wild Horses
DocuSign Envelope ID:3E2A8197-2735-44CA-8810-5AD399233576
Pam Baggett
8800 Wilkerson Road
Cedar Grove NC 27231
919-732-9403
nightair@mindspring.com
Break On Through—
Ray Manzarek Speaks
So I'm walking down this street
in heaven, and there's this kid,
maybe fifteen, who's wearing my face
on his t-shirt, and it's not like California,
where a guy that age would never believe
an old dude like me could've ever
been the Doors' rock-star keyboard whiz
whose riffs helped spark a revolution.
Nah, it's nothing like that, up here
they all nod, even the young ones say
Hey man, can't wait for the show,
like they've been standing for hours
outside a locked coliseum door, been jostled
and shoved through ticket lines, sprinted
to the front to press against barricades,
eye-to-bicep with some bruiser security guard
So anyway, I'm walking and this angel
comes up wings, white robe,
the whole bit, and he leads me to a door
that opens on a dark corridor
but ends in bright light. I hear the screams,
the cheers,thousands out there waiting,
and then this guy in black leather appears
in the light, says C'mon, man, it's time. He's smiling—
it's Jim,
and I think hell yeah, they were right
to call this heaven.
Appeared in Atlanta Review: Vol. XXII, No. 2, Spring/Summer 2016
onnunign Envelope ID:nEoAa1or-2ron-44CA*o1n-5Aoaooxaa57o
May 23, 2017
To Whom It May Concern:
I have known and admired Pam Baggett for nearly four years. I have observed and engaged with her in
several settings and roles. I can speak with assurance about her abilities.
In 2014 Pam assumed the role of cohost, with Stan Absher, of the Flyleaf Books Second Thursday
Poetry Reading Series, one of the premier poetry reading series in the Triangle. As a regular attendee, I
observed her professional, warm manner of introducing readers and running the open mic. The
artistry of her poetry, familiar to me through her open mic contributions, is compelling.
I have attended numerous reading events Pam has organized at the Hillsborough Public Library. She
has an uncanny ability to select a topic and invite poets whose work not only addresses the topic but
compliments and meshes with each others' work. She selects the order of the four readers wisely and
makes helpful introductions. After the readings Pam invites questions and open discussion. The
readings have become important, well-attended occasions in the Triangle poetry community.
I have been a participant in many of Pam's Saturday afternoon poetry workshops at the Hillsborough
Public Library and one of her classes at the Seymour Center. I am a teacher. In my working life I have
observed and critiqued many teachers. Pam is a singularly talented teacher. She is that rare breed, an
encourager who quietly inspires. She arrives with deep knowledge and broad preparation. She
provides a handout of poems illustrative of the topic and ideas for writing. She prepares her remarks
and exercises with deliberate care, opening up the topic in a clarifying, inclusive manner. Unlike many
writing workshop leaders, Pam provides context, information, and a wealth of ideas for further
exploration. She is, in other words, a generous teacher.
Six months ago I replaced Stan Absher as cohost of the Flyleaf Books series mentioned above. Pam
and I alternate months introducing the two featured poets and running the open mic, but there's
considerable behind-the-scenes work involved in the successful running of this operation:
coordinating with the bookstore, inviting poets with new books, scheduling at least six months in
advance, communicating with the readers, sending out mass email invites and publicity, running a
yearly competition, throwing book launches. Pam is unfailingly reliable, responsible, good-humored,
and prompt.
I highly recommend Pam Baggett, without reservation. Please feel free to contact me with any
questions.
Sincerely,
Joan Barasovska, M.Ed.
9I9-967-9670
onnunign Envelope ID:nEoAa1or-2ron-44CA-8o1n-5Aoaooxao57o COmvr+
417 u!
111;111? '111111111'
www.bitly/ocpl|mary| mcebookoCNcubrary|Twitter @OCPLibraries
Orange County Main Library
137 W Margaret Ln
Hillsborough, NC 27278
April 6, 2017
Orange County Arts Commission
P.O. Box 8181
Hillsborough, NC 27278
Dear Orange County Arts Commission Committee Members:
I believe Pam Baggett's proposed project of hosting poetry events in the area will greatly benefit
Orange County residents, and I am writing to express my full support. The library has worked closely
with Pam for several years, as she regularly hosts free readings and workshops at our facility. I have
worked directly with her in my position as the library's Adult Programming Coordinator for almost
two years and feel confident expressing my support of Pam and her proposed pr 'ect.
Orange County has an active and engaged writing community,and one of our goals at the library has
been to encourage the continued development of this community. Pam has been instrumental in
helping us meet this goal, as she is a respected and influential member of the literary community in
Orange County and in our state. The readings and workshops that she hosts at the library several
times throughout the year are well-attended, and we receive positive feedback from our patrons,
many of whom request these types of programs. During my time as the Adult Programming
Coordinator, I have appreciated Pam's professionalism and have seen first-hand how our patrons and
Orange County residents benefit greatly from her knowledge,talent, and the connections she has in
the literary community in this county and our state.
I eagerly anticipate the library's collaboration with Pam on this project as we continue to work
toward the goal of supporting Orange County's writing community.
Sincerely,
/ .
Amy Kendric
Adult and Teen Programming Coordinator
Orange County Public Library
MAIN LIBRARY CARRBORO BRANCH LIBRARY mRRBonomoFtARY
137 W.Margaret Lane 900 Old Fayetteville Road 100 N.Greensboro Street
Hillsborough,NC Chapel Hill,NC 27514 Carrboro,NC 27510
919.245z525 919.e69u006 919.918.7387
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