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Home My WebLink About2017-449-E Arts - Kidzu - 2017-18 Arts Grant Agreement DocuSign Envelope ID:56A5C00E-0F80-4BDF-A1 A7-5530F0DB9396 „ 1111 August 1 5, 201 7 Lisa Van Deman, Executive Director Kidzu Children's Museum 201 S. Estes Dr., Suite A-9 Chapel Hill, NC 27516 GRANT AWARD LETTER Fiscal Year 201 8 Grant Category Grassroots Arts Program Funding Source NC Arts Council Grassroots Arts Program Award $1 ,484.00 Start Date _July 1 , 201 7 End Date June 30, 2018 OCAC Report Due Friday, July 6, 201 8 Project Title Curating Creativity Staff Contact Katie Murray, Director 919/245-2335 kmurray @orangecountync.gov Stipulations 1 . Grantee must properly credit the Orange County Arts Commission and/or North Carolina Arts Council (according to Funding Source, provided above), using the proper logo AND credit line on all publicity materials. View proper credit line language and download logos on the OCAC website at https://artsorange.org/grants/grantee-resources DocuSign Envelope ID:56A5C00E-0F80-4BDF-A1 A7-5530F0DB9396 0 ORANGE COUNTY ARTS COMMISSION ,p.I � , ,,,.1 201748 GRANT AGREEMENT AP 0 n THIS AGREEMENT, entered into this 17 day of August, 2017, by and between Orange County ("County"), by and through the Orange County Arts Commission ("Arts Commission") and Kidzu Children's Museum ("Grant Recipient"). WHEREAS, the Arts Commission is a countywide arts agency that ensures the growth of local arts experiences by providing funding and support for diverse high quality programs and projects. WHEREAS, the Arts Commission administers the annual Grants Program to provide economic opportunities to Orange County artists and non-profit organizations coordinating arts projects benefiting the citizens of Orange County. WHEREAS, the annual Arts Grants Program is supported by Arts Commission with funds from the Grassroots Arts Program of the North Carolina Arts Council, a division of the Department of Natural and Cultural Resources, a state agency. WHEREAS, the Grant Recipient was selected by the Arts Commission to receive the annual Arts Grant through the procedures duly adopted by the Arts Commission; and WHEREAS, both parties wish to promote and maintain the integrity and clarity of the Grant Recipient's ideas and statements and delineate the Grant Recipient's obligations to the County; NOW, THEREFORE, the County and the Grant Recipient, for the consideration and under the conditions hereinafter set forth, agree as follows: 1. Approved Grant Project. Grant funds are provided under this Agreement for the project ("Project") described in the Grant Recipient's Grant Application, attached hereto and incorporated herein as Exhibit A. 2. Grant Award. Grant funds in an amount not to exceed one thousand four hundred eighty four ($ 1,484) have been awarded by the Arts Commission to the Grant Recipient for the approved Project. The Recipient shall be required to match funds at least dollar-for- dollar with cash from the Grant Recipient's funds not derived from either Orange County appropriations or the North Carolina Arts Council, as outlined in the attached Exhibit A. 3. Contingency. This grant is contingent on North Carolina Arts Council Grassroots Program funding to the Arts Commission. Final decisions on Grassroots Program funds to the North Carolina Arts Council are subject to approval by the North Carolina General Assembly. 4. Responsibilities of the Grant Recipient 1 Revised August 2017 DocuSign Envelope ID:56A5C00E-0F80-4BDF-A1 A7-5530F0DB9396 A. Implementation. The Project implementation shall take place between July 1, 2017 and June 30, 2018. The Project shall be implemented in the manner described in Exhibit A. Time is of the essence in the implementation of the Project. B. Modifications to project. Grant Recipient shall present major changes to the original proposal, including but not limited to changes in design, implementation schedule and increase in Project budget by more than 10%, in writing to the Arts Commission for approval. Arts Commission shall approve or disapprove Grant Recipient's request for modifications within seven (7) days of receipt thereof Consent to project modifications shall not be unreasonably withheld. Arts Commission's decisions shall be in writing. In the event the Arts Commission fails to approve or disapprove the requested modifications within the time stated herein, the modifications shall be deemed approved. C. Non—assignment. The grant cannot be assigned or transferred to a different project or artist without prior written approval of the Arts Commission. D. Records. Grant Recipient must maintain records and other evidence pertaining to costs incurred and revenues acquired during the Project implementation. Grant Recipient shall maintain financial records pertaining to the Project for three (3) years from the date of this Agreement, in case of audit. E. Use of Funds. Grant Recipient shall not use the grant funds to repay outstanding taxes or other debts of any nature. The grants shall be utilized solely for the purpose described in the attached Exhibit A. F. Final Report. Grant Recipient shall submit to the Arts Commission a Final Report on July 6, 2018. The Final Report shall be in the format required by the North Carolina Arts Council. Failure to submit the Final Report or late submission of the Final Report, for any reason, shall be grounds for denial and/or cancellation of grant funds for the Project and future grant proposals. 5. Responsibilities of the Arts Commission A. Payment. The Arts Commission shall release the grant funds in the amount of $1,484.00 to the Grant Recipient. 6. Publicity A. Acknowledgement. Credit must be given to the Orange County Arts Commission and/or the North Carolina Arts Council using the proper logo(s) and credit line in brochures, news releases, programs, and all other printed and online publications. Copies of such printed materials must accompany the evaluation report. Official Orange County Arts Commission and North Carolina Arts Council logos may be downloaded at www.artsorange.org/grantee-resources and may not be altered in any way. When no printed information is used, verbal 2 Revised August 2017 DocuSign Envelope ID:56A5C00E-0F80-4BDF-A1 A7-5530F0DB9396 credit shall be given. In addition, all print and promotional material must include the following credit line and logo(s) (check all that apply): i. County Funds Only. Orange County Arts Commission logo required. Credit line required for audio projects: "This program is supported by the Orange County Arts Commission. " ii. x North Carolina Arts Council Funding. The Orange County Arts Commission and the North Carolina Arts Council logos are required. Credit line: "This program is supported by the N.C. Arts Council, a division of the Department of Natural and Cultural Resources. " B. The Grant Recipient must enter all events, exhibits and performances open to the public and related to this grant award on the ExploreChapelHillARTS.com website and display Orange County Arts Commission publicity materials (postcards, brochures, etc.) prominently and consistently at their venue or performance space. In addition, the Grant Recipient must add a link to the www.artsorange.org (Orange County Arts Commission logo preferred) to their main webpage. 7. Indemnity. The Grant Recipient agrees to indemnify and hold harmless the County, the Arts Commission and the North Carolina Arts Council and their officers and employees from any and all claims or actual injury, damage or loss to a person, or real or personal property that results from or is in any way connected to the use of the grant funds. 8. Independent Contractor. The Grant Recipient is an independent contractor and not an employee, agent or other representative of the County and/or the Arts Commission. Nothing contained in this Agreement shall be construed to create the relationship of principal and agent, or employer and employee, between Grant Recipient and Arts Commission or Orange County Government. Grant Recipient understands and agrees that he/she is not authorized to incur any expenses or any liability whatsoever on behalf of the County or the Arts Commission and has no authority, expressed or implied, to obligate or make representations on behalf of the County or the Arts Commission. In addition, Grant Recipient agrees to maintain his or her own worker's compensation insurance for himself/herself and his or her employees for the duration of the art work's installation. 9. Termination A. In the event of any of the circumstances set forth below (hereinafter referred to as "default"), the Arts Commission may immediately terminate this Agreement: (i) Any fraudulent representation in any verification required to obtain payment under this Agreement or other dishonesty on a material matter relating to the performance of services under this Agreement. (ii) Nonperformance, incomplete service or performance, or failure to satisfactorily perform any part of the Project or to comply with any 3 Revised August 2017 DocuSign Envelope ID:56A5C00E-0F80-4BDF-A1 A7-5530FDDB9396 provision of this Agreement, as determined by the Arts Commission in its sole discretion. (iii) Failure to adhere to the terms of applicable county, state or federal laws, regulations, or stated public policy. B. In the event of default by the Grant Recipient, the Arts Commission has the discretion to elect to terminate this Agreement, in whole or in part and/or require the Grant Recipient to repay the grant funds within seven (7) from written notice of default or allow the grant recipient the opportunity to cure the default. This clause shall not be interpreted to limit the County's or the Arts Commission's remedies in law or in equity. 10. Miscellaneous. A. Entire Agreement. This Agreement and the attachments contain the final and entire understanding of the parties with respect to the subject matter of this Agreement. All modifications and amendments to this Agreement shall be in writing. This Agreement shall be binding upon the parties, their heirs, successors and assigns. B. Governing Law. Both parties agree that this Agreement shall be governed by the laws of the State of North Carolina. Provider shall at all times remain in compliance with all applicable local, state, and federal laws, rules, and regulations including but not limited to all state and federal anti-discrimination laws, policies, rules, and regulations and the Orange County Non-Discrimination Policy and Orange County Living Wage Policy (each policy is incorporated herein by reference and may be viewed at http://www.orangecountync.gov/departments/purchasing_division/contracts.php). Any violation of this requirement is a breach of this Agreement and County may immediately terminate this Agreement without further obligation on the part of the County. This paragraph is not intended to limit and does not limit the definition of breach to discrimination. By executing this Agreement Provider affirms that Provider is and shall remain in compliance with Article 2 of Chapter 64 of the North Carolina General Statutes. By executing this Agreement Provider certifies that Provider has not been identified, and has not utilized the services of any agent or subcontractor, on the list created by the State Treasurer pursuant to G.S. 147-86.58. C. Entire Agreement and Signatures. The parties have read this Agreement and agree to be bound by all of its terms, and further agree that it constitutes the complete and exclusive statement of the Agreement between the parties unless and until modified in writing and signed by the parties. This Agreement together with any amendments or modifications may be executed electronically. All electronic signatures affixed hereto evidence the intent of the Parties to comply with Article 11A and Article 40 of North Carolina General Statute Chapter 66. [SIGNATURE PAGE TO FOLLOW] 4 Revised August 2017 DocuSign Envelope ID:56A5C00E-0F80-4BDF-A1 A7-5530F0DB9396 IN WITNESS WHEREOF, the Orange County and the Grant Recipient have signed this Grant Agreement, effective on the last date this Agreement is signed by both parties as indicated by the dates set forth under signatures below. For and on behalf of the Grant Recipient FDocuSigned by: LiSet USA, Vcsoun, 8/25/2017 83i°DVtnan,Director Date For and on behalf of Orange County Government DocuSigned by: lAA/Llt, ikam Mt,V'Stt,(1 9/5/2017 teimersley, County Manager Date 5 Revised August 2017 DocuSign Envelope ID:56A5C00E-0F80-4BDF-A1 A7-5530F0DB9396 ORANGE COUNTY-DEPARTMENT USE ONLY Department Party/Vendor Name: Kidzu Children's Museum Party/Vendor Contact Person: Lisa Va Deman Contact Phone: 919-933-1455 Party/Vendor Address: 201 S. Estes Dr., Suite A-9 City Chapel Hill State: NC Zip: 27516 Department: COUNTYMGR/Arts Commission Amount: 1484.00 Purpose: 2017-18 Arts Grants Budget Code(s): 37601020-683000 Vendor#60102 (N/A if new vendor) Vendor is a BOCC consultant? Yes❑ No Contract Type: (Check one)New ® Renewal ❑ Amendment ❑ Effective Date 8/17/2017 Approved by Board Yes No 111 Agenda Date: This agreement is approved as to technical form and content: �'�a�u Department Director's Signature S �. Date: 8/23/2017 0A3E81B12B364B4... Information Technologies (Applicable only to hardware/software purchases or related services)This agreement has been reviewed and is approved as to information technology content and specifications: Office of the Chief Information Officer Date: Risk Management This agreement is approved for sufficiency of insurance standards, specifications, and requirements: DocuSigned"by:'�. Office of the Risk Management Office iUSX C,bV'I�t,t,{tb Date: 8/25/2017 7FDCF9176800498... Financial Services This instrument has been pre-audited in the manner required by the Local Government Budget and Fiscal Control Act: DocuSigned by: Office of the Chief Financial Officer (1' '.6.-i-41-6-x- Date: 8/25/2017 7D4E5181 ACC1409... Legal Services This agreement is approved as to legal farm and sufficiency: ocuSigneend""by:''�� ovt.A.YtI, fibSG6 9/5/2017 Office of the County Attorne Date: 079A4D525C0F4FB... Clerk to the Board Received for record retention: All Docusign contracts must be copied to Donna Lloyd upon completion @ Dolloyd @orangecountync.gov The following signature block is for hard copies only and is not required for Docusign contracts: Office of the Clerk to the Board Date: 6 Revised August 2017 DocuSign Envelope ID:56A5C00E-0F80-4BDF-A1 A7-5530F0DB9396 7 Revised August 2017 DocuSign Envelope ID:56A5C00E-OF80-4BDF-A1A7-5530FODB9396 94? 1 rck' A S R PROCR tRal GRAN'r Cop dr 2017-18 G NT APPLICATION COVERSHEET Applicant Kidzu Children's Museum Date Received: 6/2/17 Date Notified Complete: 6/5/17 Project Title: Curating Creativity Date: Aug 17-June 18 Use of Funds: Artistic & Admin staff NCAC Funding Priority: M 19t M 2nd 3rd 1r7 korj kV)) NCAC Multicultural Requirement? 0 Yes Amount $ 0 No Total number served: 2500 children and adults Community served: Whole county Demographics:Youth CHECKLIST Completed application form with M Budget: FY17-18 signatures 0 Board List M. Narrative M Tax exemption letter M Project Budget worksheet M Sample publicity Resumes of key artists/instructors M Work samples RI Financials: FY15-16 0 Letters of support(not required) 11 Financials: FY16-17 AMOUNT REQUESTED: $3000 AMOUNT GRANTED: FINAL SCORE: DocuSign Envelope ID:56A5C00E-0F80-4BDF-A1A7-5530F0DB9396 l l C A 19.,.., z -0 00 201718 ,c7:7 ORANGE COUNTY ARTS co GRASSROOTS ARTS PROGRAM COMMISSION www.ncarts.org APPLICATION FORM PART 1 : APPLICATION ORGANIZATION INFORMATION Organization Name:KT(52u Children's Museum Street Address:0Yr S7Esre"CCYrl\re; Sre-Vg --CitTCT:faPeTRir— State:NG Tzia:27516 Phone:919.933.1455 Website:www. litiFzuebirffensmuseum.org Authorizing Official Name:LisaVAT) EYeman Authorizing Official Title:"E"XeCatrve'DiTe do r Authorizing Official Phone:919.g331-455 1 Authorizing Official Email:var-TdeTtra–n-gRrarjeiTiareTir Applicant Race:ralCaslon Or EIN: ORGANIZATIONAL FINANCES Please attach a complete income and expense statement(an audit may be substituted) for your last fiscal year and complete operating budgets for the current fiscal year and next fiscal year Public schools and other large governmental or community agencies should attach arts program financial information only Please copy the totals from these attachments in the spaces below: 1 Last Year Actual: FY15-16 Current Year: FY16-17 Next Year: FY17-18 Actual income: $ , Projected Income:054;606 Projected Income: • Actual Expenses: $9237755 Projected Expense: $ , Projected Expense: $990,261 1 PART 2: PROJECT INFORMATION PROJECT DIRECTOR INFORMATION if different from Authorizing Official) Project Director Name: Y e arlie-FaT2-Levinson Project Director Title Creative Director _ Street Address:We eheve City: State: Zip: Phone:grg.g3TT455— Emii;TeVirlson • uozucTilidfensmuseum.org PROJECT SUMMARY Title of Grant Program or Project:: Cu rating CreatiVIty Grant Amount Requested S3,000 Project Start Date (No earlier than July 1, 2017): " ugu§fIC2017 Project End Date (No later than June 30, 2018):Jlirie30, 20 ; 1 SCHOOLS ONLY: Are you booking your artists through The ArtsCenter's Arts in Schools Program? Ei YES 0 NO 2ui/ (',(hst ,c,i,,14 )airtirr Uford Applr DocuSign Envelope ID:56A5C00E-OF80-4BDF-A1A7-5530FODB9396 PROJECT NARRATIVE Please attach a narrative providing the information requested below for the project you propose. Please be as concise and specific as possible: 1. Please give a brief description of your organization, including mission, board and staff composition, current arts programs and services and number and kinds of people served, Public schools and other large governmental or community agencies should provide a description of their arts program only rather than the entire organization, (250 words or less) 2. Offer a brief summary of the proposed project. 3. State your project's goals, 4, Offer a description of intended participants/audience, including estimated numbers and racial and cultural composition. For school applications please include the demographic breakdown of the student body, as well as the percentage of students on the Free and Reduced Lunch Program, 5. Describe the location where project will take place, 6. Explain all project activities 7. Describe all artists to be involved in the project, how and why they were chosen, and the rate of payment for their services. If you have not yet selected the artists, describe the kinds of artists you intend to involve and how you will select them, (Schools, please indicate if you are working with The Arts Center's Arts in School program to secure your artists). Please include the ethnicity of artists or instructors hired for the project. 8. Describe how the project will be publicized and promoted to reach intended participants, 9. Describe how you will evaluate the project, PROJECT BUDGET Please provide a projected budget for your proposed project utilizing the format below, You may attach an additional detailed budget if necessary, but the tables below must be filled out. Please see the attached Glossary of Budget Terms for more information, pnpJeo,Expenses _ op orotitr,,„, ,,,, „, Grorit 138911s1Apiamf Ma* ins%Fundsr ',--,Th4IExpøflse Administrative Staff: $ • $ $ e A. Personnel Artistic Staff: $1",2air Technical/Production Staff: $ ° $ 0 $528 B. Outside Fees and Artistic Contracts: $ $ $ Services Other contracts: $ $ $ „. . C, Space Rental $ --$T,S927 $1,gg2" D. Travel $ $ $ . E Marketing 1960 $700 $1;560- F Remaining Project $264 $1,250 $1,514 Expenses G. Total Cash Expenses $3,-000— $,,47Cr $1,470 ) 1 • % jf rrrry ff. ( 0,, , )7,, „ „, 40/ ,/ //if /,,/ ,firjj y owl 1%6/11/091,/14/ //// if '4 il,, '!, 44, ,/,"/ /4711, /WILL/ 4/Li, //,'Iiiisi, IL/I/ 1,1/ A. Admissions *rogram is ree a a museum vial ors $1 B. Contracted Services $ Revenue C. Other Revenue $ I Corporate Support: $ D. Private Support Foundation Support: $ I 4 ,4 Other private support: $ Federal: $ E. Government Support State/Regional: $ Local not including this request): $ F. Applicant Cash $ G. Grant Amount Requested $3,000 fin thisApplication) H. Total Cash income (must equal Total Cash Expenses, $7470 Item C above 201/Growooh noc.pon Grunl Applicotion i'mkot 6. DocuSign Envelope ID:56A5C00E-OF80-4BDF-A1A7-5530FODB9396 PART 3: APPLICATION CHECKLIST APPLICATION CHECKLIST Please compile in this order. Do not staple, bind, or put into individual folders or sleeves. Provide one copy, one sided, 8.5 x 11 white paper. A digital copy of the application is not necessary. O Application Form, including signatures O Narrative El Detailed Budget(if necessary) O Resumes of key artists and administrators involved in grant funded program(s) O Income and Expense statement for FYI 5-16 O Budget or year-to-date statement for FY16-17 0 Budget for FY17-18 O Current Board of Directors" list O Copy of IRS Tax Exemption Letter, if applicable O Sample programs, press, or other materials from this or similar past programs El Work samples by artist(s), labeled with artists° name, title of work, date of work, produced in the last three years: O Visual artists: CD, DVD, or high resolution photographs (8 images per artist MAX), clearly labeled with dimensions and media and indicate top of image o Dance or theater artist: CD or DVD, or link to high-quality online video (3-5 minutes) O Music and spoken word: CD , MP3 or link to high-quality online video (3-5 minutes) 0 Literary arts: Manuscript(10-15 pages) submitted as .pdf file or hard copy PART 4: CERTIFICATION We understand that failure to respond to any of the above items may adversely affect the consideration of this application. We certify that we are committed to the completion of the proposed project in compliance with legal requirements and granting procedures. We certify that the information contained in this application, including attachments and supporting materials, is true and correct to the best of our knowledge. oftscTorof , , ,,„ Printed or typed name: Melanie Hatz-Levinson Signature: ° Date: June 1, 2017 AbnzN , ro,act,„ da. -, , „ „ Printed or typed name: Lisa Van Deman ). ,„„ Signature: ¼ Date: June 1, 2017 - 201/Grassroots Program Grant lkulKn Prickpi 7 DocuSign Envelope ID:56A5C00E-OF80-4BDF-A1A7-5530FODB9396 CHLORIN' MUSEUM 1. Please give a brief description of your organization, including mission, board and staff composition, current arts programs and services and number and kinds of people served. Public schools and other large governmental or community agencies should provide a description of their arts program only rather than the entire organization. (250 words or less) Kidzu Children's Museum is an educational, interactive museum for children and families that opened in March, 2006 in downtown Chapel Hill. Our mission is to inspire children and the adults in their lives to learn through creative play. The museum focuses on 4 broad themes— the arts, STEM/STEAM education, child health and wellness and emerging literacy. We offer hands-on exhibits and interactive, interdisciplinary programs designed to foster creativity, 21st century skills, and a love of learning. Kidzu provides outreach to children in need through a range of free programs for schools and families, including free field trips for schools, preschools and child care centers with free admission for classrooms serving substantial numbers of children in need; free and "pay what you can" family days; and off-site outreach. Kidzu serves 100,000 children, families and schools of Orange, Durham, and Chatham counties, nearby portions of Alamance and Wake counties, as well as visitors from other areas of North Carolina and beyond. Our target age range is children infant to tween, and the adults who care for them. The long-term vision of Kidzu's 19 board members, 45 staff, and over 100 volunteers is to build a permanent children's museum in Chapel Hill/Carrboro that would be a model of excellence in celebrating and reflecting the uniqueness of our community through interactive, informal learning. In collaboration with regional academic, educational, and creative experts, we will implement playful, evidence-based, educational approaches that enhance children's learning and development from their earliest years, helping each child in our community reach his/her fullest potential. 2. Offer a brief summary of the proposed project. "Researchers who have tracked children's creativity for 50 years are seeing a significant decrease in creativity among children for the first time, especially younger children from kindergarten through sixth grade." --Nancy Carlsson-Paige, Professor of Early Childhood Education at Lesley University, 2012 Kidzu is seeking $3,000 from the Orange County Arts Commission for a series of programs that will be offered free of charge to museum visitors which are designed to inspire children and demonstrate some of the ways creativity influences various careers in our community. Curating Creativity programs are designed to address the alarming decreases in creativity that have been documented by researchers in the United States, particularly among young children, while capitalizing on what Kidzu does best. Drawing from a wealth of resources within our local community, Curating Creativity activities will continue Kidzu's tradition of sharing the exceptional creative capital of the Orange County area with those who deserve it most our young children. 21 I hrtw 11(0, I+1( ololo'It'1 If I (2r DocuSign Envelope ID:56A5C00E-OF80-4BDF-A1A7-5530FODB9396 111111100111 IA)0 ll1111 011111.DRIIC 11 MINIUM Curating Creativity will introduce Kidzu visitors to creative professionals from an array of fields—visual and performing arts; scientists; technology; engineering; "makers," gardeners, farmers, chefs and others distinguished by their creativity. Kidzu is particularly interested in highlighting "STEAM" disciplines to underscore that interdisciplinary nature of creativity. For example, a sound engineer from UNC's "Beat Lab" works with visitors to play with musical patterns and layer samples into a unique piece of music to be shared with future visitors, 3. State your project's goals. Curating Creativity is designed to address two primary educational goals: 1. Start Creative, Stay Creative: Offer experiences that nurture children's creativity, help children learn to think of themselves as inherently creative, motivate them to be creative for the sheer fun of it, and encourage children to see creativity as a lifelong and "life-wide" experience. 2. Creativity for All: Demonstrate the universality of creativity, to promote creativity as a social and cultural bridge, and to foster creative connections across disciplines. For children to succeed in school and in life, they must be able to think creatively and weave together insights and knowledge across a growing array of disciplines. We seek to help visitors of all ages and backgrounds recognize that creativity is not the sole province of artists and others traditionally seen as creative. Kidzu also recognizes the power of creative experiences to help children and adults bridge cultures, socioeconomic levels, generations, abilities, and other real and perceived differences among diverse members of our community. 4. Offer a description of intended participants/audience, including estimated numbers and racial and cultural composition. For school applications please include the demographic breakdown of the student body, as well as the percentage of students on the Free and Reduced Lunch Program. Kidzu anticipates serving a minimum of 2,500 community children and adults over the 12 month calendar of Curating Creativity programs. Currently, over 75% of our visitors reside within Chapel Hill/Carrboro/Hillsborough. The Kidzu visitors reflects the diverse Orange County community and through strengthened partnerships with local social service agencies, non-profits such as; Family Success Alliance, Cedar Grove Community Center, Hargraves Community Center, and the Refugee Support Center we expect a high number of low-to moderate income households to participate in the program during "pay what you can" Sundays. 5. Describe the location where project will take place. Kidzu is currently housed in its new 8,500sf facility at University Mall, where the museum will be located for the next three years, and is on track to serve approximately 100,000 visitors r ; DocuSign Envelope ID:56A5C00E-OF80-4BDF-A1A7-5530FODB9396 , .4111,11■ .V IIII Ilr..7 1 1 1.I lo 4..1.'11.1111111111, ' 1 EHILDRIN'S MUMMA annually. The museum focuses on 4 broad themes within its exhibits and programs—the arts, STEM/STEAM education, child health and wellness and emerging literacy. Every aspect of the current museum was created and built locally, and is infused with the creativity of area artists, craftspeople, scientists and educators who are passionate about nurturing a child's creativity and learning through play. The majority of these Curating Creativity workshops will occur in our Makery, the heartbeat of Kidzu that is dedicated to "maker education." Workshops will occasionally extend into the larger museum space and program room. 6. Explain all project activities. Kidzu will host at least one creativity workshop/day of activities per month for 12 months with 12 or more visiting creative professionals during the project year. Each professional will work with Kidzu to develop an interactive workshop or all-day activity that will engage children and families in "co-creating." While the focus will be primarily on exploring the creative process, projects may have both a take-home element and a creative work developed collaboratively. The 'Curating Creativity'programs include: Mix it Up and Makery Masterpieces. • Mix It Up in The Makery involves local artists, scientists, and makers bringing their special expertise to The Makery • Makery Masterpieces programs connects a local artist, craftsperson, and scientist to Kidzu visitors through the creation of a project based on the Master's area of expertise. 7. Describe all artists to be involved in the project, how and why they were chosen, and the rate of payment for their services. If you have not yet selected the artists, describe the kinds of artists you intend to involve and how you will select them. (Schools, please indicate if you are working with The ArtsCenter's Arts in School program to secure your artists). Please include the ethnicity of artists or instructors hired for the project. Kidzu has implemented the Curating Creativity since opening in our space in University Place, April 2015. Initial funding came from Strowd Roses with matching funds provided by the Oak Foundation. We've welcomed many guest specialists throughout the last two years partnering with well over 40 local artists, scientists and professionals. Each visiting specialist created innovative activities and workshops that equally thrilled and challenged our visitors. For example, Stephanie Person constructed flying machines with the children and Anna Podris created encaustic travel inspired postcards. A selection of the individuals and organizations are as follows: • 123 Puppetry i 40)151 04•114 cot. 40 L 1 • Jim Adams -Welding Demonstrations • American Dance Festival • Andy Berner- LED Art Workshop 5c0101A0 -f4v1 e, I. • Jeannette Brossart - Mosaic Artist , (gip DocuSign Envelope ID:56A5C00E-OF80-4BDF-A1A7-5530FODB9396 ee , km, 1 Nom, 0011 111111111,1111 CHILDRIN' SWUM • Book Harvest - Design a Story Workshop • Kerry Cheek - Environmental Science/Design Water Reserve Demonstration • Chapel Hill Fire Department- Hydraulic and Water Demonstrations • Chapel Hill Quest Martial Arts • Sandra Elliott - Collage Workshop • Lew Graham - Encaustic Workshop • Girls Engineering Change - Construct Circuits and Calculators • Bob Goldstein - Microscope Construction • Happymess Art Studio - Tie Dye Art Workshop • Helping Hand Project - Biomechanical Engineering Workshop • Evan Hirasawa - Claude Monet Project • Gordon Jameson - Abstract Art Workshop • Kelley Kirven - Origami Workshop • Annie Konzelman - Photography Workshop • Neyrs Levy - Global Warming Art Workshop • Shannon Mackenzie - Pottery Wheel Demonstration • Mad Science • Christian Minore - Mechanical Engineer • MakNet- UNC Engineering Club • Morehead Planetarium and Science Center - Mars Rover Engineering Workshop • North Carolina State University Center for Aquatic Ecology -Augmented Reality Sandbox • Bob Palmatier - Butterfly Collection Loan + Painting Workshop • Paperhand Puppet Intervention - Paper Mache Puppet Workshop • Dan Parrish Author and Illustrator Workshop and Book Reading • Susan Parrish - Mixed Media Sculpture Workshop • PlayMakers Repertory Company - Stage Costume Workshop • Stephanie Peterson - Found Object Artist • Anna Podris- Encaustic Art Demonstrations • Victoria Price - Color Mixing and Self-Portrait Workshop • Amy Richards - 3D Beehive Construction • Bailey Ryan - Garden Design Workshop • Beatrice Ruggeri - Puppet Workshops • Supergraphic Screen Printing • Josh Taylor- Illustration Workshop • Barbara Tyroler- Photography Workshops, "Turning the Lens" Exhibit • Charlie White - Graphic Designer Kidzu offers a $25 -50 per hour Honorarium per guest specialist, Our Outreach Coordinator, Rose Bequet communicates with guest specialists throughout the year. For our 2017/18 program year we will schedule each specialist 2-3 months in advance to allow ample time for promotion and advertising. Rose works to create new relationships with local specialists to keep evolving our offerings and make deeper connections with the local DocuSign Envelope ID:56A5C00E-OF80-4BDF-A1A7-5530FODB9396 '5, 1" 010 , 011 40 (HILORIN'S MUMMA community. In recent months we have worked closely with the Town of Chapel Hill as a network of "makers" from the community was established. Through this initiative we made many new connections and welcomed new specialists to our Curating Creativity programming. 8. Describe how the project will be publicized and promoted to reach intended participants. Kidzu publicizes and promotes programs through a variety of mediums: • e-blasts to our 1,200 member households and over 5,000 general information email database • social media promotion (Facebook, twitter, Instagram) • press releases • local press opportunities such as chapelboro.com, Chapel Hill Magazine, WCHL, News and Observer and the Indy • in-museum promotion seen by approximately 5,000-7,500 visitors per month 9. Describe how you will evaluate the project. Since Kidzu opened in 2006,the museum has worked to design and implement informative evaluation into the fabric of our museum. We are devoted to providing evidence-based practice, evaluation, and research into all of our exhibits and programs. Our practices are based on the "spiral of educational innovation," an iterative, ongoing process that integrates evidence-based practice, evaluation, research, prototyping, and implementation. Evidence of success for the Curating Creativity will be gauged through: 1) the number of visitors (tracking child ages, ethnicity and household income); 2) front-end evaluations gauging participants interest in STEM, literacy, art and health and wellness 3) summative evaluations from the participants; 4) Parent/ caregiver surveys - open-ended questions about their Kidzu experience and suggestions for improvement. )(n r f ri( (1-0(11( 4)wl0 ,rfro onnunign Envelope ID:onA5CnnE-nFao-4eoF+wA7-55anpnooeaeo Rose Sophia Bequet 2212 Hillock Drive henueu@kidzuchiWmnsmmeum.urg Raleigh NC,27612 919'696-8813 ___ �_- _~„ �� Recent MA.Museum Studies graduate focused ona career innonprofit management, community outreach, and educational curriculum development, SKILL SUMMARY • PROGRAM DEVELOPMENT-Facilitated 300+ programs in both art and children's museums • COMMUNITY OUTREACH -Efforts have reached over 4,000 families in the Chapel Hill/Carrboro area per year and grew museums partnerships by 35% 1 • ART EDUCATION 'Extensive knowledge In Introducing children to art hlstury through hands on projects and innovative programming EDUCATION M.A. in Museum Studies;Museum Education Concentration May 2016 University of Oklahoma, Norman, OK B.A. in Art Studies, Minor in Religious Studies May 2014 North Carolina State University, Raleigh, NC EXPERIENCE Community Outreactm and Special Programs Coordinator August 2016- Present Kidzu[h%d,vn's Museum, Chapel Hill, NC * Served as point of contact for all community partners looking to hook special programs • Facilitate outreach events and other nhouse special programs • Maintain existing community relationships and develop new community partnerships • Assist tp the advancement of the community outreach through the writing of institutional grants • Collaborate with tire edLJcat on team in the development of curriculum Arts Programs Lead July 2015- July 2016 Kidzu Children's Museum, Chapel Hill, NC • Implemented weekly programs promoting the Maker Initiative, fOcusing on STEM learning • Planned and facilitated weekly Art History programs for children ages 2'10 • Organized weekly family programs featuring community artists, scientists, and makers Registration Department Intern August 2014-June 2015 North Carolina Museum of Art, Raleigh NC • Assisted with the installation and deinsta|laUpn of three major exhibits • Handled Image reproduction requests applications • Conducted yearly inventory of museum's permanent collection with museum staff Education Department Intern:Adult Programming ApriiZV14 -August 2V1* North Carolina Museum of Art, Raieigh NC • Independently researched items in Museums collection to be presented to staff • Assisted in the facilitation of museums adult programs including: Lunch and Lecture Series, Italian Renaissance Seminar, and the Museums Book Club ~ Planned seven Studio Art programs in two months taught by North Carolina Artists who are represented in the Museum's collection Registration and Curatorial Intern August 2013 -May 2014 | Gregg Museum of Art and Design, Raleigh NC • Catalogued objects in permanent collection • Assisted curator with two niajor exhibitions, from planning to installation • Created two entries on museum's blog on items in the permanent collection PROFESSIONAL ACHIEVEMENTS | P,-nnellst, Undergraduate Engaged Experiential Education Surrirnit February 2017 University ofNorth Carolina, Chapel Hill, NC Author, "Cultivating Community Trust: Kidzu Children's Museum's Partnership for Outreach" April 2017 Publication in University of North Carolina School of Government Online, Chapel Hill, NC DocuSign Envelope ID:56A5C00E-OF80-4BDF-A1A7-5530FODB9396 MELANIE HATZ LEVINSON Curriculum Vitae i Clarendon Street Durham,North Carolina 27705 11:10.4(kiqt)a ::,::, , ,;,„YJg,l,',1(1:,,,s,:!'!,;0, 919-286-2777 EDUCATION Ph.D. Institute of Fine Arts, New York University,New York,NY 1998-Present Candidate Concentration: Ancient Near East and Egypt;Advisor: Professor Donald P. Hansen Dissertation topic: Early Dynastic sealings from al-Hiba, Iraq Coursework and exams for Ph.D. completed December 2002 M.A. Ancient Near Eastern Art and Archaeology; minor in Renaissance architecture 2001 "Seals in Transition: Bridging the Early Dynastic and Akkadian Periods in Southern Mesopotamia" "The Ghosts of Roman Past,Renaissance Present and Christian Future: A Study of Brunelleschi's Oerve" M.A. Columbia University,Graduate School of Arts and Sciences,New York,NY 1995 Department of Art History and Archaeology;Advisor: Professor Malcolm Russell Concentration:The Art and Archaeology of the Aegean, Egypt and Ancient Near East Thesis: "Postcards from the Edge: The Egyptianizing Elements from the Black Room at Boscotrecase" The University of Michigan,College of Literature,Science and Arts, Ann Arbor„ MI 1993 History of Art Major; Concentration in Modern Art; Advisor: Professor Diane Kirkpatrick Graduated with Honors GRANTS AND FELLOWSHIPS Graduate Fellowship in Art History 2002-2004 New York University, Institute of Fine Arts,New York,NY Leon Levy and Shelby White Summer Travel Grant 2001 New York University,Institute of Fine Arts, New York,NY Lila Acheson Wallace Fellowship 2000-2001 New York University, Institute of Fine Arts,New York, NY Elagop Kevorkian Curatorial Research Fellow 1995-1996 The Metropolitan Museum of Art,New York,NY Harriman Excavation Summer Travel Grant 1995 Columbia University,Graduate School of Arts and Sciences,New York,NY LANGUAGES Reading knowledge of German, French, Italian,and Spanish. Two years of Akkadian. | onnunign Envelope ID:onA5CnnE-nFao-4eoF+wA7-55anpnooeaeo •PQOFE8SHO.NA.1„, 0XpE0TENCES Kidzu Children's Museum,Chapel Hill,NC 2007-9rusen1 %0lA—Present Curator of Exhibits Responsible for planning,organizing, and coordinating development of alt indoor and outdoor exhibits for Kidzu's exapansion and current museum, from concept and design to fabrication and installation, ensuring that exhibits and the exhibit design process fully support museum's educational goals and vision.Oversee and monitor all tasks and timelines for grants supporting exhibit design and development during the master planning process. Serve as a liaison fer exhibit consultants,exhibit designers,fabricators, and community members participating in. designing and developing indoor and outdoor exhibits. Organize and lead outreach workshops and other educational programming to engage children in the design of the new facility. Supervise staf1 volunteers and university interns in all matters related to current and future exhibits. 2007—2010 Exhibits Manager Oversee interactive,educational exhibits and related community programs for hands-on children's museum for children aged 0-8 years. Coordinated the process of planning,creating and installi the first original permanent exhibit,KidZoom: The Power of Creativity,at Kidzu's current location. Provided support to Kidzies Exhibits Advisory Committee; serve as a liaison to all professional exhibit design and fabrication companies; work with local artists and craftspeople to integrate their work into exhibits and programs. Work with the Museum as they plan and pilot exhibit elements fo the future expansion site. The Metropolitan Museum of Art,Department of Ancient Near Eastern Art,New York,NY 1995-2005 20O2-28O5 Curator Assistant. 1997-2001 Gmllery/6mervlSmr 1996— I997 Acting Curatorial Assistant 1995— 1996 Curatorial Research Fellow Curatorial participation on all levels in matters relating to both permanent and temporary exhibitions, including conceptual planning and loan lists; case design and installation; research and writing of display texis, brochures, web-features and published catalogue entries. Managed pennanent collection of over 8000 objects, attending to cataloguing and maintaining of departmental database, conservation and photography needs, public and scholarly inquiry; loans and acquisitions;research and publications. Worked as a liaison with various departments throughout the museum, including but not limited to Operations, Design, Education, Registrar's Office,and other curatorial departments. Managed the dc-installation and reinstallation of entire Ancient Near Eastern collection as part of a major Museum capital project project(1999),as well as several special exhibitions:Art a/the First Cities: The Third Millennium B.Crom the Mediterranean to the Indus(2003); The Golden Deer of Eurasia; Scythian and Sarmatian Treasures from the Russian Steppes(2000); .The Year One(2000). Traimed docnts/educators on site, designed educational web features, teacher packets and outreach opportunities, led gallery tours for grade school and university students,and supervised undergraduate and graduate students in the Museum CodifiaateProgram. 'Metropolitan Moms,New York,NY 2004-Present Lecturer and Educational Consultant Designed and implemented educational and family programs for pre-K children and their parents;exclusive lecturer of all classes at the Metropolitan Museum of Art. Picture featured in New York Moms Gotta flaw Art(July/August 2005), see press feature at wpbmito.(��yti„rnsjli,l ) Selection of Lectures for Families • Hidden Tr asures at the Metropolitan Museum of Art Metropolitan Museum of Au land II • European and American Penod Rooms at the Metropolitan Museum of Art • Architecture of the Metropolitan Museum: The Museum as Ar • l)uccio's Madonna and Child--the ancient Prototypes to Mary Cassatt • Metropolitan'Mummies': From Childbirth to Death at the Metropolitan Museum • China:The Dawn of a Golden Age- Special exhibition • The Gates(Christo and lean Claude); CuyturingLight from Impressionism to Contemporary Art • Domnru8*ardmn—Sneciu|exbibdjnu;DiauwArhuvDnve|o1inns--8pooiu|exb|hition DocuSign Envelope ID:56A5C00E-OF80-4BDF-A1A7-5530FODB9396 • 'WILD: Fashion Untamed'—Costume in and beyond the Costume Institme Lecture Series for Children, all accompanied with related art projects and other educational materials • Musical Instruments in the Metropolitan Museum of Art • Ancient Art in the Metropolitan Museum of Art • Asian Art in the Metropolitan Museum of Art • American Art at the Metropolitan Museum of Art • Medieval and Renaissance Art in the Metropolitan Museum of Art , ' • Impressionist Painting in the Metropolitan Museum of Art • Modern Art in the Metropolitan Museum of Art Friends Select, Philadelphia,PA 2001 Lecturer, Lower and Middle School (pre-K through 8th grade) • Archaeology and the Ancient Near East • Archaeology and Egypt Centro Caminito di Studi Preistorici, Capo di Polite(BS)Italy 1993-1994 Assistant to the Director, Dr. Emmanuel Anati Responsibilities included archaeological research, laboratory work, editorial duties (including translations) and ..fieldwork. Worked on site studying the petroglyphs of the Camonica Valley, learning the methodology of rock art recording and conservation. Registrar and member of 1994 expedition to Har Karkom, Israel (Progetto Sinai: S'pedizione Archaeologica ad liar Karkom); prepared site reports and related articles for publication upon return. The Nassau County Museum of Art, Roslyn Harbor,NY 1993 Summer Intern Assisted with curatorial research, membership and educational programs, and basic curatorial and. administrative duties. University of Michigan Museum of Art, Ann Arbor,MI 1991-1993 Research Assistant Researched and catalogued objects in the permanent collection. Artrain, Arm Arbor,MI 1992-1993 Research Assistant Helped organize and execute the 1993-1994 exhibition that toured the Midwest aboard the Artrain; served as a guide for the exhibition when it was in close proximity to the Ann Arbor area. John Fulton Estudio, Seville, Spain 1992 Gallery Salesperson Apprentice to artist at his studio and gallery. North Country Center for the Arts,'Lincoln,NH 1990-1992 Production Assistant Worked backstage researching and producing sets and props for Summer Stock Theatre. 1.:,U BLicATIONS • In preparation: 'Excavations at al-Hiba,Iraq' .The Metropolitan Museum of Art Bulletin,forthcoming. • Catalogue entries in J. Aruz(ed.).Art of the First Cities: The Third Millennium B.C.from the Mediterranean to the Indus. (2003, The Metropolitan Museum of Art),pp. 169-172; 200-201; 213. • Contributor to'Webfeature,Art of the First Cities.. ., nY.n.:.,,...!;11C1,..9)„!. .t1nq(` NAadiifiqCiti .'`,...(11gciiisLLPWlihir0 (2003, The Metropolitan Museum of Art). • Contributor to ancient Western Asia section of'Timeline of Art History', Allj',TE:BAJ5,0j1,::4,sgz.,ItppliOpto,A(2001,The Metropolitan Museum of Art). ARCHAEOLOGICAL EXPERIENCE 1 DocuSign Envelope ID:56A5C00E-OF80-4BDF-A1A7-5530FODB9396 Tell Erak,Syria Excavator 2000 W.F.Albright Institute of Archaeological Research,Tel Migne/Ekron,Israel Area Supervisor 1995 "-ogetto Sinai: Spedizione Archaeologica ad liar Karkom, Israel Registrar;Excavator 1994 COMMUNITY SERVICE AND VOLUNTEERISM Officer,Beth El Preschool Board of Directors,Durham,NC 2006-Present Fundraiser,Juvenile Diabetes Research Foundation;Diabetes Research Institute 1986-Present onnunign Envelope ID:onA5CnnE-nFao-4eoF+wA7-55anpnooeaeo IF lomi� �11,4�� 4� , ~ = �w��p��'p�mo�mm Curating Creativity Guest Specialists Bios Kidzu has worked with over 40 guest specialists for the Curating Creativity program. Our list of specialists continues to grow and will continue to do so for the 2017/18 program year. A selection of biographies is included below. Additional CVs attached. Donovan Zimmerman Donovan Zimmerman is the co-founder and artistic director of Paperhand Puppet Intervention. Since 1998, Paperhand has used giant puppets, masks, stilts, painted flats, and rod and shadows puppets to tell stories, illuminate myths, create spectacle, and inspire people of all ages.Their work is a synergy of art forms from design and theater,to dance and sculpture to painting, writing, sewing, and much more. Donovan has partnered and collaborated with Kidzu Children's Museum since its inception in 2006 and is always thrilled to "co-curate" with the Kidzu families during weekend Mix it Up programs. Jim Adams Jim Adams took up artistry in iron and steel after 24 years in the information technologies field. Prior Prior to his years in IT, he had worked in the welding industry, selling specialty welding items for approximately 8 years. During that time Adams developed the skill & knowledge of working with metals. His desire to do artful things with this knowledge was something of a back burner interest that never seemed to go away, Adams now devotes his career to sculpture of a variety of themes, from surreal steel flowers, to aspects of humanity,to thought provoking abstracts.The work is minimalist in construction; its nature is raw& powerful. Most of his works are solid and substantial & can be displayed outdoors as well as indoors Adams� metal airplane to the climbing wall bell created during a weekend Mix It Up program. Anna Podris Anna Podris is a painter working in Raleigh, North Carolina. Podris is inspired by using encaustic ' depict foliage and the fresh air of wilderness areas as well as the vibrancy of diverse urban areas. Podris shows her work at Artspace in downtown Raleigh, as well as being represented in NY by Gitana Rosa gallery. Podris has participated in numerous Mix It Up in the Makery programs showing children how to use encaustic wax safely to create collage art, Amy Richards Amy Richards is the illustrator, maker and creator behind Amy Richards Illustration. She lives in Raleigh, NC where she works from her home studio. While Amy has lived in various parts of the United States, she draws lots of inspiration from the ever growing and evolving culture of North Carolina. Her playful and whimsical style is inspired by vintage children's book illustration and her work with children as an Art Educator. Her work has appeared in magazines, newspapers, on stationery, art prints,a Raleigh city bus, and women's apparel. Richards is publishing her first children's picture book in 2017, and continues to work with Kidzu to design work alongside children in our Makery and Learning Garden. DocuSign Envelope ID:56A5C00E-OF80-4BDF-A1A7-5530FODB9396 Barbara J Tyro ler 120 Old Forest Creek Dr Chapel Hill, NC 27514 www.barbaratyroler.com btyroler@btyroler.com 919-360-8791 Education MFA University of Maryland, Baltimore County 2003 Imaging and Digital Arts: photography and videography MEd University of Massachusetts, Amherst 1973 Education in Community Development Gallery Representation FRANK Gallery, Chapel Hill, NC 2009- Present MONA Gallery, Charlotte, NC 2013-2014 Tyndall Gallery Chapel Hill, NC 2006-2008 Touchstone Gallery, Washington, DC 2005-2006 Teaching Experience Center for Documentary Studies, Duke 2010-ongoing Western Carolina Cullowhee Workshops 2016-ongoing Elon Academy, Elon University 2011-2013 University of Maryland, College Park 1997-2009 University of Maryland Art Center, College Park 1985-2000 University of North Carolina, Chapel Hill 1981-1982 Awards and Grants 1992-2016 NC Arts and Humanities Award 2015 Chapel Hill Public and Cultural Arts Commission, Into the Streets, 2014 Orange County Arts Commission Grants 2011-15 Project Grants, Beijing Impressions, Adapted Aquatics 2011-16 Spring and Fall Program Grants for FRANK gallery University of Maryland, Maryland State and County Arts Councils Visual and Multi-disciplinary Arts in Education Individual Artist Competitive Grants, Visual Arts and Multimedia North Carolina Creative Arts in Public Schools MD State Dept. of Education, Equity Resource Center Baltimore Co. Public Schools, Dept. of Multicultural Education, Title One Prince George's County Public Schools, Prince George's County Arts Council Southern Area Youth Services of Prince George's County Administrative University of Maryland Art Center College Park, MD 1985-2000 Director Photography Department Founder Photo Outreach Program Community Service Grants Coordinator Director, Founder Family Arts Enrichment Program Education Therapist 1973-1986 Montgomery County Public Schools, Parent Education Wright School Residential Treatment Center, Durham, NC North Carolina Memorial Hospital, Child Inpatient Unit Chapel Hill, NC Professional Memberships Current and Past Professional Member American Society of Picture Professionals American Society of Media Photographers DocuSign Envelope ID:56A5C00E-OF80-4BDF-A1A7-5530FODB9396 Society of Photographic Educators Grant panelist: Maryland State Arts Council Exhibition History University Permanent Collections University of Maryland University College, Benjamin Massey Collection University of Maryland College of Education Solo Exhibitions 2004-2017 Western Carolina Fine Arts Museum, Water Portrait Retrospective Beijing Impressions, Traveling Washington, DC Metro UNC FedX Global Education Center Chapel Hill, NC Washington Cancer Institute and Smith Farm Center for the Healing Arts DC National Institute of Health/Washington Cancer Center Bethesda Maryland Photoworks Gallery Bethesda Maryland University of Maryland University College Asia Forum, Montpelier Cultural Arts Center Gallery Laurel, Maryland Through this Lens Gallery Durham, NC Water Portraiture Theater Arts Gallery, High Point 2016 Horace Williams House, Chapel Hill, 2016 Permanent Art Installation, Chapel Hill Aquatics Center 2014 Permanent Art Installation, Greenbelt Aquatics Center 2009 Chapel Hill Public Arts Program, 2009, 2010 Collaborativ: Exhibitions Washington, DC Metro and Triangle 2004-2015 Glen Echo Photoworks, Maryland 2015 Frank Gallery, Edge of White 2015 Greenhill Gallery, Asia 2014 North Carolina Museum of Art, Art of the Auction 2011-1013 FRANK Gallery, 2012-2016 Horace Williams House, Group Water Mark 2010 Exhibition Grants, Corporate, Private, Government Funded Elon University, Heim Foundation, Orange County Arts County: Cultural Studies of Family through Photography and Creative Writing University of Maryland Photo Outreach Program National Medical Children's Hospital New Horizons Arts Program Invitational DC Metro 1985-2007 Conner Contemporary Art Gallery, Washington, DC Academy 2003 University of Maryland Art Faculty Exhibition, College Park Campus Tartt Gallery, Washington, DC Corcoran School of Art Gallery, Washington, DC Washington School of Photography Faculty Exhibition, Bethesda, Md Fraser Fine Art Gallery, Bethesda, Md Montpelier Cultural Arts Center, Laurel, Md Process:A Survey of Area Digital Artists Digital Salon, to Extremes: Heightened Realism and Abstraction Touchstone Fine Arts Gallery, Washington, DC Photography Traditional and Experimental Prince George's Community College Marlboro Gallery DocuSign Envelope ID:56A5C00E-0F80-4BDF-A1 A7-5530FDDB9396 Jeannette M. Brossart 4425 Bracada Drive Durham, NC 27705 (919)384-0734 www.mothernaturemosaics.com Public Art Spring 2010-Mar 2011, lead artist facilitating a series of workshops for Kidzu, Chapel Hill/Carborro NC Children's Museum, creating mosaics to be installed at their future site Orange County Arts Spring Grant Award 2010 Jan 2010, Finalist for Triangle Sister Cities/RDU Airport Public Art Project 2009, "Effervescence", Center City Green, Charlotte, NC, design and fabrication of recycled glass mosaic mural approx. 560 sq ft published award winner for Project Green 2010, ED&C magazine, July 2010 selected and exhibited Project Green Coverings Conference Orlando, Florida, April 2010 *juried finalist"Mosaic in Architecture'', Pordenone, Italy, April 2010 June 2009, Community Mosaic Project, 3`d Friday public activity, Durham, NC Oct 2008-09, .Or?Afa t N9rk Residency with Town Of Chapel Hill at Ephesus Elementary School, creating a 7 ft tall totem mosaic sculpture for the 100th anniversary of Chapel Hill/Carborro Schools Exhibits and Juried Shows May-Oct 2011, State of the Art/Art of the State, Cameron Art Museum,Wilmington, NC Mar 2011-Jan 2012, City of Salisbury Outdoor Sculpture Show, Salisbury NC Mar-May 2011, Art In The Garden, Sandhills Horticultural Gardens, Pinehurst, NC Mar 2011, "Emulous",Visual Art Exchange, Raleigh, NC, First Place for"Sun Salutation" Jan-Feb 2011, "Heartistry", Ciel Gallery, Charlotte, NC Dec 2010-Feb 2011, Annual Small Works Invitational, Elon University, Elon, NC Nov-Dec 2010, " Mosaic Vision", Ciel Gallery, Charlotte, NC Oct-Nov 2010, Scrapel Hill 2, Chapel Hill, NC Sept-Oct 2010, Contemporary Mosaic Art 2010, Ciel Gallery, Charlotte, NC Sept-Nov 2010, NC Botanical Garden Sculpture Show, Chapel Hill, NC July-Aug 2010, Durham Art Guild Member Show June-July 2010, Hillsborough Arts Council, "Miniatures" Mar 2010-Jan 2011, City of Salisbury 2010 Outdoor Sculpture Show Mar-Aug 2010,. Daniel Stowe Botanical.Gardens, "Come Sit A Spell" Jan-Mar 2010, Duke Raleigh Hospital, "Mosaic" Sept-Oct 2009, "Contemporary Mosaic Art 2009", Ciel Gallery, Charlotte, NC Sept-Oct 2009, NC Botanical Garden Sculpture Show, Chapel Hill NC July 2009, Durham Art Guild Members' Exhibition, NC July 2009, "Friends and Family", The Scrap Exchange, Durham, NC April-May 2009,. "Scrape) Hill", University Mall, Chapel Hill, NC Mar-May 2009, "Sticks& Stones", Ciel Gallery, Charlotte, NC Feb 2009,. "Faces", Ciel Gallery, Charlotte, NC Jan 2009, "Unseen", Ciel Gallery, Charlotte, NC Jan 2009, "Images of Women", UNC Women's Hospital, Chapel Hill, NC Aug-Sept 2008, "Come Out and Play" Outdoor Sculpture Show, Chatham, NC Aug 2008. "People You Know" Exhibit, Visual Art Exchange, Raleigh, NC July-Aug 2008, Durham Art Guild Members' Exhibition, NC July 2008, "Microcosmos"Juried Show, Visual Art Exchange, Raleigh, NC Nov- Dec 2007, The Durham Art Guild Annual Members' Holiday Show DocuSign Envelope ID:56A5C00E-0F80-4BDF-A1 A7-5530FDDB9396 Oct -Nov 2007, The Durham Art Guild 53`d Annual Juried Art Show Sept-Nov 2007,. UNC Botanical Gardens 20th Annual Outdoor Sculpture Show, June-July 2007 Durham Art Guild Members' Exhibition, NC June 2007 Art Heels Exhibition, Durham, NC March 2007, 08, 09, Carolina Inn, Chapel Hill, NC, Birdhouses On Parade Spring 2006 Durham Arts Council In-House Show May 2005 Dayton, OH; Dayton Society of Painters& Sculptors Juried Show May 2005 Grove Park Inn, Asheville NC Birdhouse Competition Fall 2004-Fall 2006 American Mosaic Project traveling exhibit for SAMA, September 2003 Middletown Arts Center Juried Fall Area Show June 2003 Dayton Society of Painters &Sculptors Spring Juried Show Solo Exhibitions Aug-Dec 2008, The Sum Of My Parts", Hugh Mangum Photography Museum, Durham, NC June 2008, "The Sum Of My Parts", Horace Williams House, Chapel Hill, NC April 2008, UNC Women's Hospital, Chapel Hill, NC May-June 2007 "Piece of Mind: A Mosaic Journey", The Scrap Exchange Gallery, Durham, NC March-April 2007. "Piece of Mind:A Mosaic Journey", Hugh Mangum Photography Museum Private Commissions June 2010, Viser Queen Bee Seat October 2009, Rafelow pool insets(18 sq ft, custom work and installation) September 2008, The Carolina Inn, 12 Days of Xmas mosaic pear sculpture November 2007 Curley cat/turtle panel June 2007 Strickland memorial angel January 2006 Stone rooster panel November 2004 Joyner memory panel October 2004 Deem shower inset August 2004 Goodson wine cabinet countertop October 2003 Lasseter's Landing series of four themed bird benches July 2003 Kramer art panel April 2003 Kahkonen tabletop Artist Residencies/Teaching Experience Oct 2011, John C. Campbell Folk School, Mosaic Workshop June 2011, John C. Campbell Folk School, Little/Middle Week, Mosaic Workshop Winter 2010-Spring 2011, Kidzu Children's Museum, Chapel Hill, NC Mosaic Residency Workshops Spring 2011, Yates Baptist Preschool Art Enrichment Series, Durham, NC November 2010, John C. Campbell Folk School, Architectural Mosaic Workshop June 2010, John C. Campbell Folk School, Little/Middle Week, Mosaic workshop April 2010, Earth Day Recycled Sculpture Workshop, Primrose HopeValley Farms Preschool, Mar-May 2010, Brogden Middle School, Durham NC, facilitate students creating mosaic mural July 5-10 2009, John C. Campbell Folk School, Introduction to Mosaic Workshop June 2009, Community Mosaic Project, VI Friday, Durham, NC June 2009, Kidzu Children's Museum, Chapel Hill, NC mosaic workshop 2008-09rilstt0,„0 ? R14, Residency with Town of Chapel Hill, Ephesus Elementary School, October 2005-present date, The Scrap Exchange, Durham, NC, Facilitator of creative reuse , April 2006 Hallandale Elementary, Durham, NC Children's Mosaic Workshop July 2003-December 2006 Michael's Arts& Crafts Stores, Inc. Mosaic Instructor(OH and NC) Winter 2004-05 Centerville (01-I) Library, Mosaic Workshop for Teens Organizations/Education DocuSign Envelope ID:56A5C00E-OF80-4BDF-A1A7-5530FODB9396 Society of American Mosaic Artists(SAMA) Durham Art Guild Visual Art Exchange, Raleigh NC University of NC at Chapel Hill, BA „„ DocuSign Envelope ID:56A5C00E-OF80-4BDF-A1A7-5530FODB9396 Robert Patrick (Bob) Goldstein jaITICS L. Peacock UI Distinguished Professor Biology Department. flniversity of North Carolina at Chapel jtill Chapel Hill, NC 27599-3280 USA email bobg@ un.c,edu,phone 919 843-8575 http://w w w.bio.unc.edutfaculty/goldstein/ PROFESSIONAL, :EXPERIENCE 1999-current UNC Chapel Hill Biology Department and Member, Lineberger Comprehensive Cancer Center EDucATIoN PhD: University of Texas at Austin, 1992,Zoology BS: Union College,Schenectady, New York, 1988, Biology RESEARCH TRAINING 1996-1999 Miller Institute Postdoctoral Research Fellow, University of California, Berkeley,Department of Molecular and Cell Biology, Laboratory of Dr. David Weisblat. 1.992-1996 Postdoctoral Fellow, MRC Laboratory of Molecular Biology,Cambridge, England. Laboratory of Dr.John White 1992-1993. Independent 1993-1996. 1.988-1992 PhD student, University of Texas at Austin. 'Laboratory of Dr.Gary Freeman. AWARDS 2016 James L. Peacock III Distinguished Professor 2008 Elected Life Member of Clare Hall,Cambridge liniversity 2007 Guggenheim Fellow 2007 Visiting Fellow,Clare Hall, Cambridge University 2005 Phillip and Ruth Hettleman Prize for Artistic and Scholarly Achievement by Young Faculty at UNC Chapel Hill 2000-2004 Pew Scholar 2000-2002 March of Dimes Basil O'Connor Scholar 1996-1998 ° Miller Institute Research Fellow, University of California,Berkeley 1996 Medical Research Council Postdoctoral Fellow,Cambridge, England 1995 Development Traveling Fellow 1994-1996 Human Frontiers Science Program Postdoctoral Fellow 1903-1994 American Cancer Society Postdoctoral Fellow 1993 Outstanding Doctoral Dissertation Award,University of Texas DocuSign Envelope ID:56A5C00E-OF80-4BDF-A1A7-5530FODB9396 PROFESSIONAL SERVICE Editorial 2011-current Associate Editor, Genetics 201 I-current Editorial Board,PLoS One 2007-201.5 Editorial Board,Developmental Dynamics 2005-2015 Board of Reviewing Editors,Molecular Biology of the Cell 2004-current Editorial Board,BMC Developmental Biology 1999-current Editorial Board,Development Grant Review panels 2015 NIH study section DEV-1 2011 NIH study section DEN-I 2006 N11-I study section CHHD-C 2006 N111 study section NCF 2005 NIH study section NCF 2004 NIH study section DEW-1 2004-current NSF Developmental Mechanisms Panel, four times Other Professional Service 2017-2019 ASCB Council 2016 ASCB minisymposium co-chair, Multicellular interactions,Tissues,and Development 2016 Co-organizer,ASCB Subgroup Meeting on Emerging Model Organisms (with Nicole King, HHMI, 1.1C Berkeley) 2016-current Advisory Board, Caenorhabditis Genetics Center 2016 MI31, Embryology Course faculty 2016 Co-editor,Cellular Mechanisms of Morphogenesis issue of Seminars in Cell & Developmental Biology (with Jen Zallen, MIMI,Sloan Kettering) 2014 Co--Organizer,ASCB Cell Biology of Morphogenesis Subgroup Meeting (with Jen Zallen, HHMI, Sloan Kettering) 2014,2015 MBE Physiology Course faculty 2012 Organizer, Santa Cruz Developmental Biology Meeting (with Amander Clark,UCLA and John Tamkun, U( SC) 2011 External site reviewer, Duke University Developmental and Stem Cell Biology Training Program (with Gail Martin, (JCSF) 2009 ASCB Meeting Program Committee 201)7-current Faculty of 1000, Morphogenesis and Cell Biology Section Member UNIVERSITY SERVICE Faculty Mentor for UNC's Carolina Covenant program for low-income student scholars 2006-2007,2008-current BBSP program graduate student admissions committee 2008-2009,201 I-2013,2015 UNC Internal Selection Committees for Keck Award (2004), Pew Award (2002-2004, 2016) and Searle Award (2002-2004) Curriculum in Genetics and Molecular Biology PhD written exam committee,2005-2007 B iology Department Seminar Committee, 1999-current(Co-chair 2003-current) Biology Department Strategic Planning Committee,2016-current 2 onnunign Envelope ID:onA5CnnE-nFao-4eoF+wA7-55anpnooeaeo Biology Department Microscopy Committee,2003-current Biology Department I'aculty l)cvelopment Committee,2005-cui rent Biology Department Library Committee,2005-current Biology DopurUuoo|MCDB Faculty job Search Committee,2005-2006 Biology Department Faculty job Search Committees,2O04,2O0h.20|2,2O|3 Biology Department Advising Con)nt ittee,2000-2004 Biology Department MCDB Written Exam Committee,2006 Biology Department Advisor to 1st year MCDB grad students,2001-2005 LAB TRAINEES P.,_QatdQe5 Jeon'C|uudeLohbe, 1999 - 2002; currently Associate Professor at the University of Montreal. and Principal Investigator,Institute lot NeynurCh in Immunology and (,aocor Daniel Marston,2004 -2008; currently Research Assistant Professor in Klaus Hahn's group at UNC Chapel Hill Gideon Sheouer'2UU5 '%O09;currently faculty member Senior Lecturer/Advisor, NNC Chapel Hill Biology Department Jennifer Tenlen,2007 - 2012,currently Assistant Professor in l)iology at Seattle Pacific University Jessica Sullivan-Brown,2009-2014,currently /\*sistxuiProhr sor in Biology at West Chester University Thomas Boothby,2013-2016,amenity Postdoc with Gary Pielak, UNC Chapel Hill Chemistry Department. Daniel i)ickinson,201 1-current &ri Patti,2O|9'currcui Frank Smith,201 3-current Mark Slabodnick,201 4-current Rebecca Cheeks, PhD 2003,currently yoga and meditation instructor in New York City Jcn-Yi Lee, PhD 21)04,currently Research Associate at the Molecular Imaging Center at UC Berkeley Nathaniel Dudley, PhI) 2006,currently l)ileclor,TI-ySci Community 8ioluho, &mnnaa City Erin McCarthy Campbell, PhD 2007,currently freelance science writer in Athens,Georgia, writes ilighMag,contributor to ilie Node and EunnStmmCe|| Willow Gabriel, PhD 2007,currently freelance scienti tic editor in California Minna Roh-johnson,PhD 2010,currently Postdoc at ..11-1CR,C with Cecilia Wens,co-advised by John Condeclis Jessica Harrell, PhD 2010,currently Di rector of the Academic and Career Excellence Program in the Office of Graduate Education at DNC Chapel Hill. Jacob Sawyer,PhD 2010,currently Advanced Imaging Specialist with Nikon. Adam Werts, PhD 201 1,currently a postdoc and resident at johns Hopkins School of Medicine Chris Higgins,2009-2016,currently BioScience Sales Specialist with Nikon Tim, Cupp, %43 2017,currently hiking the Appalachian Trail ]enuifo, }[eppert`Z0|O-corrvn| Sophie Tintori,201 2-current Allyson Roberts,2016 current Kira Glynn,2016-current. onnunign Envelope ID:onA5CnnE-nFao-4eoF+wA7-55anpnooeaeo Meaghan Bowling, MI) (5/00 1/02),Currently MD and Assistant Professor of Gynecology and Obstetrics at Emory University Hospital SbuW Amin,MI) (9/0l-4/V2, 5/03-5&)4),currently Faculty ui Northwestern University's Fein berg School of Medicine Sapnn Patel (8/03-8/05),currently Physical Therapist at Triangle Orthopedic Associates Thurston Lindberg (4/04-5/05 and technician 5/05-8/05),currently Field Operations Manager for the National Ecological Observatory Network. Shefali Chudgmr(\K]b-6/06)`currently Project Management Analyst at Bon. 8oeourw Health Syateoo, M.mrrioitmviUe, Mmry|mod Trudy lJ (6/06-808),currently UNC Chapel 1 till medical student Charlene Maugi (5/07-12/07),currently School Psychologist at Manchester Community Schools, Indiana Joe McClellan (8/07-5/10),currently an D8Dund resident at Oregon Health 8t Science University Patty Wang (j/l0-6/lO),currently amMRand resident in internal medicine, University of Virginia School of Medicine Shaina McCaskill (5/10-7/10), visiting undergraduaie researcher horn Fayetteville State University, currently Medical Technologist at Saint Agnes Hospital,Baltimore Stephanie Glass (Q/09-5/l l),currcot|yunMO and resident at VCtJ, Richmond Susan Clark(|/| 1-5/12),curnzndyoPhDsk/duotin /\m(x'wpbym[cuo(Co|umbia1„;loivn'oi1y Kim Bird (i/] |-j/|2),currently u PhD student at ONCChnpo| Hill Taylor Moquist (9/12-5/13),currently an Currently a Growth Analyst at Better Mortgage in New York Erni ly Louise Lane (1/13-8/13), visiting undergraduate researcher from Meredith College, currently an undergraduate,student ut Meredith College yCimraPotanmUo(5/\4-R/\5),currently working at WI L Research Laboratories Kristen &4cGr*evy.9/i8-cuoeo\ Alicia Chen,5/17-current INVITED TALKS (special invitations in italics) 2018 loaho School of Medicine at Mount Sinai,New Yoik,scheduled l'or May 2018 2017 SUB Annual Meeting, Minneapolis,scheduled forJu|Y 2017 Harvard y4od School,Genetics Department,.scheduled for June 2017 (hosted by the Genetics 8uzdu///dov/,) Marian |�oohiond Memorial Lecture, LIC Berkeley Dept of Molecular & Cell Biology, March 2017 (hosted by the tvICI3 grad s1idcnt ) 5tVnyUompk University,March 20|7 DC Santa Cruz, March 2O|7 2016 )R\C/Uoivcrai|yn[Montreal, Nov 2Ol6 Cell Polarity and Signaling Gordon Research Seminar,June 2016(Keynote speaker) Stanford University, May 2016 University of Washington, May 2016(hosted by the Biochemistry Department pastdocs) 4 onnunign Envelope ID:onA5CnnE-nFao-4eoF+wA7-55anpnooeaeo University of Oregon.May 2016 (hosted by the Developmental Biology Train/n,g Program grad students) MD Anderson,Houston, May 2O16 Ohio State University, April 201( University of Kentucky,AprU 2016 Whitney Marine Lab,March 2016 (public lecture) Washington University,St Louis, March 2U|6(hosted bv the Developmental Biology yostd'cd 2015 Carnegie Institution L)eparlmcnt of Embryology, Sept 2015 University of Colorado, Boulder, Sept 2015 University of Georgia,Athens,Sept 2015 International C.elegaiis Conference, Los Angeles,scheduled for June 2015 (plenary speaker) Bay Area Worm Meeting, UCSF, May 2015 (keynote speaker) hospital br Sick Children, i'oionlo,Canada, May 2015 University of Chicago, May 2015 (hosted by the Genetics, Genomics and Systems Biology grad students) ABQF meeting,St. Louis, March 20|5 2014 Physics of Living Matter symposium,Cambridge, England,September 2014 0Pcnu,September 20|4 Rocky Mountain Cytoskeleton Meeting, Fort Cm||imu, CO,May 2014(keynote speaker) Workshop on Mechanics and Growth of Tissues: From Development to Cancer,Curie innhtut, Paris,Jeo2Ol4 Pasteur Inslitut I)ept of l)cvelopmental and Stem Cell Biology,Paris,Jan 2014 8|CBAnnua| Meeting,society-wide symposium: ftc cell's view of animal body plan evolution.Austin,'l'exas,Jan 2014 2013 University of Chicago, Nov 2019 (hosted by the Development, Regeneration and Stem Cell Biology grad students) Columbia University, Nov 2013 Stanford University Beckman Symposium: Growth Control Across Kingdoms,Oct 2O\3 Gordon Conference, Developmental Biology, Italy,J itne/July 2013 (iiivited speaker and session chair) Stanford University, Hopkins Marine Lab, May 2013 (1211, annual Dwiicl Mazw lecture) National institutes o[Health, M8LQ|, Bethesda, MD, May I0|J (invited 6v the Cell Biology and Physiology Ceiifrr grad students and pvxAd,o) Duke 0njvusi[y Program in Genetics and (]enmnics,&pri| 2013 Mount Sinai School of Medicine, NY,April 2013 Iowa State,'March 20l3 University of Maryland, March 20|] 2012 A3CB Meeting, Building'Fhie Cell session, December 2012 University of Richmond, November 2012 Dnivcrmityof California,Davis,April 2OlZ 5 onnunign Envelope ID:onA5CnnE-nFao-4eoF+wA7-55anpnooeaeo 2011 NYQ Developmental Genetics Symposium, December 2011 Gordon Conference, Motile& Contractile Systems,New London, Nil, August 2011 (invited speaker and session chair) R'S F Developmental Biology Symposi wn,June '2011 (invited hv the Developmental /Jio/ugy graduate students!and yos(docs} DK4DNJ/Bu(go,n, May 2O| | (invited by the Joint Molecular Bsoscu'nces graduate students) |G8MC`Strasbourg, France, March 2Oii Basel Worm Meeting, Switzerland,March 2011 Utrecht University, Netherlands, March 201 Max Planck CI3G, Dresden,Germany, March 2011 2010 College of William and Mary,October 20l0 Jobno8opkiumDepar(ruco( nfC6| 8io|¢gy, Septunuhrr2O|0 Santa Cruz Developmental Biology Mcctiug,Junn 2010 (invited specike, and ses,s ion chair) ('a!tech, 1)1 vision of Biology, May 2010 IJCSF Biochemistry,May 2010 University of California,Santa Barbara, May 20|0 University of California, Berkeley, Department ol Molecular and Cell Biology,April 2010 2009 Carnegie Institution Embryology Department, Baltimore, November 2009 University of Arizona, Novcmher20O9 University of Utah,June 200g (invited b`/the Genetics graduate x/udent0 Uuivuraiiy of Miami, May 2009 Virginia Tech,April 2009 N16CEN [DB Sympos I urn,Kohe,Japan, March 2009 (invited speaker and se s ion chair) Huck institute,California, March 2000 Duke Uiiiversuy l)evelopmental Biology C'olloquium,Jan 2009 2008 Duke University Evn-Qevo Club,Oct 2008 Society for Developmental Biology Annual Meeting, Philadelphia, PA,Jo]y 2008 Skirball Institute, New York,June 2008 (invited b the L)evelop,neutal Geiietks qrad,tuIe so/de/x/^ood postdocs) University of Chicago, May 2008 Columbia Onivcraity^ l)cpartmcmio[ Biological Sciences,April 2008 Institute for Research in Immunology and Cancer, University of Montreal, May 2008 1)iii versity of 1 exas Southwestern Medical Center,April %0O8 2007 Developmental Biology institute of Marseilles, France, December 2007 Cambridge University, Developmental Biology Seminar Series,October 2007 l.'lnsbtuL Jacques K40ond, Paris, September 2007 Symposium in Developmental Biology, Dnivecsity of Minnesota, September 2007 Fourth international l[unicote Meeting,\/Uirboouhc-murMnr, Fmuoe.Junc 2007 (invited Plenary Lecturer) University of Oregon, March 2007 2006 6 onnunign Envelope ID:onA5CnnE-nFao-4eoF+wA7-55anpnooeaeo University of i'oionto, 1)epartmcnt of Cell & Systems Biology, f)ecemher 2006 C, elegans Development meeting, Madison, Wisconsin,June 2006 (Keynote speaker on Polarity, Ce/I!ate(I/Id M ,p/ gene5s is) iyniveoitymfCoigury.Dcpartneo\ofBiocbumnistry & K4o|eoo|urBin|ogy,Juou2U0h University of Washington, Biology Department,June 20U6(invited hy the Developmental Biology graduate students) Robert VYonJ]nbomou Med Schno|/(1&4[)N],k4uy 2006 2005 USDB meeting: Writ Signalling in Development,Disease and Cell Biology, Aberdeen, Scotland,September 2005 University of Washington Friday l-larbor Labs,Center for('eli Dynamics,July20O5 Society for l)cvcloprnental Biology,Southeast Regional Meeting,Athens, GA,June 2005 Emory University, May 2005 OCnno Health Center, Department of Genetics & Developmental Biology, March 2005 The Rockefeller University, March 2005 2004 National Institutes of Health, NINA, Bethesda, MD,October 2004 Santa Cruz Developmental Biology Meeting,August 2004 M1) Anderson Cancer Center, Program in Genes & Development,April 2004 (Dlajfer Lecture) University of Wisconsin, Madison,Anatomy Department, April 2004 American Association for Cancer Research Ann ual Meeting,Orlando, Florida, March 2004 (invited Chair,RNA /utar�r�ncmra�z/un) ~ . 2003 Wake Forest University, Biology Department, November 2003 Vanderbilt University Medical Center,Department of('elI and Developmental Biology, November 2003 Cold Spring Harbor Laboratory C.elegans course,August 2003 Duke University Developmental Biology Colloquium,April 2009 East Carolina l/uivew|ty'sBrody School of Medicine, i)epartmeni of Cell Biol & Anatomy, April 2003 2002 Cold Spring Harbor Laboratory Meeting on Evolution of Developmental Diversity,April 2002 2001 University of California, Berkeley, Department ol Molecular and ('cli Biology,October 2001 University of California, Irvine, Department of Developmental and Cell Biology,October 2001 |]th Biennial International C. m/rgomx Conference, Los /\ngdvm,Juoc 2001. (Co C6o//, Mitosis & Aymnietry in the Early Embryo Ses ion) 2000 Gulbenkian Institute Meeting on Cellular Differentiation, Lisbon, Portugal,October 2000 Samuel I 5unenfeid Research Institute of Mount Sinai I lospital.Toronto,Canada,October, 2000 7 DocuSign Envelope ID:56A5C00E-OF80-4BDF-A1A7-5530FODB9396 ('old Spring. Harbor Laboratories Meeting on Germ Cells,Cold Spring Harbor,October 2000 Society for Developmental Biology Annual Meeting,Boulder,CO,_lune 2000 North Carolina State University,Zoology Department, March 2000. 1999 EM[30 Workshop, Molecular Medicine of the Gut,Arolla,Switzerland,August 1999 Society for Developmental Biology Annual Meeting, Charlottesville, VA,June 1999 (Plenary Session on Development and Evolution) 1998 Gordon. Conference,Developmental Physiology, Plymouth State College, Plymouth, NH, August 1998 „. TEACIIIING Biology 205H,Cellular and Developmental Biology 1st half of course,each Spring (2016-current) Biology 51.4H (Honors), Evolution and 'Development 1st half of course,each Fall (2013-current) Biology 801,Graduate Seminar in Biological Sciences Fall 2009,201 1,2013,2015: "Great Experiments" Biology 649,Graduate Seminar in Cell Biology Fall 2001: "The Cytoskcleton and Development" Fall 2003: "Early Development of C.elegans" Fall 2005: "Cytoskeletal Dynamics in Development" Fall 2016: "C,elegans Cell Biology and .Development" Biology 205,Cellular and Developmental Biology 1st half of course,each Spring (2000-2015) Biology 514, Evolution and Development 1st half of course,each Fall (2002-2012) GRANTS ('u tYPPtC.elegams Gastrulation: a Model for Understanding Apical Constriction Mechanisms National Institutes of flealth ROI GM083071 (PI: Goldstein) Fall 2016- Fall 2020 Tot„al amount of award: $899,200 plus indirect costs Using Water Bears to Investigate Adaptations to Extreme Stresses NSF IOS 1557432 Goldstein (PI) 6/15/16-5/31/20 8 DocuSign Envelope ID:56A5C00E-OF80-4BDF-A1A7-5530FODB9396 rtotal amount of award: $973,848 t...lsing Water Bears To Identify Biological Countermeasures To Stress During Mitliigeneraliunal Spaceflight NASA Space Biology grant NNX.15A1344G (PI: Boothby, Goldstein) Budget: $393,418 Began 11/18/14,Dates for Spaceflight Experiment Phase to be determined based in part on the schedule of flights to the International Space Station., MR1: Acquisition of an °MX. Super-Resolution Microscope NSF Major Research Instrumentation Program (PI: Peifer, B Goldstein, P Maddox,V Bautehl, 8/6/14-8/5/17 Total amount of award: $496,998 c.Q111.*fg0..;„ C.elegans Gastrulation: a Model for Understanding Apical Constriction Mechanisms National Institutes of Health R,01,. GM083071 (PI:Goldstein) 9/30/12-8/31/16 Total amount of award: $1,491,810 Uncovering the Origins of Arthropod Body Plan Patterning National Science Foundation 10S-1257320 (PI: Goldstein) 7/1/13-6/30/16 Total amount of award: $450,000 Cell Polarization in Response to Wnt Signaling in C. ele8ams• National Science Foundation 10S-0917726 (PI: Goldstein) 7/1/09-6/30/13 plus NCE to 6/30/14. Total amount of award: $600,000 Mechanisms of C. elegans Gastrulation National Institutes of Health ROI GM83071 (Pi: Goldstein) 6/l/08-5/3l/12,NCE to 5/31/13 Total amount of award: $1,101,872 plus $100,000 ARR...A equipment supplement A Novel System for investigating Writ-Dependent Cell Polarization UNC UCRF Innovation Award (PP Goldstein) 2/I/08-6/30/09 Total amount of award: $84,000 Asymmetric Cell Division in the C. elegans ernbryo National Institutes of Health ROI GM68966(PI: Goldstein) 5/1/03-4/30/08 plus I. year no-cost extension Total amount of award: $1,227,865 Characterization of a New Gene Required for RNA Interference National Science Foundation II3N 0235654 (P1: Goldstein) 4/15/03-3/31/06 Total amount of award: $390,000 9 onnunign Envelope ID:onA5CnnE-nFao-4eoF+wA7-55anpnooeaeo Embryonic Development ofwTardigrade National Science Foundation [I3N-0235658(Pl: Goldstein) 1/1/03-12/31/07 plus \ year no cost extension Total amount of award; $328206 Asymmetric Cell Division in [.o/cgm//s Pew Scholars in the Biomedical Sciences (Pt: Goldstcw) 7/1/00'6/30/05 Total amount of award:. $240`800 the Dynamics and Genetics of Asymmetric Cell Division March of Dimes Basil (YCunnor Starter Scholar Award 5-FY99'730 (PI: Goldstein) 211/00-l/31/02 Total amount of award $100800 High-Volume Coufocm| lmuging System. [V1B/NCQR i S iORR02]O55.]x|y 2005-Juoe 2006. Steven Crews PI,Mark Poifo,unJ Bob Goldstein,co-PIs, $250,839 total and direct costs from the NIH plus 560,000 in University matching funds. Member mfVNC Chapel Hill Nll\-funded training programs: NTH Cancer Cell Biology Training Program NIB Linebvrger Cancer Center training Program PUBLDC,ATKONS (70) Hoothhy iC,Tapia II, BroLena All, Pisikiewici 5, Smith AE,(iiovanninrii 1, Rebecchi L, Pio}uk GJ, KomhlauJ D,and B Goldstein (2017),Tardigrades use intrinsically disordered proteins to survive desiccation.Molecular Cell 65:975-984. Smith FW and B Cioldstein, Segmentation in Tardigrada and diversification of segmental patterns in Punmrtbn}pVdm.Art6rnpmd Structure & Development, in press. Goldstein B and Zu||rnJ/\ (2017).Cell Polarity and Morpkogeucaim; new technologies and new findings.Molecular Biology of the Cell,28:89q-700. HnppertJ|{ and Goldstein B (2016). Remodelling germ cells by intercellular cannibalism. Nature ('el/Biology |O:l207-|36K. Goldstein, B and N. King.1hc l'uturc of Cell Biology: Emerging Model Organisms.Trends in Gel/Biology 11:818-824. Heppert . Dickinson DJ, 'Pain AM, Higgins CD.3tewuvdA,Ahhngerj, Kuho ]R.00dB Goldstein (2017).Comparative assessment of.fluorescent proteins for in vivo imaging in nn animal model system.Molecular,B/o/mev(oythe Cell,27:3385'9394, '[iutori SC,Osborne Nishimura E,Golden P, LicbJD.mnd Goldstein B (2817). A Transcriptional Lineage of the Early C'. e/egon.s Embryo.J)evelop,nental Cell 38:430- 444 10 onnunign Envelope ID:onA5CnnE-nFao-4eoF+wA7-55anpnooeaeo Marston E)J ,1-liggins ('J) , Peters K&.Cupp TD,Dickinson DJ,Pain AM,Moore RP,Cox. i{ichnrt DP,and Goldstein B (2016). K40CK-1 drives apical constriction in C. elegans by linking developmental patterning to force generation.Current Biology 26:2079-2089. Goldstein, 8 (2010).Sydney Brenner on the Genetics of Cxxuor6xbd/tts'e/pgoux. Genetics 2O4:\-2. Dickinson l)J and Goldstein B (2016).CBISPR-hmued methods [orCucnnrhobdidsdcgony gouonle engineering. Genetics 2O2:8O5-9OL. Smith FVY. BoothhyTC,Giovounini i,RehccubiL,Jockusob EL„ and B Goldstein (20lb). The compact body plan of tardigrades evolved by the loss of a large body region. Current Biology 26:224-229. Sullivan-Brown]'TaudooP, Bird D{B, Dickinson [D.Tinted. SC, 8epperL]}{, K4eservo}H^ Trogdon KP,Odo*aki SK,Conlon FL, B (2016). Identifying regulators of nnocpbogoueoia common to vertebrate neural tube closure and Caenorhabditis elegans gastrulation, Genetics 2O2:l23-|3D. 8nn|bhyTC,Ton|cuJN,SmiihpVY, VVaoA]}l. PuuncUaK/\,OmbomucNiehimuruE.Tintnri SC, Ii Q,Jones CD,Yandell 68' Messina DN,Glasscock J,and Goldstein B (20|5). Evidence for extensive bndrun(oJ gene transfer from the draf genomeofmtardigrudc. PNAS |l2:]5976'|598i.(ƒoUov,-up letter: 0ooihhyTC,Goldstein B. (20|O) Reply k/ Beam et al. and.Ara.k.awa: identifying foreign genes in independent 11:ypsibitts clujardini gemnmne assemblies. PNdSil3(22) E3O58—E3O6|). 0ooA, Dickinson\)J,Wood CC,Goldstein B,and S|opKC (20l5). Cncsce,in uses a7`OO domain array to regulate microtubules in the primary cilium.Molecular Biology of the Cell 26:4248-64. Goldstein,B and DP Kiehart(2015). Moving Inward: Establishing the Mammalian inner Cell Mnsu.,Dmvo/omnzrotal Cell 34:385-386. Dickinson, DJ,8MFhui` Heppert.('D l-liggins,and 13 Goldstein (2015). Streamlined Venmme Engineering with o Self-Excising Drug Selection Cassette. Genetics 2OO;|O35- \049. YucuereDendiM, Dickinson DJ,Wang H.'Zimmerman SP, Bear jB,Goldstein 8,Hahn K`and Kuhlman B (2015). Control of Protein Activity and Cell Fate Specification via Light- Mediated Nuclear Translocation.PLoS One 10(6)z0128443. Osborne Nishiniui'a N.Zhang J(',Werts AD,Goldstein B, LiebJD (2015). Asymmetric Transcript Discovery by RNA-seq in C. e/egouvO|nstnmcrcs Identifies neg 1,a Gene Important for Anterior Morpliogenesis. PLoS Genetics 11(4): el 005117. Joi)D.l]7|/journal.pgco|0V5l|7 Sarkies P, Selkirk ME,jones JT,Blok V,Boothby T,Goldstein B, Haneh B,Ardila-Garcia A,Fast NM,Schiffer PM, Kraus C,Taylor MU, Knutswvoo|n$0, Blamer ML, Misku E& (2015).Ancient and Novel Small RNA Pathways Compensate for the Loss of piRNAs in Multiple independent Nematode Lineages..PLnS Biology ]3(2):c]O02Ob| . 11 onnunign Envelope ID:onA5CnnE-nFao-4eoF+wA7-55anpnooeaeo Goldstein B.(2015).The Thrill of Defeat: What Francis Crick and Sydney Breuner taught inc about being scooped.Nautilus 21 http://riautilns/issue/2 l/informatioii/the0ir'illof,us/issue/21/information/the-thrill-of- defeat Martin,A.C.and 13. Goldstein (2014), Apical constriction: themes and variations on a cellular mechanism driving inorphogenesis.1)eelopinent 141:I 98798 Dickiu000, DJ`].l}. YVord, DJ. Reiner and 13.Goldstein (2013). Engineering the (.7ouoorbohditbe/rgoo„s genome xmiogCao9-thggered homologous recombination. Nature Methods |O:|028'\034. Feiikn,JR., S. McCaskill and B Goldstein (2013). RNA interference can he used to disrupt. gene function in tardigrades.Development Genes and Evolution 223:171-81. Peters LC,Gasseti AJ,(Joldslein B, Der Reiner 1)J (2013). Redundant Canonical and Noncanonical Cmenudhohdihsc|uguua p2l-AchvaCcd Kinase Signaling Governs Distal Tip Cell Migrations.G33:|8|-95. Rub-Jobuowu, K1.,Sbomcr,G_Higgins,C.D, McClellan,j.H, \Vertm,A.C}`Tutu, Gao, L,Botzig, |{iehm1,D.P.,and 8. Goldstein.(2O|2)Triggering a Cell Shape Change by Exploiting Pre-Existing/\c(omyonin Contractions,Science 335:}232-/235. ()nu. L.LShon,C.[). Higgins,].S. Poulton, K4.Pcife,` K4.VV. Davidson,}(. Wu, B. Goldstein, and E. Retzig (20|2). Noninvasive Imaging beyond the Diffraction Limit of 31) Dynamics in Thickly Fluorescent Specimens,Ccli 151:1370'1305. '[ae, Y.[,K4. Werner, KM. Lnogbini,J.-C. Lahh , B, Goldstein and K1. C|uizer(2V|2). RhoA activation during polarization and cytokinesis of the early Cnomrhubdit/ueleyuuz embryo is differentially dependent on NOP-I and CY K 4.Molecular Biology of the ( eli 23:4020'4031.. Sullivan-Brown,j.and B.Goldstein (2012). Nenral tube CIOSUre: The curious case of shrinking junctions.Current Biology 22:R574-R576. Edgar, L.<}.und B. Goldstein(2Ol2).Culture and Manipulation of hnibryonic Cells, in Caenorhabditis elegans: Cell Biology and Physiology,eds.Joel H. Rothman and Andrew Singson.Methods in Cell.Biology 107:151'176. Goldstein 13.(2012). An MQoCfovudtm: receptor-mediated endmoytosiointhe Cupo*rhob'/i//, r/ego/,soouyhn.Molecular Biology nf the Cell 23:%235. Goldstein, B.(2O} i). Primer: Visualizing with 1mogeJ.Make 27:||0-|2|. (I6u is a nxngozixco/1/c/x that /ntru/h/ccs'/nume/ to nom-scientists, encouraging them to write new InugeJy///g/xx that can benefit sc/cnce). VYmUe,/\.U., h4. 8oG-]nbnyonand 8.Goldstein (2O| |). Dynamic localization of{'.e/egoox 1`wR-(}*[ocnprotoinx mediates mitotic spindle orientation by extrinsic signaling. Development l38:44i|-4422. 12 onnunign Envelope ID:onA5CnnE-nFao-4eoF+wA7-55anpnooeaeo Wefts, A.D. and 13. Goldstein (2011), How signaling between cells can orient a Mitbtic spindle.Seminars in Cell and Developmental Biology 22:842-9. Sawyer,J.M., S. Glass,?. Li,G.8bccnnr^ND, White, N.G.btavoshnn, B.'[.Qiprcoo,(� D. Jones,and B.Goldstein (2011).Overcoming Redundancy: an RNA i Enhancer Screen for K4orphpgcnesisGcneo in C. elegans.Genetics 188:540-564. 8mb-Jvhuono,K4.,J. Sullivan-Brown and 13. Goldstein (2()II Roles for Actin Dynamics in Cell Movements during Development. Chapter in Actin-Based Motility,ed Cartier, Springer-London, Flarrell,.1.R. and [3. Goldstein (2011). Internalization of multiple cells during C.e/mYaos gastrulation depends on common cytoskeletal mechanisms but different cell polarity and cell fate regulators. Develop,nental Biology 350:1-12. &rata,Y.,J.'Y. Lee, B. Goldstein and 8. Sawa (2010) 6xtrncd|o|ur control of PAR protein localization during asymmetric cell division in the C. x6u8onuembryn.Development 137:3337-3345. Higgins C.D. and B. Goldstein (2010)Asymmetric Cell Division: A New Way to Divide Unequally. Current Biology R1029-31. Sawyer,J.K4..j]l. Harrell,(3.Sheoucr` Sullivan-Brown, M. Roh-Johnson and 13.Goldstein (2010) Apical constriction: A cell shape change that can drive morphogenesis Developmental Biology 341:5-19. McCarthy Campbell, E.}{.,A.D. 'Wells and B. Goldstein (20O9)& Cell Cycle Timer for Asymmetric Spindle Positioning.PLvS Biology 7{4):e88. Roh-Johnson, M.and 8,Goldstein (20O9). In vivo roles for &qp2/3 in cortical actin organization during C r/e0o/,x gastrulation.journal my Cell Science L22:3g83-399}. Goldstein,B. and B'Bunuudu(ZO0g) Shape Meets Polarity io Japan.Development |36: 2487- 2492, Marston, DJ.,K8. Rob,'4. Mike\s,R. Nusse,and B. Goldstein (2008) Wnt signaling during Coennrbohdi(iodegaos embryonic development. Metlwds in Molecular Biology 469:103-li]. Goldstein,B.and 1.0.&8mcnna (2OO7)The PAR Proteins: Fundamental Players in Animal Cell Polarizohun-l)o en&rl Cell 13:609-622. Gabriel,VVN, |I&3cNuf[,SKPa(oi,TR.Gregory, YYRJeck,CD Jones and B Goldstein (2007) The'yurdigrudcffm/r/hi//ud/ 'mn////L a New Model for Studying the Evolution of Deve|ppnnrut. ,Developmental^Q/o/oev3l2: 545`559. Gabriel, WN.and B.Goldstein (2007) Segmental Expression of Pax3/7 and Engrailed RnomoiogoinTurdignadeDcvo|upmeot.JDovm/epnrn*/GooexondEvvhrtinu2l7: 42|- 43J. onnunign Envelope ID:onA5CnnE-nFao-4eoF+wA7-55anpnooeaeo Goldstein B.*, B.7akcwhitm*. K. Mizumntonnd H Sawa (2006) Wut Signals Can Function as Positional Cites in 1-s1abIislnng Cell Polarity.Developmental Cell 10: 391-390. (*equal contributors) Marston, 1) J and B.Goldstein (200h) Symmetry Breaking. in C.o/aguv/: Another Gift from the Sperm.Developmental Cell 1i: Z73-274. Lee, DJ. K4u,s|no*,I Walston,J. Hardin,/\. Halberstadt and 8. Goldstein (20D6) Wot/Pritz|od Signaling Controls [e/egoux Gastrulation hy /\otivabng8ctnmyoo/n Contractility.Current Biology 16: |986-|9V7.(*equm| contributors) Marston, D.J. and B, Goldstein (2086) Actin-based forces driving embryuniomorph0gemcsiu in C.e/eXo//s.Current Opinion in Genetics and Development 1.8: 392'598. McCarthy, B.&.and 13.Goldstein (2006) Asymmetric Spindle Posit oni tig.Current Opinion /n Cell Biology 18: 79-85. Nance„J,].-Y. Lee and B. Goldstein (2U05) Gastrulation ioC.m/vgw//«. YVpnm0ouk`ed.The C.elegans Research Community. McCarthy, E,.K.wod B. Goldstein (2005) Asymmetric Division: A Kinesin for Spindle Positioning Current Biology 15: R591-593. Nud|ey, N.R_ /\.Z-Amin and B. Goldstein (2O05) Genes Required for RNA Interference,pp 55-68,chapter in RNA interference Technology: From Basic Science to Drug Development,edIted by K. Appasani (Cambridge University Press). Dudley, N.K. and B.Goldstein (Z0O5). RNA Interference in C'. eIeçwis.Chapter in RNA Silencing: Methods and Protocols,edited by G..Carmichael (Humana Pruse),o4e/6odr in Molecular Biology 309:29-38. E, McCarthy and B..Goldstein (20O4),The forces that position onoi|oiic spindle asymmetrically are tethered until after the Lime of spindle assembly. The,/ournal of Cell Biology 167: 245-256. Cheeks, RI,].C. Carman,YV Gabriel,N. Meyer, S. Strome and 13.Goldstein (20O4). C- elegaii.s PAR Proteins Function by Mobilizing and Stabilizing Asymmetrically Localized, Protein Complexes, Current Biology 14: 851-062. Goldstein, B. (2003). Asymmetric Division: AGS Proteins Position the Spindle. Current Biology 13: R879'R880, P.S. Maddox, ED. Salmon,and B.,Goldstein (2003). PAR proteins regulate maicrotuhule dynamics at the cell cortex in C.o/ego/n. Current Biology 13: 707-714, [cc`J,Y.mud B. Goldstein. (2O03). Mechanisms nfcell positioning during C. elra,,s gastrulation,Development 1.30: 307-320 Dudley, N.0.and D.Goldstein (2003). RNA interference: Silencing in (be.cytoplasm and uvc|eu,.Cnn`Oni /Mot T/mr5:) lJ^| i7. 14 onnunign Envelope ID:onA5CnnE-nFao-4eoF+wA7-55anpnooeaeo Dudley, N.K.,},C. Lobbe,and @. Goldstein (20D2). Using RNA interference toIdentify Genes Required for RNA Interference.PNAS 99:4191-4196. ',abbe,J.-C.and 13.Goldstein (2002). Embryonic Development; A New S PN on Cell Fate Specification.Current Biology 12:R396'l<398. Goldstein, B.and M. 8|ax1e,(2O02).'[ard|A/udea'Current Biology 12: R475. Goldstein, 8.(2U8\), ()n the Evolution of Early Development iu the Ncnmaindu. Phil Trans Royal Society B 356: 1521'31. Goldstein, B.,M.Levibnoand D. /\. \Yoimbiq|(20OL). Dorsal and Snail homologs in leech development, Development Genes and Evolution 211; 329-337. Goldstein 8. (2U00).The Professional Debunker (review of the book Voodoo Science: the Road from Foolishness to Fraud, by Robert L. Pork),Nature Cell Biology 2:E2i2. Goldstein,B.(2000). Embryonic polarity: A nm}�f�rcoicrnk�buiro. Current . � [ |O:U82O-K822. Goldstein, U.(20O0). When cells tell their neighbors which direction to divide, Developmental 218:23-29. Goldstein, 8., E. Frisse and W. &.Thomas (lg98). Embryonic axis specification in ncnialodes: evolution ol the first step in developmeiit.Current Biology 8: 157-160. VViiUnonn,C.,0. Bvsvingcr,B. Goldstein, M. F]ciurbo,unn, R. Kohler, K. Brunoch*ig, H lob lorood F. Muller(1qV7).The expression of the C.elegans labial-like Box gene ceh 13 during early embryogenesis relies on cell fate and on anteroposterior cell polarity. Development 124: 4193-4200. Goldstein, B.and U. lreenian (1997). Axis specification in animal development.J3io!issays 19: 105-116, Goldstein, B.and S. m. Hird (l996). Specification of the ante axis in C.elegwis. Development 122 1407-1474. Goldstein,8.(|995). Cell contacts orient some cell division axes in the early C.ele uu^ em hi yo. The Journal of Cell Biology 129: 1071-1080. Goldstein, B.(1995). An analysis of the response to gut induction in the C.elegans embryo, Development 121: 1227-1236. Goldstein,B.'S. N. Uird,and J. (}.YVbite (]903). Cell polarity im early C.eleuuux development.Development 1993 Supplement: 279-287, Goldstein, B. (1993). Establishment o[gut fate in the B lineage of C.ele 'a,is: the roles of lineage-dependent mechanisms and cell interactions.Development 118: 1267-1277. Goldstein, B.(1992), Induction of gut in Cao//orh'/bd/t/x elegans embryos.Nature 357: 255- 257. 15 DocuSign Envelope ID:56A5C00E-0F80-4BDF-A1 A7-5530FDDB9396 KIDZU CHILDREN'S MUSEUM REVENUE Actual 15/16 Private Donations $60,209.00 Agency Generated Revenue (fees) $262,948.00 Local Government Grants: $5,000.00 Other Government Grants State Government Private Foundation Grants $411,909.00 Other Revenue $107,325.00 Total Revenue $847,394.00 EXPENSES Payroll $458,677.00 Operations $361,859.00 Exhibits & Programs $47,726.00 Professional Fees $29,997.00 Special Events $25,496.00 Total Expenses $923,755»00 SURPLUS/( DEFICIT) FOR PERIOD: -$76,361.00 DocuSign Envelope ID:56A5C00E-0F80-4BDF-A1 A7-5530FDDB9396 KIDZU CHILDREN'S MUSEUM REVENUE 16/17 Budget Private Donations $ 75,815 Agency Generated Revenue (fees) $ 345,120 Local Government Grants: $ 10,000 Other Government Grants State Government $ 50,500,00 Private Foundation Grants $ 473„170,00 Other Revenue Total Revenue $ 954,605 EXPENSES Payroll $ 681,805 Operations $ 113,763 Exhibits & Programs $ 62,542 Professional Fees $ 27,008 Special Events $ 37,014 Total Expenses $ 923,212 SURPLUS/( DEFICIT) FOR PERIOD: $ 31,393 DocuSign Envelope ID:56A5C00E-0F80-4BDF-A1 A7-5530FDDB9396 KIDZU CHILDREN'S MUSEUM AGENCY REVENUE 17/18 BUDGET Private Donations $ 81,375 Agency Generated Revenue (fees) $ 366,415 Local Government Grants: $ 26,476 Other Government Grants State Government $ 75,500.00 Private Foundation Grants $ 445,000.00 Other Revenue Total Revenue $ 994,766 AGENCY EXPENSES Payroll $ 691,840 Operations $ 155,061 Exhibits & Programs $ 76,860 Professional Fees $ 24,200 Special Events $ 42,300 Total Agency Expenses S 990,261 SURPLUS/(DEFICIT) FOR PERIOD: $ 4,505 DocuSign Envelope ID:56A5C00E-OF80-4BDF-A1A7-5530FODB9396 , i,i.:'Ago, oic Nit No ii+0 ç , -*V CHILDREN'Ai MUSEUM Kidzu Children's Museum Board of Directors Updated 5/31/2017 1Y1f44 Cain,Chair Roy Campbell Valerie Merriweather 405 Lancaster Drive 1541 Pathway Drive 1269 N,Fordham Blvd,Ste 210 Chapel Hill,NC,27517 Carrboro,NC 27516 Chapel Hill,NC,27514 C:919 886 1620 C:919 357 0474 919 391 9689 H.919 408 0419 W:919 707 9860 ymeiriweather622Agmaitcgrri , mellssanicalhaeol,corn roycmaillsAgmail,com rey,carnabellanaturalsciences,org Scott Morris Lisa Price,Vice-Chair Wife:Dale Traugott 127 Meadow Run 2200 N Lakeshore Drive Chapel HIII,NC 27517 Chapel H111,NC 27514 Elaine Foster C;919 619 2706 C;919 417 7568 500 Meadow Run 0:919 942 1141 H:919 967 7882 Chapel Hill,NC 27517 sinortisgrgernscommericaLcom lisal)rice,4,17(0)ornall,corn 919 604 3555 Wife:Elizabeth Broyhill Morris Husband:Congressman David Price et ainefoter44 minds•rin•,com Husband;Jim Foster Amanda Miller Tommy Sikes,Treasurer 108 Marin Drive 401 Rock Garden Ln Ray N.Fredrick,Jr. Chapel Hill,NC 27516 Hillsborough,NC 27218 PO Box 2026 917 548 1591 C:919 280 1560 Chapel H111,NC 27515 asparnilleffkgrnail.corn tomm 'sikesca•ital,com 919 493 7992 husband:Kevin Miller Wife:Kristin Sikes coachg,bounclubull_doos,org Chris Mumford Jennifer Jackson,Secretary Annelise Hardin 29 S Circle Drive 107 Marin Or 410 Market Street,Suite 430 Chapel Hill,NC 27516 Chapel Hill,NC 27516 Chapel F1111,NC 27516 773 733 3262 C;585 317 7389 0!919 280 2085 clmumforditgmall.corn efox720),hotmail,cern W:919 967 2773 Husband;Stephen Jackson annelisehardInftyahoo,corn Pam Zornick Husband:Scott Hardin 101 William White Circle Betsy Bennett Past Chair Carrboro,NC 27510 1779 Purple Sage Lane Pat Heinrich Fl;919 960 5272 Chapel Hill,NC 27516 137 Old Forest Creek Dr, C:919 824 4598 C:919 225 2639 Chapel 1-1111,NC 27514 PacatnYZA1A9rnalla101, H;919 967 0369 919 210 4857 Husband:John Zornick bbonnettyky_pdev:com )heinrich cDchccs.k12,ric:us Husband:Walter Bennett Wife;Deborah Stewart Alfred Leach,Member-at-Large Alexander Julian 304 N Elliot Road 323 Florida 11111 Rd Chapel Hill,NC 27514 Ridgefield,CT 06877 C!203 722 0923 H:203 438 5191 Alq,mm1pu_blicrelations.corn C:203 550 4228 Wife;Lucy Leach alistudio(aime.com Wife:Meg Julian Delores Bailey 203 N.Graham Street Lisa Kaylle Chapel Hill,NC 27514 3914 Sweeten Creek Road H:919 929 4844 Chapel Hill, NC 27514 C;984 528 6780 C;615 289 6814 W;919 967 8779 Ft 910 338 2615 delores,bailgy„ „$mall,corn Ilsaktgliongmall.corn Husband;(Dr,)David Kaylie ! I i DocuSign Envelope ID:56A5C00E-0F80-4BDF-A1A7-5530F0DB9396 IRSIRSDepartment of the Treasury Intermit Revenue Service P.O. Box 2508 , Room 4010 In reply refer to 4077550279 Cincinnati OH 45201 May 19 , 2009 LTR 4168C 0 000000 00 000 00029099 BODC : TE CHAPEL HILL-CARRBORO CHILDRENS MUSEUM KIDZL CHILDRENS MUSEUM 105 E FRANKLIN ST CHAPEL HILL NC 27514-3620 035059 Employer Identification Number : Person to Contact : Sophia Brown Toll Free Telephone Number : 1-877-829-5500 Dear Taxpayer : This is in response to your request of Apr . 07, 2009, regarding your tax-exempt status . Our records indicate that a determination letter was issued in February 2005 , that recognized you as exempt from Federal income tax, and discloses that you are currently exempt under section 50]a.(c) (3) of the Internal Revenue Code . Our records also indicate you are not a private foundation within the meaning of section 509(a) of the Code because you are described in section(s) 509(a) ( 1) and 170 (b) ( 1) (A) (vi ) . Donors may deduct contributions to you as provided in section 170 of the Code . Bequests, legacies , devises, transfers, or gifts to you or for your use are deductible for Federal estate and gift tax purposes if they meet the applicable provisions of sections 2055, 2106 , and 2522 of the Code . If you have any questions , please call us at the telephone number shown in the heading of this letter . Sincerely yours , Cindy Westcott Manager , ED Determinations DocuSign Envelope ID:56A5C00E-OF80-4BDF-A1A7-5530FODB9396 Mix IT kir In the Maker/ with Anna Podriss and . Encausfic Postcards Oh, the places you will got. Join us as we Mix it Up in the Makery with local encaustic artist, Anna Podris, to create our own travel-inspired postcards to send on our adventures this summer, made entirely of paint and wax! th.::,,,. ' .44 ris, "Ilk. ,*4* r.11 C . , ./ iiiiikNe! 1 t t' ailpir 1 . . - i cri *,• , 742■-• Al•--- -113 — ''''' t. . • ,4 .-, W-.1 -47_,.. - --) tO0 ! ■ -"" • 1 -1 s i / k 11111,111W .. A V AC ;11 i • .00 _....._ ..._ __ 1,/ It P r7 1 0E1 ". ''.:- * '4'''• '1, - '?' , .. , e.. '4'. 4° !li D Po ' ' it, • ii.,- i ' ‘ . _ rill: " --=,9,3°' 2,Ii ;04 4 14 I IP• ''''' .... )'.i/ . b ..i'-' . r 0 i • • • • 1 1.,. 1 I 1*f• • li I . 1 6 . 1, J , , ., , . . . . . . ... , , , , , - ,,,,,.,, . •,., ,, i .,,, .- • I, ' ' A, % N t t P•361," -' ' Saturday July 9 10:00 - 12:30 am 1111 I 2 3 4 5 6 7 8 9 10 ,.. k,,L • CARROORO CHILDRVIC S MUSEUM f DocuSign Envelope ID:56A5C00E-OF80-4BDF-A1A7-5530FODB9396 111111111110 Ilyi IIIIIIIIIN di Ili 1111 IIIIII II 111 milli 1111 IIIIIIII 1 1 Il 1 1 il 0 1001,111 looll 01 III 11111111111 lemilffill001111,11010 III 1110,11 1 iii 1 ii VIII 111111111111 11111111111111 111l1111111111111101 IN IIIIIIIII iii IIIIII 110 I I lila III 1 111 II I 1 III 1 11111111 oil HI olloovill IN 1 1 11 001 IIIII1 110 II 11 IIIIIIIII IIII II IIII 1 II 11111111111111m iffiffilimilli ima viiill In the Maker)/ with Amy Richards and Supergraphic Screen Printing Learn what all the BUZZ is about as we continue our celebration of National Pollinator week. Come explore the art of printmaking and learn how to use a screen to create pollinator images onto paper. Continue our bee celebration with watercolor illustrator Amy Richards, and design a bee perfect for your garden. Bring the entire hive along! Saturday June 25 _ 10:00 - 12:30 any 0 • -4 „,„./:g l'' tO*,\,..,NIN So J04,,. 7 -,"'" 0 • 4., 4, L 0,,,, :(_, 40i). . 4 4 ii,4.Alt i 1,,-,':,,,,,Att (,,,,. lip Is,. • - ' ,—) 0, 4 lee ,Litit i '--,00 • 4ite, , Q) 14 '*" ' -"ikk 01 Tit, ,,, • 40e, Supergraphicls Bill Fick will be running a workshop for kids sponsored by Speedball \o„, Arts Products Products Company at FRANK Gallery in Chapel Hill on Saturday, July 16th from 1 1 am-4pm, For more information visit: http://www.frankisart.com/home. , ! 1 if l 1 i I / / , / ' /'f 7/ "7;// ./"'44"'41'''',■,4"' /,// I , , , 2 3 ,,,,,,, 6 , - 7 < ,,,,,,,4,, ,,/,04,,,„ $, „ 4 5 , yii„„,„:,,,, ,,,,,,7 , 4 /7 ''' 2- CHAPEL tilt I. . CARPOCRO CHILtoREN,S MUSEUM Doc' Sian Envalope In gFAfn0E-nF80-4BDF-A1A7-5530F0DB9396 "wwwmw'ww' 'YA-itgi,P ' W. ''-'.,°'", '" "ti411 1 11 r I { ' 7,1 :iv y', y , . ,, t.,„ i is, ,`41 /1.4 ,, . II It ilt •- i f.4,.' f,iFl .tA A 4., IEtIND ))EC)iMB ElL 1 i'hil 1():3[)A191- 12::3()1'ill 04 i c to 'Y,a'M. A 1 i . i 1, ,, p r �' L T .I .I i x ., 1 . r er , a H 1 f 1 4 i ., . y ■ r /r 9 nx Sr , \ J', • ,,,, � � '�7r'. 4Jti�, ✓'rtJ+; k> ,% ".y * lid } .• ti y , :tilt! . rc , 1 1•Fxr i4 � t ''Y`, u ��j / N � i kY. 4 1 i' A... s • • f 1 '• 4 : a ' , Y'IR ‘.1 .. »ISJc ^"d,+"M iN '.-.' Get in the giving spirit as we Mix It Up with Chapel Hill L. non-profit The Helping Hand Project. Learn how a UNC student started this special project that specializes in providing 3D printed prosthetic hands-free F of charge for children in need. . prosthetic lore Explore p efi� hands, how 3D printing works, and talk to the students .L, t d is who created this amazing projectl N'• L t DocuSign Envelope ID:56A5C00E-0F80-4BDF-A1A7-5530F0DB9396 `^ i ' 10�ii •�;/. � h::Ji>,'`s d ' T!.4,• A nF €Y f t I'M1A £u `& y�Tj^• .(fin R" II ht'~.) V tee. rn r i=r r , 1 fi,' hays ;jt� (• J, 1„ � #.r g y k y l: > �• y,'. "$'y'' `�y; s R`d. fYy', r : . .( s Df. �a t' ', ,r f Pk. •p"sY f I 4OCC'1'()BE11 2 2 Ni) pi 10::3t0AM -12:3tlPM r, .' .0,-,4, a4 et •,1 ;146; y"I, • /: '44`n f 4 1'°,:'5 4A,f,` �.04,.'0 i .)'t 'f"r *;j to r t i f s l it -J \vs. '55 11 ' ..',• 45 I 0 .0 . Y' „, , , . ,t l y } , ' !. _Y. 1,.._911• .1r t s ..■r , a f ., fr4' I. , tJM�• ...Ydrz� i i ,�.t t. III , ` h T �•• ly III III f.�, ,,� p '7 S. J.. ,I,..' IIIIIr/r'. rw Y 1 'y I��;u, �''' •"*A."....b,"err .. y''- :,��}f:1 a!* 0 E .rjt1 ,. r. 4,,ryf .1 'r ;r,), , f{r f. f .E,*iiii, r y►, I r.� • r diM ' s . '1 r c4: .�`»�1 ,.'''.Y :7 try: .l 1.14 t l �� ,��V•..'in:"... A,�wY"�:��' .,�v� °��"..Muses � lc. a rr � ' ' r• o„ •,.,. :.Y... Zoom in on Kidzu's Turning the Lens on n Learning exhibit with`nano scavenger er Ali hunts and local photographer Barbara Tyroler. Barbara will be sharing her love of photography with children and caregivers alike and help bring our pictures to life with invisible ,I Parents: Be sure to bring your ink stations and other 'dark room'fun! ` , cameras for helpful tips! o:',141 a1 . "'°',`z ITT, DocuSign Envelope ID:56A5C00E-0F80-4BDF-A1 A7-5530FDDB9396 �� t �. .. li 1r r ti t u .. x. °fi s _0 r s I// � �_ `� lV�n ILL Nµ ` ' t , � : ' � � agal Satvrda Mar n ? A r � .�o � t 1� 3aarn IA � m i1 v r ♦-;i �. d III -�t1".,\ -V ,gyp — _ - * .. I t , ..fir ,,,,,,+ , •, Y k ." f . i ! Jt r � � Id i 4 T, . a1 p �" �. nog, «� r F r � II I -�• . I v;. "�� a"� i. tll � .. w 1111:; �;Na'.7�,. - , .., o.rr' �� III�II� � s' m..w...nA r'A. �� ''+.r 1 „, ul r Get creative i e IM . i n tea afire as w -n ,�� _. Lights Ca�nnera, Acfion. rY 'L •:- Mix'It Up with beloved community puppeteer Beatrice Ruggeri! Put your creative caps on as we design unique * •, p pp u ets and build our own sets. Bring your cameras alon,�, II r. and create o hyoupppt � -, � . y cur own short frlms wilt r u L, ; -� * eve c��ebrate Li hts. Camera. and Join us from June 26 June 30a g ° ` ' Actions during rout 2017 Summer Camp -SIGN°�U ' NDw ` ^ y *fir f 1 DocuSign Envelope ID:56A5C00E-0F80-4BDF-A1 A7-5530FDDB9396 I MIX IT UP 1 In the Maker with Master Ceramicist y Shannon May Mackenzie ....., Get your hands messy this weekend as we Mix It Up in the Ma <ery with Pottery. Explore the art of hand built pottery with I idzu's own master ceramicist Shannon May Mac <enzie. Watch how your own hands can turn a lump of clay into a marvelous masterpiece! w ! k` §iiii, .y ' '' Y e. i1 t' 3 f . , rt .. p 7 ,+ ,, OA l Saturday May 21 %X f . 10:00 - 12:30 am W �fill'''►1��iii , i1' 1111 ':111 111111111111 111111111111'111111111111 bill r 111111 0 1 , Ps 2 3 4 5 6 7 8 9 10 •� c '"c v I CHILDREN'S MUSEUM DocuSign Envelope ID:56A5C00E-0F80-4BDF-A1 A7-5530FDDB9396 IVILX Li Ur 1 In r the with Josh Taylor ,I HOP on into the Makery for our very own HIP HOP celebration in honor of the Disappearing Frogs Project, a grassroots environmental arts project working to raise awareness of the global decline of frogs and other amphibians. Join us as we Mix it UP ' '' ;, l Hill 1 �. .. , ) with Chapel _ ; ... illustrator Josh , . i , m tl ii Taylor, and 'ii )1 discover how to illustrate our very NI own frog storms. �{ a t appearing i :-:":4' c. ,,,,_ c ,,_ ,-,,, Y"'� PR.oJEC E Art.Awarrn .Anion Saturday April 23 10:00 * 12:30 am 111!1 lil� iili MOIL iiIIIIIII liil i114 1 :1111111 lll�' 111 1111 1111111111111111111 1111 2 3 a 6 7 8 9 10 c1 4 � " el - 01 1', , 1 II '.1 I I C N R I: 4 O R Q CHILDREN'S MUSEUM DocuSign Envelope ID:56A5C00E-0F80-4BDF-A1 A7-5530FDDB9396 '.iii ra 0 I , Ii ; . , id h` A'�, + 5' ? , y .4 why �J,y�'� MVt .v �4�4,5 r A ��' �� '� � "� +��' �iShtJ:?„,�� ==,: .fit ,' '`i 1'. �..e�� Iffi 1; 1 ,,:ratJTIC,t,f N `'NOVEMBER 1 �rh11 I I I- 1 �: 1 I ft 3 OOA « ._ � , " + �t 'f r u? om' A ✓1 , ; 1.i ' � 44 i/ milli „ JP t :fry. /,/ i f d,aMt , i ., , • ., ‘c7-.-;: , - z ''C'-',.°11/0 , . ,ask"` ,c,,, .�'/,��' � � a �l�oti s .f a ,c '. . " „ �' ,. y wir. Z.. ,11" rf 4,1 D id you know you can use computers to draw and create art? Join us as we Mix It Up with Kidzu's own Bailey Ryan, and design unique how to d un� ue computer art, and create colorful masterpieces;all with the press of a button. ': y " � l .t t / + v. , L AM1 6 1>!1'.g A ! k emu * ; '' .... DocuSign Envelope ID:56A5C00E-0F80-4BDF—A1 A7-5530FDDB9396 pooloolo 10000 1111 to 1111111111110 1 11 III 0 II 01 111111111111100100000 00011101000 00 1 111111111 1 1 1110111111110111 10 1100 111111111111111111111 111111111111111111111111111 11111111111111111 1100000011111111111111 01100110 v1011111011 101000 olo 1 111101°°°°°°°°°°° 1 11 moo 011111111111pol 111111 1'onto 011111111111 1111011 1111111111111111111111111111 11011111111111111101ol 1001000100000000111111111111111000110111110 1011011 1001 1 In he Makery i Bob Palmatier , , Flutter into the Makory t �� , " , /''''''"*"*'"" /this week as we ��4 4 �. di udu i �"r �ar �',� dd 5 A I � celebrate the most r , , colorful pollinators, , i t�,,1�r�r y y�//%ri�� %� % %iygi%r /y%ire a" butterflies! Kick of a 1 a ,,/ ' f/ ,! National Pollinator ,' 1 week as we use wax � ,, � and symmetry to a° ° � create our own ,Of 40, �fob encaustic garden. � , �,, � ( � Palmatier, local y �° illustrator and , , � ,/ .IN environmental � I � � P ; , 1�% al � l ; ,1 educator, will b J %, bringing along his I'G C`` ' apr�. f -0I "� iN Iyk collection of butterflies ,�r. i� `�� , � � I " and bees to help get us started. Saturday June 18 10:00 12:301 any t��11-1)1111111 w ru illicit 6 � , � � 1111 1111 � ,r� � „ . 1. ✓d,X �ri� X11, , „, 1111,,,,7, I, „ o to, „ CHAPEL SILL CA0.WW 0YlO CHILDREN'S MUSEUM DocuSign Envelope ID:56A5C00E-0F80-4BDF-A1A7-5530F0DB9396 7V1 ( c.qvr I/0, (moimeswIl 114011111111M 111=11111•Mi _)14 ■ ilri""7 1 ) X) -11" • "00 - • 1, Sandra Elliott Gorden of Possibilities, 2015 Acrylic and pastel Notes: Created during workshop led by Sandra Elliott about circles and Wassily Kandinsky DocuSign Envelope ID:56A5C00E-OF80-4BDF-A1A7-5530FODB9396 CHM! '..".',—.•1".11,11SOU111 Cu rating Creativity-Artist Work Samples _ . 19:',' ,,,-,, gt.t.txtytckfict ,0„- I I II t'._,,, M , 15 16 17 . "III 12014,■111114111ilfilti4 * 7 Ill iti-''..', ji 31 3 3 3 6 d 11414'llgritiltIn1711"111411"1181'"Viiill"P111"11111:1"1111, I-- ...... ”. ICLI1111thrLl ,... all)ALL iliffil,,,,,,,,4100)Lle .1, i ,, .■ WifftlITITULTIONILLIIILITTIVITIIIT I LI: b. : , , I 1 L $ ■91, ,fl, ar al .6 ....-. 1 11 ,j\pm iii...1.4. ... , .7._.. -', ..., ....................461.114.4`— . e .. ...-- .1.... .. ' ' i t.,- ,,. _ -- E'.■ I'' • -1, , ;: 7,.. ,,-4.-' iii................ , ,1 :...',• ' - - 1-- OP OPOI111611000,Ii=1- , 1 1 ........ . j ., I 16111:11:1110,114 i ! :: ' ' ' '1,',1:',:, "r,! I.,MilirtrirrTIXIIrtrt Virgil;)11 I ■ 1._,, =;; =:p i:1111, 1'iliirlil'jr/r17177"77"T 1 , , 'J , ' .- 1 .■ ' j• I' I I, Li.i, .41,1111i111 1,191ft1111 ' 4 ... . 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II:I, i '--4' 11 '-':'' ' - .; ,..** 11111111 Phitli'li i'il i 1111111111011Prill rigrpilitiltritili ' ..../ ' IIIipilltrill$111'1 ' , '” , 11 O it Hil'1111'1111!l'IIIIIIII11 1111.111'1111:11i I „,. lltil'I'l':Il 11'1' 'IVIIII::11 l''hi''77.21'"I'A'' , 11''11 il'L 11 1!0■11"I, 111:,1, ,1,1 Ili II 11''.1 idli''7IIIIILIFI .., " ■1 1:11 r 1:',' F''1,'''j ''litli rl''11 '' ''I''' III i I lri'lllitil*IiIII(Irlilihr111 I 11Ill III 1r'1 i' A I di • , ri-i-plipligl T ,,, I,Iii.i ' ' 6(14iittetr,fit it, :1,I;111-,ti,l'if.1,1,1'idi.il'ilddirl;ditil ,,,,,I1L'Illi,il,11,i qiiiihri,,:Trrizimirp:',1141,' 1 3,1 I l,1 I 1 r , Jeanette Brossart Fail, 2015 Old Crayons, Flooring Samples, Yardsticks Notes: Created during Mix It Up program with children and artist Envelope DocuSign ID:56A5C00E-OF 80_4BDF-A1A7-553 i,w n 1,„!,',,,i1,1,:pw , ,..„ COISLO Ftilit'S MUSLUM ung.„,,, %1,1.111111 ''...11:1111,1iiMir 1 ' ' 'IL 111111;1"1111111111111111111111111111001i,111111, 'S.: , 1111,11,111.11/,,' /r/ "'"'"'"' ilwily'l,e1111,ip:1,1„"1000100000 ,111111110,14t,,,,,/'/, t amoi ezt liff0 i 4t,1:" ,-.„, , ,.,,,,,,„,,,,,,,, ,,,,,b411.1,!,.i.i.i!, 'till: ":":11111111. . ., ., .....„,,,, .... ,.,., .,„,„.„..., . ...,:, ..,., ...,,.. .. .....„1„„1, ,„:„:„..„:„..,..„„.„.. , .,..,,,,.:„:„„,,,,,,,,. „,,,,,,,,,„,„„, ''''''':: , '''''''''''''",,,...,,„,4:": ,:' lisihihil 44nIf',':4 ,,,'';'::::'''';',„' ,'„,„'7„ ''''',,,,40.' “". 4,,,,,..- I v4,,,, ' '°:(11)eliiiiiirl,■".-. iitt , ,.,....,:.,..,,;0 7".„. Jim Adams what If?, 2015 Metal, Wood, Salvaged Materials Notes: Metal pieces were added during welding demonstration 6 5 30FODB, 3? 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' 1,1,110001010„„„„1:111, 1 111111111111111„1„111111hp 011„1„1„„„„111„11,0„„1„„„„„,111, Noy 000 11111111111111 „ 10101001 111111001 10 1, 0„00001110. 0.111„1„1„ „HI 1101011111111 11 0000000000000vvvv00010111111111111111111111111111111111111,,,,,, 1111111111 11 1411,11111 „Iv, 1 1 1 1,11111 111 11,11„ „„000.100,00010100000 0000m000111111111IIIIIIIIIIIIIII1I1I1I1I1I1I1I1I1I100000„10000.0000000110 11,0111111111101 Ivii 01 111,1000000011111„ III 11111111111ril''' ' 7'' ''?'''''''''''''''4'''''''''''''''l'''''''' l''''''0000000000'''00000000000000000000000000000 00000000000000000000000000001iiiiiiiiiiiiiiiiii00000000000000000000000000000000000 oovvvl 1111111111 III III III III 111111 "11100 00000000010 1 „1„„„„„„„„„„„„„„„„„1111111110„1000010000000 11,00„11 0000 0 111,1000 11011100111„ 11111 11'1 100 0000100000„1„00010111111 1 „1"10100011111111111111111111111111111111111111111111111111111111 .10,000,000000000000 v000000000ovvy„11,111„„0„1„, ,,, 1 „ 11111.11,01111„1111„0„1„ 1111111111 11001,1,111111111 11 110,11,11111„00,1,10000 '000000100"1000 1 11 111111111111v, 111111„ „1„01„1„ „viol,;1111 11111111„ 01161010 1 100001111011 110110„1 1 11 1 „0„10001 „100101,11111101 00111111111111111111 100001001 „1„1,11„00„ 1 11„ „HI 1011111111011111111 1„1„1111111 1101°1111 111110111011111„„1,1011 H11,1111 1101„1„1„1„1„ 111 Supergraphic Screen Printing Pollinator Print 1, 2016 Ink on Paper ,-- led on workshop by 51-11)ergr hands o screen printing Created during a sc Flick Notes: Cre aphic Screen Printing's Bill DocuSign Envelope ID:56A5C00E-OF80-4BDF-A1A7-5530FODB93q6 ) : cm,,,.....MUSEUM . -- rr- ..• R , . . . r. 4. , ii, 11 , ii.01.. . 1 ' ■ , - .,„',..,. ..., .- dagg', ‘1101114 --- / -: , . :, I) - t ) .• . +4 ime 1::,, ',., . .:--. .......,..,.,-,.,,-- -.41,.......0 :. •! „---,,...-.,-.:,,, • /it'A t, , j iMLrcrJ 1;.;1 -'' ' - ' '''''' ''''''''':■rtl'',',',4'.. 'r4 ,. i Susan Parrish Yellow Jacket, 2016 Found Objects, Cigar Case Notes: Created by Susan Parrish during a found object art workshop DocuSign Envelope ID:56A5C00E-OF80-4BDF-A1A7-5530FODBcr406 .7. v \W ' , '' _ CrilLOR1114.11 MUSINU **". ........ A a . . . ,, 4 - f e • . • Ult.l It Y.., " ■^,1 '-' '`'..,''',4'-■!,,,,,, ,, 1,.. . ZSII,Ic I,,,..' 4.Z ° , r,...,...,- 44- ,, 44.&• .4,,A1,' ,:.' . • * r,-. 0414 4 , .. ' ',■ V.'t,,ir11 , . , . 4 ,=. '-' '', 4',..•'-'0te ' ' NIA ,. r 4,foel 4=ri , 41l11 E Paperhand Puppet Intervention Wooden Boy Riding Woodpecker, 2015 Cardboard, wood, paint, cloth Notes:Additions to Puppet were added by children during a Mix It Up program with Donovan Zimmerman DocuSign Envelope ID:56A5C00E-OF80-4BDF-A1A7-5530FODB9396 16,11''ll '1 ""^'?" 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I 011''' 1 1 i .. I , * ■■1 1 r1 1 / ' '...'".'..- III14i 4 r, ", '. ■ ! i , ' ' :. fl. R............ ..„...." ......,,,---_,.., 1111111111111111 011 ril f.'1'1 " kl-nel i° : I - •-4.'44 10 i 1 tt. I 5,014.j.rj441 • 1 ■ ___ _ _____ I ; , ,— .../,0";,7t: : , ;., • ,. , ,,4..-r.• . . ■ ,'" • ..,..Vi: ' at,tV.'N;ila ^- !i:A..- .t‘: .-1:- ir ....11.• .7 144 . '4., ,'. . .... ,''.!..,. 41', .,./.•51,...:A, , ,.., T..v.sc. ....• ..:-,..;;,..,... -,., ...v. I. '',',1441,0!,,.. • , ..., I g l' f4 vs. w- *•- ; . Az",/,1/4•5'41.4.4;...A 1-A...,: ,,.., ..? .Y. . . tr..; .YbirAf•tj,t, !h".i-t..44,.f,ist"'"?6,:etell "Mttze.... .1.1,104,' ''''..• Lg.: ...• Keith Norvall I'm Peckish, 2008 OH on canvas