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Home My WebLink About2017-441-E Arts - Donn Young - 2017-18 Arts Grant Agreement DocuSign Envelope ID: DED368CC-D87F-4704-8F64-B8F2DB10EE93 1111 11 / coo, 11111, August 15, 2017 Donn Young 2127 Doar Rd. Chapel Hill, NC 27514 GRANT AWARD LETTER Fiscal Year 201 8 Grant Category Artist Project Grant Program Funding Source Orange County Award $1 ,500 Start Date July 1 , 2017 End Date June 30, 2018 OCAC Report Due Friday, July 6, 2018 Project Title artist UNITED: The Walls We Build Staff Contact Katie Murray, Director 919/245-2335 kmurray@orangecountyncgov Stipulations 1 . Grantee must properly credit the Orange County Arts Commission using the proper logo and/or credit line on all publicity materials. View proper credit line language and download logos on the OCAC website at htts://artsorange.org/grants/grantee-resources DocuSign Envelope ID: DED368CC-D87F-4704-8F64-B8F2DB10EE93 C ww4a4C(1/ ORANGE COUNTY ARTS COMMISSION �� 2C��iL7 L GRANT AGREEMENT .0 rig' \ Jorfo dr n THIS AGREEMENT, entered into this 17 day of August, 2017, by and between Orange County ("County"), by and through the Orange County Arts Commission ("Arts Commission") and Donn Young ("Grant Recipient"). WHEREAS, the Arts Commission is a countywide arts agency that ensures the growth of local arts experiences by providing funding and support for diverse high quality programs and projects. WHEREAS, the Arts Commission administers the annual Grants Program to provide economic opportunities to Orange County artists and non-profit organizations coordinating arts projects benefiting the citizens of Orange County. WHEREAS, the annual Arts Grants Program is supported by Arts Commission with funds from the Grassroots Arts Program of the North Carolina Arts Council, a division of the Department of Natural and Cultural Resources, a state agency. WHEREAS, the Grant Recipient was selected by the Arts Commission to receive the annual Arts Grant through the procedures duly adopted by the Arts Commission; and WHEREAS, both parties wish to promote and maintain the integrity and clarity of the Grant Recipient's ideas and statements and delineate the Grant Recipient's obligations to the County; NOW, THEREFORE, the County and the Grant Recipient, for the consideration and under the conditions hereinafter set forth, agree as follows: 1. Approved Grant Project. Grant funds are provided under this Agreement for the project ("Project") described in the Grant Recipient's Grant Application, attached hereto and incorporated herein as Exhibit A. 2. Grant Award. Grant funds in an amount not to exceed one thousand fl"uv; hundred re d. (S 1,500) have been awarded by the Arts Commission to the Grant Recipient for the approved Project. The Recipient shall be required to match funds at least dollar-for- dollar with cash from the Grant Recipient's funds not derived from either Orange County appropriations or the North Carolina Arts Council, as outlined in the attached Exhibit A. 3. Contingency. This grant is contingent on North Carolina Arts Council Grassroots Program funding to the Arts Commission. Final decisions on Grassroots Program funds to the North Carolina Arts Council are subject to approval by the North Carolina General Assembly. 4. Responsibilities of the Grant Recipient 1 Revised August 2017 DocuSign Envelope ID: DED368CC-D87F-4704-8F64-B8F2DB10EE93 A. Implementation. The Project implementation shall take place between July 1, 2017 and June 30, 2018. The Project shall be implemented in the manner described in Exhibit A. Time is of the essence in the implementation of the Project. B. Modifications to project. Grant Recipient shall present major changes to the original proposal, including but not limited to changes in design, implementation schedule and increase in Project budget by more than 10%, in writing to the Arts Commission for approval. Arts Commission shall approve or disapprove Grant Recipient's request for modifications within seven (7) days of receipt thereof. Consent to project modifications shall not be unreasonably withheld. Arts Commission's decisions shall be in writing. In the event the Arts Commission fails to approve or disapprove the requested modifications within the time stated herein, the modifications shall be deemed approved. C. Non—assignment. The grant cannot be assigned or transferred to a different project or artist without prior written approval of the Arts Commission. D. Records. Grant Recipient must maintain records and other evidence pertaining to costs incurred and revenues acquired during the Project implementation. Grant Recipient shall maintain financial records pertaining to the Project for three (3) years from the date of this Agreement, in case of audit. E. Use of Funds. Grant Recipient shall not use the grant funds to repay outstanding taxes or other debts of any nature. The grants shall be utilized solely for the purpose described in the attached Exhibit A. F. Final Report. Grant Recipient shall submit to the Arts Commission a Final Report on July 6, 2018. The Final Report shall be in the format required by the North Carolina Arts Council. Failure to submit the Final Report or late submission of the Final Report, for any reason, shall be grounds for denial and/or cancellation of grant funds for the Project and future grant proposals. 5. Responsibilities of the Arts Commission A. Payment. The Arts Commission shall release the grant funds in the amount of $1,500 to the Grant Recipient. 6. Publicity A. Acknowledgement. Credit must be given to the Orange County Arts Commission and/or the North Carolina Arts Council using the proper logo(s) and credit line in brochures, news releases, programs, and all other printed and online publications. Copies of such printed materials must accompany the evaluation report. Official Orange County Arts Commission and North Carolina Arts Council logos may be downloaded at www.artsorange.org/grantee-resources and may not be altered in any way. When no printed information is used, verbal 2 Revised August 2017 DocuSign Envelope ID: DED368CC-D87F-4704-8F64-B8F2DB10EE93 credit shall be given. In addition, all print and promotional material must include the following credit line and logo(s) (check all that apply): i. x County Funds Only. Orange County Arts Commission logo required. Credit line required for audio projects: "This program is supported by the Orange County Arts Commission." ii. North Carolina Arts Council Funding. The Orange County Arts Commission and the North Carolina Arts Council logos are required. Credit line: "This program is supported by the N.C. Arts Council, a division of the Department of Natural and Cultural Resources. " B. The Grant Recipient must enter all events, exhibits and performances open to the public and related to this grant award on the ExploreChapelHillARTS.com website and display Orange County Arts Commission publicity materials (postcards, brochures, etc.) prominently and consistently at their venue or performance space. In addition, the Grant Recipient must add a link to the www.artsorange.org (Orange County Arts Commission logo preferred) to their main webpage. 7. Indemnity. The Grant Recipient agrees to indemnify and hold harmless the County, the Arts Commission and the North Carolina Arts Council and their officers and employees from any and all claims or actual injury, damage or loss to a person, or real or personal property that results from or is in any way connected to the use of the grant funds. 8. Independent Contractor. The Grant Recipient is an independent contractor and not an employee, agent or other representative of the County and/or the Arts Commission. Nothing contained in this Agreement shall be construed to create the relationship of principal and agent, or employer and employee, between Grant Recipient and Arts Commission or Orange County Government. Grant Recipient understands and agrees that he/she is not authorized to incur any expenses or any liability whatsoever on behalf of the County or the Arts Commission and has no authority, expressed or implied, to obligate or make representations on behalf of the County or the Arts Commission. In addition, Grant Recipient agrees to maintain his or her own worker's compensation insurance for himself/herself and his or her employees for the duration of the art work's installation. 9. Termination A. In the event of any of the circumstances set forth below (hereinafter referred to as "default"), the Arts Commission may immediately terminate this Agreement: (i) Any fraudulent representation in any verification required to obtain payment under this Agreement or other dishonesty on a material matter relating to the performance of services under this Agreement. (ii) Nonperformance, incomplete service or performance, or failure to satisfactorily perform any part of the Project or to comply with any 3 Revised August 2017 DocuSign Envelope ID: DED368CC-D87F-4704-8F64-B8F2DB10EE93 provision of this Agreement, as determined by the Arts Commission in its sole discretion. (iii) Failure to adhere to the terms of applicable county, state or federal laws, regulations, or stated public policy. B. In the event of default by the Grant Recipient, the Arts Commission has the discretion to elect to terminate this Agreement, in whole or in part and/or require the Grant Recipient to repay the grant funds within seven (7) from written notice of default or allow the grant recipient the opportunity to cure the default. This clause shall not be interpreted to limit the County's or the Arts Commission's remedies in law or in equity. 10. Miscellaneous. A. Entire Agreement. This Agreement and the attachments contain the final and entire understanding of the parties with respect to the subject matter of this Agreement. All modifications and amendments to this Agreement shall be in writing. This Agreement shall be binding upon the parties, their heirs, successors and assigns. B. Governing Law. Both parties agree that this Agreement shall be governed by the laws of the State of North Carolina. Provider shall at all times remain in compliance with all applicable local, state, and federal laws, rules, and regulations including but not limited to all state and federal anti-discrimination laws, policies, rules, and regulations and the Orange County Non-Discrimination Policy and Orange County Living Wage Policy (each policy is incorporated herein by reference and may be viewed at http://www.orangecountync.gov/departments/purchasing_division/contracts.php). Any violation of this requirement is a breach of this Agreement and County may immediately terminate this Agreement without further obligation on the part of the County. This paragraph is not intended to limit and does not limit the definition of breach to discrimination. By executing this Agreement Provider affirms that Provider is and shall remain in compliance with Article 2 of Chapter 64 of the North Carolina General Statutes. By executing this Agreement Provider certifies that Provider has not been identified, and has not utilized the services of any agent or subcontractor, on the list created by the State Treasurer pursuant to G.S. 147-86.58. C. Entire Agreement and Signatures. The parties have read this Agreement and agree to be bound by all of its terms, and further agree that it constitutes the complete and exclusive statement of the Agreement between the parties unless and until modified in writing and signed by the parties. This Agreement together with any amendments or modifications may be executed electronically. All electronic signatures affixed hereto evidence the intent of the Parties to comply with Article 11A and Article 40 of North Carolina General Statute Chapter 66. [SIGNATURE PAGE TO FOLLOW] 4 Revised August 2017 DocuSign Envelope ID: DED368CC-D87F-4704-8F64-B8F2DB10EE93 IN WITNESS WHEREOF, the Orange County and the Grant Recipient have signed this Grant Agreement, effective on the last date this Agreement is signed by both parties as indicated by the dates set forth under signatures below. For and on behalf of the Grant Recipient L cuSigned by: eil AJ L (,o.1w�p, 8/24/2017 Fy�l i_t-D Date For and on behalf of Orange County Government DocuSigned by: bolnILi, kum144U(SLI 9/5/2017 312, 193Bliammersley, County Manager Date 5 Revised August 2017 DocuSign Envelope ID: DED368CC-D87F-4704-8F64-B8F2DB10EE93 1 de 011 4,6" 'Ili' 1111111'1 II II 101 11111 Ci 11111 1111 101 I 201718 GRANT APPLICATION COVERSHEET D Applicant: onn Young Date Received: 6/1 /17 Date Notified Complete: 6/8/17 Project Title: artist Date: artist United. The Walls We Build June 2018 Use of Funds: Marketing + Travel l Total number served: Undetermi ed Community served: Triangle region Demographics: Residents/visitors of Triangle CHECKLIST Completed application form with @ Resumes of key artistsiinstr ctors signatures M Sample publicity Narrative M Work samples IN Project Budget worksheet M Letters of recommendation (not requirod) AMOUNT REQUESTED: $3500.00 AMOUNT GRANTED: FINAL SCORE: DocuSign Envelope ID: DED368CC-D87F-4704-8F64-B8F2DB10EE93 I de 4f4"Nif 000kiNE COUNTY ,AITS ODOWAYSS,10M 201 "7-18 ARTIST ROJECT GRANT PROGRAM APLICATION FOR' PART AppLicAT'ION ORGANIZATION INFORMATION Artist Nettie: Donn Young Street Address: 2127 Door Road City: Chapel Hill State: NC I Zip: 27514 littebsite (if opplicalile): Phone,: 504 60642r: ":104'01Yv [4,c)r)IL!!`,1011,1,111'YA, Iflfl viPovw.artislunited.org pART 2: PROJECT INFORMATION PROJECT SUMMARY Title of Grant Program or Project: artist UNITED: The Walls We Build Grant Amount Requested,: $3500 00 Pmject Start Elate (No earlier than July 1, 2017): 7-1-2017 Project End Dar, (No Faker than June 30, 2018): 6-30-2018 PROJECT NARRATIVE Please,attach a narrative providing the information requested below for the project you propose, Please he as concise and specific as poSsittilz: 1„ Stimulant of the proposed project-what will you do, where Will it P e performed or displayed, when the preparations and public component take place, any organize one i partners 2, Community impact-describe the project's public component, how many people arid what populations will be impacted. Artist experience—include a brief description of your similar arts projects in the past if applicable. PROJECT BUDGET Please provide a projected budget for your proposed project utillizirlg the format telow. You may attach an additional detailed budget if ilecitssary, but the tables below must be dfilled out, Please see Lt la attached Glossal-1y of Budget Terms for more information, NOTE: (Watch/rig.fun s are not 'aired but!nay he encourage il depending on the project, it you have additional funding sources please include them in the chart below. txpgjlopis, rExpt,nolibl) ' ' rthfldcz PAt4,004,0_ Adr17k1istrartivo Staff. $ F--- A Personnel $ $ 13, Outside Fees and , Adis—tic Contracts: $ $ or, ,!yf rAn v vvvvssIv v vvv vr: rin I vvvvvv ri•JJ(',1' rsvivvvvivvvvv v DocuSign Envelope ID: DED368CC-D87F-4704-8F64-B8F2DB10EE93 ,, „...... 86 $roiCCS Other contracts: C Space Rental $ $ $ D. Travel $250.00 $250,00 $500.00 AD, PR end E. Marketing $150000 Marketing $1500.00 $3000.00 F. Remaining Project $ $ $ ExPer1e! , G. Total Cash Expenses $ $ $3500.00 fr„vrtromry ,r1,,,,„p,, ,) 0 . , f,,,,7 ,,,,/?1, 1 79,Frigic 1,011 ,4 i( 1, i1 ,,,, ,,, 0) ,,,caiiiiad 4to, ,P „ A. Admissions _ „„.... (/f jr '''/'''''IIIII 1111 I/ 1 // 7/ ,/ tetLiiiiiii" 2,4 B Contracted SerViCOS $ Revenue i $ C Othor Revenue „„„„,....,.....„,„ „.. ' It- : Corporate,&Ippon: $ Foundation Supplant; 0 Private Support $ otil;r prive te support: 1 $1750.11 i,-- Federa $l:, „.... , ..„ .,,..,. I E. Go t Support vernmen if State/Rogional: $' I $ r_FT Applicant Cash__ Local(rot including this moo,gip T $ 137—G .—rPTrriburit .00 Requested On this $1750 app/cation) H. Total Cash Income goat Total as $3500 00 Expense& Rem G above) PART 3: APPLICATION CHECKLIST APPLICATION CHECKLIST Please compile in this order. Do no t staple, hind, or put into individual folders or sleeves. Provide one copy, one sided, 8,5 x11stwhita papa'r. A digital copy of the application is not necessary, 0 Application Form, including signature il Narrative , necessary) Detailed Budget (if none ) , , grant funded prograrn(s ,,, programs ) 011 Resumes of key artists involved m grunt its Ss or other materials from this or similar past p grams Samile Programs' pre '' ity partners (If applicable), r ilk date of work, Pr OOD imLeottrekrssamples support by artist(s), labeled with artists' name, title of wo „ u.st three years', a Visual artists: CD, DVD, or high resolution photographs8aimages per artist MAX), clearly labeled with dimensions and media and indicate top of image 0 Dance or theater artisrtd, C. CDpor,i DVD, or link to high-quality on me 'yid:, (3;5 minutes) online video(3-o minutes, oa LMitulesriacryailladrts7Mokaennuwscoriet (10,15MpP:goersl)inskubtomhitlitgeh;d-clas°81.1nitdYf file or hard copy I ,,m r , omil P,I,pk 0-600 Pria 0,1'i DocuSign Envelope ID: DED368CC-D87F-4704-8F64-B8F2DB10EE93 PART 4: CERTIFICATION II understand that failtire to respond to any of the above items may adversety affect the consideration of this application. II certify that am committed to the completion of the proposed project lin corriptiance with legal requirements and granting procedures. I certify that the information contain t g in this application, including attachments and supporting materials, is true and correct. APPiICAP4Ir Priritoil or typed Dorm Young name: signature: Uate; 5:1 rILI V kV V h I, 4 n DocuSign Envelope ID: DED368CC-D87F-4704-8F64-B8F2DB10EE93 IV- Peat eliw14 k ry P0111, v' r t , i , Iv p i 10 ; OT' s r 00 $500 00 5165'0.00' $300.00 $ 00.0 ... $5O0 0 i t � I I u DocuSign Envelope ID: DED368CC-D87F-4704-8F64-B8F2DB10EE93 ARTIS T UN 1 14.D Voices for lan,derstanding by ■i'north Carolina artisans Don Eovvles'L!IIJI I do Jorcily Art mast repeal ihe human condition. thir sticitgar as citizens laud as artists ri.5e5 rion afir ability to question it debate iSSINCS, Ohfrarlicii'ons and frinhOS that 031tfrollt us. As journalists, anthr opologisis,bistorians,,and artists, Tae are dedicated to a life of cultural expression, his'ight„4Thd social coluseiousuess, Proposal: artist UNITEID is producing a multi county event where"Triangle region artists are invited h express her idea,s, create.and exhibit.,Our inauguration theme is: rite Wads We Rniirt. Galleries, museums,schools„ pop up artist ore invited, to pmsent their'work during the "Art Walk"events in Raleigh,Durham,Chapel I 1W, Carrboro, rittsboro and Flillshorough, The artist UNITED protect.The Walls YVc B is designed to be a month long exhibition of art planned for II.11110 2018. Mission.Manifesto artist UNITED calls for as Triangle region collaboration-a network of artist, galleries, museums, stlad10.5,,educators and students to create,publish and exhibit wilh the-Lhell.W,intended: "The'Walls We Build". The Walls We.Build, a literary and visual collaboration, inspired by the 201.6 national election ,for preddent of the United 1,3tates. Our interest is in examining the kinds of walls that we,our humans species,build - physical and economic, social, and metaphorical and politkal Recognizing that all kinds of walls exist around the world, we have chosen to limit our project to our home state of North Carolina. artist UNITED are dedicated to a life of cultural expression,insight, and social consciousness., artist UNITED are documentarian ,dancers, clay artist, creative writers, octors,troua$icia-ns, wood and glass artist, painters,. anthropologists, historians., photographers and journalist. artist UNITED will stimulate thought and inspire action. For when the imagination and the intellect are touched art can transcend barriers and bring us together. artist UNITED documents our generation. We will leave a legacy,. an archived collection of art,an reference kit Future generations to view of our comnritinities„organizations and institutions. Otur strength as or arises)(RPM our ability.to question avid debate issues,contrialictiouls and (ranks Vial confront us.. Art offers pee&a coulter:ion to their past. Art offers p,)copic the rtbrh ty o envision their_thrum mai 0 rarity to expirss their imaghtatimx Art COU help to 47 1701Stnl'S frSS„ Art encourages people to think,express and Inc creative- the essence of education,. artist UNITED N committed to producing and promoting art that reflects the lives and concerns of North,Carolni.a.'s ethnically and economically diverse pupu latiuns i n du ding: women,the poor,youth, the elderly, and the ,I.BGT community. artist UNITED,gives voice,Iii the issues of our generation: int migration, religion, the challenging light for hittrian rights and dignity including the physically and intellectually challenged, the inherent right to an education., politics and the law artist UNITED is committed to education,communication and collaboration. Art is an "nears, a language,inspiring leader ship and participation„ leading to community forimis creating a vehicle for the bcfterment of community through an audience based participatory process, Underlying all of our activities is the profound conviction. that art voices.nood,to be heard that out many interests are varied and critical to the creation of a civil society, artist UNITED will promote art for peace,preservation and human rights. artist LlN!TED , in,rwmartistunitecierg wwwthewallswebuildoc.com dorm youne,ttgrna iL corn I 14 N16411254 2127 Di or Rd.C,:llorpol Hill N(.:2751,4 DocuSign Envelope ID: DED368CC-D87F-4704-8F64-B8F2DB10EE93 44:1In* t 7-I''. TriED 1‘',..1S, , .'„,, 1 .1 ....) ,. , . . , .. -, _ . . , , Voices for.understanding by North Carolina artisans c._16,5.1 Wed 1'r Dow 0 V.r..r u 1 1 i r„K,HI tiolvlor'Wan g, n i[la lardy StibMISSIOn to the Orange County Arts Commission,CraSSTOOtf3 1.)irtligratin.Grant, May 31,201.7 Government Services Buildin.gi 200 S. Ciuneron 5t,,, flillsborough NC:27i Narrative,about this Project; artist UNITED is a c011ective of,artists from the Triangle area joining together to voice a theme on limy humans treat each other.The artist UNITED project, The Walls We Build„” will:raise awareness of how..peopie treat one other.14;1Q will bring together galleries,MUM?LUTLS,schools,and artists to present their work,du„ring art walk events in Carrborn. Chapel blill. Durham,and 14,illsborough„ with a goal to,also partner with Pittsboro,and Raleigh, in June 2018. This will allow for prograinming on the',Find'Friday, Second Friday,.Ill ird Friday, and Last Friday art'walks, the Walls We Build" is designed to be a month-long e X hibition or art,engaging the community in a series of niultidisciplinary, nniu 1t.icti Itura I activities including exhibitiims„perfermances„and literary readings. 'Because the goal of this phiject is to help break down the,social„ economic,and political walls we builds it is imperative that we include artists from diverse races,ethnicities, and cultural backgrounds. We anticipate including il wide range of voices, including,African American, Latino, and inimigrant artists,as well as those,finom,diverse religious backgrounds;we seek to also incluck established and up-and-coming artists as a way of also building bridges across age groups and levels of accomplishment.In order to meet these goals, we will organize as series of acaandtahle discussions to engage the regional art community and network to identify participating artists and venues, We are confident we will feature artists from diverse backgrounds in the June 2018 activities, as this is an essential aspect of the project. We will evaluate our success by the participation and attendance of a diverse group of artists and audience. By partnering with nearby counties arid supported by a cross marketing campaign this project will bring greater attention to the artists and venues in Orange County, as well as the diverse talents in our comniunity,The artist,UNITED piuject, "The Walls We Build"will give an important voice to artists by bringing them to the table to address the divisions among us and giving them the opportunity to help break down the social, Konamc,and political'walls we build. Two,addresses for an online viewing,gallery: www.artistunited„org .www..thewallswebuildne„com „Request; As the organizer of this group„ I am requesting funds to publicize and document the events envisioned.My photographic documentation of the events and artwork will create a collection of the artist UNITED project ensuring support material available to all involved for their promotional,public relations and,marketing needs. °The,documentation of the month-long multi-county event will create an arehive, a collection fi.„)r future generations t nesea rill and view. algaatizers: Deft 11 Young is a photographer and contreimity arts events organizer for programs such as the Louisiana State Archives"' "40'Days and 40 Nights"exhibition and collection. He produced this exhibition with more than 100 participating artists, leading to the largest and most well-attended exhibition in the history of the State„Archives. Katie Bowler'Young is a poet and author and is a community arts events organizer for programs such as the Louisiana. State Archives,' "40 Days and 4(1 Nights" exhibition and collection. She is also Director of Global Relations For UNC Global at UNC-Cha,pel Hill and organizes inulticultural events in Chapel Hill and high-profile events around the world, Enka Jordy is co-owner of Eno Gallery arid a community arts events organizer for programs such as the Handmade Parade and Lantena Walk. 7-/ -') Donn Young ill LIS t'UNITE D, ' ail ist UNITED . .www.artistunited.org . www It elvallswebollelneicom . clannythag4pnailicaiiial ., 504.6064254 . 2127 Dparf<d„,Chapel Hill NC 2,751A DocuSign Envelope ID: DED368CC-D87F-4704-8F64-B8F2DB10EE93 The Walls . ' . 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DocuSign Envelope ID: DED368CC-D87F-4704-8F64-B8F2DB10EE93 • The Walls We Build pirgrdi:pliv es,say Ily i)olln Young I Section One art samples Category: IntellecttialiDevelopmental Disability 'The 1.Jlli[0:1 lq..0 i gyms,,,,dla rter ret,,t,,arclkl,,,,' tile lits (tiiiltits, ',Atli lt, l':',)isahill[t les re,c,t..t1',t„illiztii Lite it.theretvt:(„ItgItt it), and ,.,,,,Attrtlft tintr.1 di et.ittal ttulLi iti.i.tlic.t.talde 1-1,rhis cti'till ilictilltters ot 1 11 C2 hUJJiUJ rnilt/t ',11,S t Ile fb Ul KILI,t i 011 '(,:',1.1)teettiom., int ice ta,nc.1 13eace ill the wo,,,r1‹,it ,h■Amr,tunetawrrnme■oluum—.....,„,„,,,,,,,,,.......,''"' , .'"' ''""' '"'..........'"' "''.' ''............. ..`"—,,,,,, ' """, _e- 1 '''''''1P /1•111111114'111!!'14,!!1'r1;'1 , ""i'll!,:! 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Section II The Walls We Build essay examples /, At,c twd arid 'Biography nonn'Young ilS 44-yea •veteran of the photography profession. Hurricane Katrina ravaged the studio of'Donn Young Photography: For nearly four and half weeks the library of art created in 35 years of work, 1,350,1'100 tillages,:sat inimersed beneath 10 feet of water.ARMA.(Association of Record Managers,as Administrators) and Louisiana State"ibitiversiity Hill Memorial Library Special Collections have deemed the, work".hisborically significant.' There is a niancitate from both organizatimis for the salvaging and restoration rif'Hie.filies that document of our generation. In lob',tiii.f2tXtE,Donn completed a 3-year photo essaly "4()Days iiiind.40 Night.s",documenting the effects of Hurricane Katrina aeon civili 44 ki On,On the 3rd anniversary of Ka.trina,with the enciorsenient of then ,Liorten.ant Ckwernor of Louisiana fay Durdenne, the'Louisiana State Archives produced and exhibited the 40 Days essay. With Donn as director of"40 Days iand 40 Nights" the exhibition grew to.include over 100 Louisiana artisans of nary disinplines all telling the story of Katrina through then art.The exhibition went on to become the largest archive exhibition, ix)terms of art,duration of the show and andinnre attendance lin the history of the Louisiana State Archives,Additionally, the.Louisian.a.State.Atchives established the D<ron,Y4:44111.g Collection,as reference of iniages kir future generations to study. Donn'Young is the only living photographer of his generati 01 to be so honored. His work is found in the public and private collections of Louisiana State'University Hill Meniiirial Library Sword Collections, the Louisiana State Mo sewn, the Gnid.ring Fannly Foundahon,the Lamar Family Found atiiin the Thonhas Coleman Fatuity Foundation,The Archives of the Fort of New Orleans, the f historic New Orleans Collection and The Hunger Project-A Portrait of Ettinger In North Carolina,a'Donn Young essay,is in the process of catalog.ing to become a mimed collection housed in the Wilson Library—UN(. Chapel Hill.In November of 20111 Donn was honored by The Louisiana Endowment for the Humanities, as the state celebrated their bicentennial,he was chosen as one of 275 artists representing the 20(1-year history rif the art of Louisiana, His work is exhibited worldwide and was,iriclu.ded.in Visions of New Orleans at the Ministry of Culture,Saint-l'Ionore„in Faris.Dolan was invited as as delegate to the'Saudi A RAM.00 Cultural Program 2011 Dhahran,Sandi Arabia.Presenting three workshops on the Art of Story Telling using photography essays; the forum n conceived by the US State.Department bridging nations through a cultural exchange of att. During the summer of 2012,the exhibition.40 Days and 40 Ni, was installed at The international Civil Rights Center& '.V.luseurn, the ill),,,V, Woolworth bid tiling,Grauttsboro, C. Currentl y.the portrait of'Wilbert Rideau.and Ron Wikberg from the Angola essay is on permanent exhibition:. The National MUSturn of African American History and Cultiire„ Power of Place gallery; Smithsonian Institution 2016. 40 Days and 411 Nights earl be fratuul at the UNC-Chapel Hill Ceuter for the Study of Nattiral all lazards and I.Isasters.The Hunger Project—A Portrait of Hunger in North Carolina is on permanent exhibition zit the'University of North Canilinia, Chapel Hill School of Government. As an assignment photographer his work has appeared in over 100 national,state and local publications including,:Time, Newsweek,USA Today,The New York Times,The New Yorker,Paris Match,Mother Jones, llie Los Angeles Times,Village Voice and The Washington Post.His work has been exhibited in 59 museums and galleries. He has received numerous honors, including"Photographer of the'Year"'1978-New England Press Association, "Photographer of the'tear 19116, New Orleans Advertising Association.", "Phottig„ra pher of they Year 1992- New Orleans'Press Club, 'Best Editorial Photography' '1996 Louisiana Press,Associa Gorr 'Gold Award" 1993-Art Director and Designers,Association, "Cold medal'-2006 CASE(Council for the Advancement and Support of Education) the national competition of college and university magazines, 'Cold Award" League of American Communication Professionals 2006. estAOCILillihi ! O''r Rood I:foopel'Hat NC 175 14 :www:florm yo 0 log,00,00 _ 504(orNiv,$4 , ermaryolool„flop 0 ro 0,crin, ;it ttribtrarm Nogrfiofilgropti,I,:zooffMo,eorwriowiiipif!a . 11 no iv(hem do rilsoveheinlithr.tom DocuSign Envelope ID: DED368CC-D87F-4704-8F64-B8F2DB10EE93 Sec on ifi Poetry Samples by Katie Bowler Your "Field of Ice Constance(anthology), 2008 2 "Sticks and Leaves,"Louisiana Literature„ Spring/Summer 2011 3 "Guessing the Direction of the Eye," Folio, Spring 2011 4 I am Stephen Hawldh,g and want to know how our universe works!" unpublished (part of manuscript in draft, Through Water with Ease) 6 "Finally Learned Hardy's Name_"Louisiana Literature Fall/Winter 2016 7 "Recovery," The Southern Review, Autumn 20iS . 8 "'Passing Rikers island During a Landing at LaGuardia, unpublished in draft).---9 "Columbus Fountain."unpublished (in "Path," The South Dakota Review, fill/Winter 2010 11 DocuSign Envelope ID: DED368CC-D87F-4704-8F64-B8F2DB10EE93 Katie Bowler Young Author and Poet Collaboration: Katie I owler Young's poetry and prose will accompany Donn Young's photos for "The Walk We Build" and be a part of the visual installation Biography: 1 Mimi iiiiiiiiiiiiiiiiiiiiiiiiiim II Katie Bowler Young is the biographer of Mexican sculptor ir,\100011 mffiffiffim..... III 00, iAll111111111111111 111 hol. " Enrique Alfrerez and is the author of State Street(Bull City ,;ii1111111111111iiiiit 1 11,1/ , II vil liffilm ",ii,,,i11111111111 ik 1 i 1 111,11111111 Press, w The 2009). Her writihe has opearud in The southerr ''' llio ',A!',A11111111111111111 1111 Revie Arkansas Review:A Journal of Delta A 11111111111,1,11 j lokikcA,41,111)11$)4,,,„ /,)1111111111111, 1 Stdes, Pluinsorigs, Louis land Literature, and numerous 1,„„ 0 i II 111111F•frifft°14)( ' riflie "4101 newspapers and magazines, ) .1 Iiiiiiiiiiisoillillirl „III iiiiiiiiiiiiiiiiiiiiiiii . , 1 olovolis000000000000001000000000000000000000,1 . 11 ,IiiiiiiIiiii...11,,,,,, ,,IIIIIIIIIII „III, Among her awards as a writer, Young has been a Louisiana Iiiiiiiiir 11:lori111111111111101111roo 1,0011,1111111 II, II J1 II r 1 1 annummum 0 Scholar at the Words & MUSIC annual conference hosted by the mom,' ii,...„1„ II,oioioo0000000000000000000000tiiirm ilmIliiiii. 'II N.,. Ili...iimmir Pirate's Alley Faulkner Society, a finalist for the Marble Faun Poetry Prize and the recipient of multiple awards from the New Orleans Press Club. She is featured in the Louisiana State Archives'40 lays and 40 Nights Collection, which documents the rebuilding of Louisiana after Hurricane Katrina through the eyes of Louisiana artists and artisans, Young worked on the staff of The Times-Picayune's arts and entertainment news weekly Lagniappe while in college and subsequently worked iiii film and commercial production and as manager of the proofreading department at Sounds True publishing in Louisville, Colorado.. She earned an IVIFA in creative writing from Warren Wilson College, when she was the Use Mueller Scholar and a Friends of Writers Scholar. She earned a bachelor's degree in communications from the University of New Orleans. DocuSign Envelope ID: DED368CC-D87F-4704-8F64-B8F2DB10EE93 "Field of Ice,' Constance (anthology), 2008 Field of Ice Lake Saint John this morning is like a field of ice with the sun caught in patches. I've lived between this lake and a cotton field for two weeks. .:ut my husband is back at work, near the city,Asking him not to go only left me standing alone on an unfamiliar highway. When [try to sleep,there's an old woman in the kitchen again, talking to her husband while she clears the kettle from the stove. He's near the front door, adjusting his hat. She wants him to come back in, but he just shouts his goodbye, opens the front door. She wants to give him a warning, but when she looks back over her shoulder,there's all that water rushing in. The only light in our city, my husband says, is the light of fires burning in the night. This morning I woke from the dream again, walked to the edge of the field to watch the early morning sky turn the cotton baby blue. Here, in Ferriday, uisiana, that barn out there still watches over cotton. Sunrise and the lake is like a field of ice with the sun caught in patches.An egret slices rose-colored water with one wing, like she just wanted to see what would happen. Max perks up too, curious. There's one soft line usbing across the surface, Max scoots closer, puts his tail across my feet. It's September 11_, 2005, The world's been different such a long time, and I just want to go home. My coffee mug, on the ground beside the swing, has had too long to cool. K, B, 'Young 2 DocuSign Envelope ID: DED368CC-D87F-4704-8F64-B8F2DB10EE93 "Sticks and Leaves," Louisiono Literoture, Spring/Summer 2011 Sticks and Leaves Mom, Sophie says, the big wind took our house. It'S still standing, reply, but I it for hours in my backyard, don't know what to do about the fallen trees. Maybe I should take a walk to the highway to find a sign for help, The highway is littered with spray-painted signs. DRUNKS WITH GUNS YOU LOOT, WE SHOOT! Maybe l'd rather sit and watch the wind blow dead branches. I'll watch the crisp blue sky overhead, that big blue smart-aleck sky. Everything is so dry now it cracks. Sticks and leaves. Sticks and leaves. My porch is gone so I sit where it used to be, Sophie opens the front door,asks,Areyou reading that poetry again?She sits down. While I read passages out loud, Sophie watches the sky. K. B.Young 3 DocuSign Envelope ID: DED368CC-D87F-4704-8F64-B8F2DB10EE93 'Guessing the Direction of the Eye,' Folio, Spring 2011 Guessin the Direction of the Eye Most of us want to believe in ythology, or some kind of god with a preference for women swimming in lakes.Or at least the patron saint of weather less turbulent Somewhere nearby, men put boats to hopeful anchor,and barges clang like cymbals beneath ash-green clouds. Even the trees sway like they know what's coming. But these numb hands are just tying ladders to fences again.Seasonal obligations keep the wrong objects from flying.Once, when my mother and I drove home from,Mississippi, we came over the bridge, our city like a map of light beneath us. Maim, she said, this is such a pretty city to come home to. What's pretty becomes pretty when Mother sys so. Men dangle in the air holding electrical cords, stringing poles together that broke in last week's tropical storm. But today, a hurricane strengthens in the Gulf of Mexico, stand still in the yard when birds ke flight. My father hammers boards against the windows again,hollers, for a handful of nails. In the middle of a temporary calm, a phone call from a friend who says, Katie,there doesn't have to be such struggle. I ask if he remembers the girl on a porch, another child Eudora Welty turned into a photo, as if this answers his questions about my marriage ending a few months into another storm season. !continued' K. B. Young 4 DocuSign Envelope ID: DED368CC-D87F-4704-8F64-B8F2DB10EE93 Sure, he says, I remember her feet, how they dangle bare,and barely crossed, while she sits on the balcony and wraps an arm around a column. She's slouched and frail, looking away from camera, like there just might be something more interesting Out there„ IC B.Young S DocuSign Envelope ID: DED368CC-D87F-4704-8F64-B8F2DB10EE93 "I am Stephen Hawking and I want to know how our universe works," unpublished (part of manuscript in draft Through Water with Ease) I am Stephe Hawking and I want to know how our universe works is what he said over dinner,his synthesizer a voiced map of letters flashing.What could I possibly want as much as Stephen wants? It's true I have never cared What happens to objects that fall into black holes, but Stephen wants me to think about how all objects change once they slip over the horizon of a coll,,psing star,. are never really gone. I'd like to throw more useful objects into black holes, like socks that lost their match,an ex-husband perhaps, and the driver of a truck who led dozens of migrants to the dark cavern of a trailer and barreled from Syria to Austria to abandon them, That driver set those people over a kind of black hole event horizon, turning them from whole sets of information into nothing but soulless bodies. Where is he now,that driver? is he a solid set of atoms? Carbon,hydrogen, nitrogen, phosphorus, calcium—oxygen? Can these elements together make a man whole? And what about the scientist at the end of the table, the one who offered another explanation. He held a sheet of paper with its hand-written words,, and said we could burn this page, its poem. becoming photons rearranging in a smoke— not lost but lifting, to an indecipherable golden height in a starry night above. K. B.Yoiing 6 DocuSign Envelope ID: DED368CC-D87F-4704-8F64-B8F2DB10EE93 "Finally Learned Hardy's Name..," LOOlk50110 Literottire, Fall/Winter 2016 Finally Learned Hardy's Name Irian Old News Clip Today I've often thought about Hardy Jackson, whose story I heard about a decade ago. I was 'watching an interview with a man whose son had fallen from a cliff in a strong wind. The boy was sixteen, but the wind didn't know. Hearing about this boy and,his lather,,I was reminded of the man whose story has lingered through the years, my brother's version the only version had ever known. Mikey first told me Hardy's story while standing at the door, ry keys in his hand, after pumping more gas, car after car as the rations went low. Our town,back home, a hundred miles away—was gone. At the s my brother saw Hardy on the TV. His face was crumpled like a sorrowful puzzle. didn't know what to do but sit there 'watching his.face„ as though my watching might change the ending, The reporter was broken by her own tears too,, he said,and lost the rest of the story. He also said Hardy's story started,like v iost,with a house, though cracked in half by a tree—and that Hardy's wife was all Hardy ever had I didn't know then, like I don't know now,what ;Lardy must have felt when his fingers went slack, that storm inside their home„ that storm and their child held tight,in one hand when his wife was released from the other. K. B. Young 7 DocuSign Envelope ID: DED368CC-D87F-4704-8F64-B8F2DB10EE93 "Recovery," The Southern Review, Autumn 7015 Rec4very For years the trees had no one to look over them. ins followed by drought followed by floods and other hardships kept them alone in the cycle of winter,spring, summer, fall. Sometimes they shivered while snow balanced on branches. Cars drifted past, wide brims of light at night, not even a glance,and the ground was absorbed with its own issues of sun or shade, rain or dew. Finally from a nearby window came the faces of two girls and their voices calling to the birds who sang in the trees,the deer chewing leaves, the rabbits and squirrels, Quiet, he quiet, our mother's sick and she's sleeping, Day after day their mother turned toward the window—awakening. K. B.Young 8 DocuSign Envelope ID: DED368CC-D87F-4704-8F64-B8F2DB10EE93 "Passing Rikers Island Durint a Landing at LaGuardia„" unpublished (in draft) Passing !:ikers Island Durin a Landing at LaGuardia After a top down view of the Statue of Liierty„ the plane flies low near rows if barbed wire„and a sliver of the East h!iver gives way to the Bronx and Queens. Suddenly, from the front of the jet, a child's appeal, Look, look!she yells, and points toward the ground— Where eyeless blocks of jails and narrow patches of grass are surrounded by coastal rocks and imprisoning rails. A sign!A sOnl she says, as we tilt toward the ground. Around the sign, a painted line restrains a group of letters. Welcome to New York! says the airport sign, Welcome! says the sign, But ten thousand people are stored in jails below. All with numbered names and numbered days While I'm just one of hundreds wearing headphones and passing overhead.And I'm going home. I'm going home. K. B. Young 9 DocuSign Envelope ID: DED368CC-D87F-4704-8F64-B8F2DB10EE93 "Columbus Fountain," unpublished (in draft) Columbus Fountain,Washington, D.C. In his 1912 monument to Christopher Columbus, Lorado Zadoc Taft put a heaven-facing angel between an icon for the Old World and an American Indian. Like Columbus, they stand above pools where water once flowed,where the homeless now sleep. Columbus stands in front of II:ion Station, his back to the terminal as though he's heralding the masses. In these last hundred years, has he had time to reflect? He's still standing above an Indian who's crouching on his knees. There's paralysis in white marble and the marble grew stained. And that angel,with her eyes closed—hovers! Now, with whiter coming and its windy sting upon my cheeks, there's the almost-whisper of Christopher Colum*us. He says he feels Lorado's marks in his hand-chiseled clothes, and regrets the darkened stains that are growing from his feet IC B.You g 10 DocuSign Envelope ID: DED368CC-D87F-4704-8F64-B8F2DB10EE93 "Path," The South Dakota Review, Fall/Winter 2010 Path Down the road, a path through the woods leads to graves where the tombstones are too weathered to be read. !;eside the path, a tree nu never know by genus or species, its roots torn from the ground by a strong wind years ago. Now its a mound over which the earth has grown, upon which some vines have grown in their own twisted way. I like to think that some of our languages will last, our words like rocks polished in tumblers. And what of our children and their families? And what of the people who will live here decades from now?And why can't anything go on in a man's heart that hasn't gone on in a man's heart before?Years ago, the Occaneechi lived on the land we now call home. They too would have seen bottom in a drought in a summer in which our rivulet ran dry. I stand beside it now, in a year in which water is too plentiful to be sacred. The sun overhead casts a long shadow. I stretch my arms and bend my knees. Even my longest shadow disappears when I walk amongst the trees. K. B.Young 11 DocuSign Envelope ID: DED368CC-D87F-4704-8F64-B8F2DB10EE93 Kathleen (Katie) Bowler Young curriculum Vitae I Revised May 2017 PERSONAL I NFORIVIATION Office Address: FedEx Global Education Center University of North Carolina at Chapel Hill 301 Pittsboro Street Rim 1206,CE 45145 Chapel.Hill,NC 27599 USA +1,919.962.4504 I kby@unc.edu Home Address: 2127 Doar Road Chapel Hill,NC 27514 USA Mobile+1,504.564,3014 I kathleenbowler@gmail.com EDUCATION MFA In Creative Writing,Concentration in Poetry, Warren Wilson College, 2007 Thesis:State Street&Other Poems Thesis Advisor:Debra Allbely Degree Essay: "What a Camera Writes: Flow a Poem is Revealed through Cinematic Movement in the Work of William Stafford,Zbigniew Herbert,and Larry Levis' Degree Essay Advisor: Joan Aleshire IA in Communications, University of New Orleans, 1997 Non-degree and Continuing Education: Health policy and management UNC Gillings School of Global Public Health, Fall 2010; Electives in poetry and British literature,Tulane University Department of English, New Orleans,2005-2006;Fiction writing, University of Colorado Boulder, 199B;School of International Service,American University"1992-1993 PROFESSIONAL EXPERIENCE Author/Editor Freelance,January 1994-present • Biographer of Mexican sculptor Enrique Alferez (forthcoming,The Historic New Orleans Collection) 4 Contributing writer for newspapers and magazines including Artsee magazine, The Times- Picayune, Louisiana Life,and other publications • Poetry,fiction„and creative nonfiction publications in The Southern Review,LouiSilana Literature, The Arkansas Review, and other literary journals • From 1996-2002, I also worked freelance for film and commercials in areas ranging from production to wardrobe.A full production list is available upon request DocuSign Envelope ID: DED368CC-D87F-4704-8F64-B8F2DB10EE93 Director of Global Relations, LINC Global Senior Editor,Carolina Prssport magazine The University of North Carolina at Chapel Hill,Chapel Hill, NC February 2011-present Assistant Dean for Communications Editor, Carolina Law magazine UNC School of Law, Chapel Hill, NC July 2008-February 2011 Senior Manager for Communications Editor, Global Health magazine Tulane University School of Public Health and Tropical Medicine, New Orleans, LA July 2002-June 2008 Proofreading Department Manager Sounds True Publishing, Boulder,CO,June 1998-September 1999 Editorial Assistant and Contributing Writer/Staff Writer "Lagniappe,"Arts and Entertainment Newsweek ly The Times-Picayune, New Orleans, LA 1996-1998 internships During College, 1992-1997 • The Office of Richard H.Baker,United States Congress,Washington, D.0 • Office of Public Relations,Consulate General of France,New Orleans, LA • Edito ai Department,Loui siana Life,New Orleans, and Arrive!magazines, e w Orleans Publishing Group,New Orleans,LA • Editorial Assistant, The Double Dealer Rechix,The Pirate's Alley Faulkner Society, New Orleans,LA PROFESSIONAL SOCIETY MEM:.ERSHIPS AND SErt VICE Advisory Board Member,Organization of Women in International Trade, Greater Triangle Chapter, 20113-present North Carolina Advisory Committee lk4crober,US.Global Leadership Coalition,2013-present Association of international Education Administrators,2011-present NAFSA:Association of International Educators, 2011-present Association of Writers and Writing Programs,2005-present Council for the Advancement and Support of Education,2002-present Co-Chair, Association of Schools of Public Health Marketing and Public Relations Council,2007- 2008 Health and Science Communications Association, 2007-2008 DocuSign Envelope ID: DED368CC-D87F-4704-8F64-B8F2DB10EE93 FELLOWSHIPS AND AWARDS WRITING AND COMMUNICATION ARTS. Alumni Residency Fellow,Women Wilson College.MFA.Program for Writers,2009 First Place, Best Newsletter, Global Health, Press Club of New Orleans, 2007 International Award o Merit, Port of New Orleans website development and design,American Association of Port Authorities, 2007 Finalist Marble Faun Poetry Prize,2007 Second place,exhibit design and presentaion,American Public I'lealtin Association national conference,2005 Louisiana Scholar,Words and Music writing conference. 2004 Finalist, Marble Faun Poetry Prize,2003 Louisiana Scholar,Words and nsic writing conference., 2003 ew Orleans Press Club journalism scholarship, 1995 EDITORIAL ROLES Senior editor,Carolina Passport internship program magazine,2016-present Co-advisor, Carolina Passport. student magazine (circulation: 3,000),2011-2016 Poetry reader and reviewer, Carolina Quarterly,literary journal,2006-2011 Editor,Carolina Law magazine (circulation: 12,000),2008-2011 Editor,Global Health magazine(circulation: 12,000),2002-2008 Editorial associate, The Double Dealer.Redrix literary.journal, 1995-1998 UNIVERSITY OF NORTH CAROLINA SYSTEM SERVICE UNC-Chapel Hill Delegate,University Council of International Programs,2011-present Member, India Working Group,University Council of International Programs,.2011-2013 UNIVERSITY OF NORTH CAROLINA AT CHAPEL HILL SERVICE E •-Officio Member,Global Leadership Council [alumni bo.rd), 2016-present Member,Chancellor's International Travel Advisory Group,2014-present Mentber,Minority Male Planning Team, 2014-present Member,Global Partnership Awards Selection.Corn mittef,2013-present Member.,Vimy Award Selection Committee,2013-present Discussion Leader,Carolina Summer Readi g Program,2013-present Member,Advisory Committee on International Student Experiences,2013-present Member,Study Abroad Marketing Committee, 2013-present Member,Global Rapid Response Committee(for international emergencies), 2011-present Member,International.Affairs Advisory,Council, 2011-present Member,Chief international Officer's Global Working Group, 2011-present Member,Global Partnership Roundtable, 2011-present Member, UNC Communications Council,2008-present Chair,international Agreements Working Group, 2012-2015 Chair,Global Metrics'Working Group, 2012-2014 Member,.SP112020 Gillings School of Global Public Health Task Force,2012-2013 Member,School of Law senior executive management team,2008-2011 Member, School of Law Crisis Response Committee,2008-2011 Co-Leader,School of Law'Website.Redesign Committee).2008-2011 3 DocuSign Envelope ID: DED368CC-D87F-4704-8F64-B8F2DB10EE93 TULANE UNIVERSITY SERVICE Members Judicial Review Board, 2002-2008 Member,Style Guide Committee,2003-20013 Member,Website Content Management Selection Committee, 2006-2007 TULANE UNIVERSITY SCHOOL OF 1#UBLIC HEALTH AND TROPICAL MEDICINE SERVICE Member, Executive Faculty, 2002-2008 Member,Information esource Management Committee, 2002-2008 Member, Emergency Planning Task Force,2005-2008 Member,Student Commencement Speaker Selection Comrnittee, 2006-2008 Leader,Website Content Team,2006-2008 Coordieator, Dean's,Office Staff Spanish Course,2007 Curator; Global Health photography exhibit,Collins C.Diboll Gallery,2007 judge„ "Global Health"photography competition, 2004 Coordinator, Our Community,Our World"photography competition,2003 COMMUNITY SERVICE AND ENGAGEMENT Volunteer,Carolina Campus Community Garden, 2015-present Memher,Art for Communities and Education Board of Directors,2008-2012 Consultant,"A Portrait of Hunger in North Carolina," 2009-2011 Member and Secretary,Girls Rock NC Board of Directors,2010-2011 Consultant,"Constitutional Tales:North Carolina State Capitol Presentation,Raleigh,NC, 2009 Judge, Poetry and Prose Competition, Fine Arts Festival of Rockingham County,NC, 2009 Coordinator and featured poet,"40 Days and 40 Nights:The Resilience of Louisiana,Artisans" Exhibition and Collection, Louisiana State Archives,2007-2008 Volunteer,Pirate's Alley Faulkner Society, 1996-2004 Visual arts and media coordinator,Annual Arts Showcase,Arts and Humanities Assembly of Boulder, Colorado,2000 Volunteer,America Read's Program, Harahan Elementary School, Louisiana, 1999 PRESENTATIONS, LECTURES,AND TEACHING EXPERIENCE "Representing World Cultures: Ethics and Photography," GO! Global Orientation for students studying abroad or conducting research,internships,or service abroad,April 8,2017 "'Building Partnerships in the U.S.„' Roundtable Moderator„Latin America Forum, NAFSA,May - tine 2016 "Successes in the UNC-Universidad San Francisco de Quito Galapagos Science Center Partnership,"Senator Paul Simon Spotlight Award Panel Discussion,NAFSA, Mayejune 2016 "Successful Internationalization Strategies," Roundtable Moderator, NAFSA, May-June 2016 "The World We See: Global Photography and Communications„"GO"! Global Orientation for students studying abroad or conducting research,internships„or service abroad,April 2,2016 4 DocuSign Envelope ID: DED368CC-D87F-4704-8F64-B8F2DB10EE93 Speaker and Student Success Roundtable Moderator,AIEA Thematic Forum:Leveraging Industry.Part o erships in a Global Context for Student and Faculty Success,North Carolina, State University, March 2016 Lecturer,,"Enrique.Alferez: His Life and Work,"opening of the Hells Foundation Enrique Allerez Sculpture Garden,Botanical Garden, New Orleans City Park,October 28,2015 Presenter or facilitator,international delegation visits, UNC-Chapel Hill, 2011-present Presenter,'Comm h'incations at Carolina"workshop, November 2013 Presenter;"An Introduction to Digital Photography, UNC School of Law Staff Lunch& Learn Lecture Series,June 2010 Panelist,"Developing and Maintaining a Wehsite,"Law School Admissions Council Electronic Services Conference, Las Vegas, Nevada April 2010 Presenter, "An insider's Look at Hurricane Katrina,'UNC School of Law Pro 10■11121 Program, February 2010 Substitute poetry workshop instructor for Ross White,UNC-Chapel Hill Department or English and Comparative Literature,Chapel Hill,North Carolina, November 2009 Lecturer, "Library Communications: Developing a Plan to Reach Students and Faculty,"Kathrine R, Everett Law Library Annual Retreat,December 2009 Lecturer, "Writing for the Web," UNC School of Law,Chapel Hill,North Carolina, November 2009, instructor,BIOS 634: Developing Websites in a Content,Management System,Department of Biostatistics,Tulane University School of.Puilic Health and Tropical Medicine, Spring 2008, Guest Lecturer,"Getting Googled or the Greater Good:Writing for the Web.,"From Pen to Policy: Budding a Public Health Writing Portfolio,sponsored by the Maternal and Child Health. Leadership Program,Tulane University,New Orleans,Louisiana,October 2007 Lecturer, "What a Camera Writes:,How a Poem Is Revealed,through Cinematic Movement," graduating presentation,Warren Wilson College,Swarmatioa, North Carolina,fuly 2007 Lecturer, Improving Websites and Publications:Acquisitions,Permissions,Rights Management, and the Ethical Use of Photography,"Tulane University Health Sciences Center,New Orleans, Lonisiana„December 2006 Instructor,writing for and developing websites within a content management system, Site:Executive,Tulane University'School of Public Health and Tropical Medicine,New Orleans, Louisiana, 2005-2008 Producer and lecturer,'American Literary Movements of the 1,920s7 Jefferson Parish Public Library, featured readers:Christine Wiltz,Aylca'Goto,and Jan Villarubia,Metairie,Louisiana, October 2003 DocuSign Envelope ID: DED368CC-D87F-4704-8F64-B8F2DB10EE93 LITERA!Y VADINGS AND ART EXHIBITS Featured reader,international Civil Rights Center and Museum, Greensboro, NC,June 2012 Featured poet,State Street book tour: Flyleaf Books,August 2010;Association of Writers and Writing Programs Conference, Denver,CO,April 2010(signing only);The Laughing Goat, Boulder,CO,April 2010;The Writer's Center,Bethesda, MD,March 2010;New Orleans Southern Food&Beverage Museum,New Orleans, LA, December 2009; Posana Café,hosted by the Flood Gallery,Asheville,NC, November 2009;Pentagon City Borders Books Poesis Poetry Series, Arlington,VA, October 2009; West End Poetry Festival,Carrboro, NC,October 2009 Featured poet,"Greater New Orleans,"WLAE-TV,June 2009 Featured poet, "Louisiana:The State Were In," Louisiana Public Broadcasting docw eritary,June 2008, Featured reader(poetry and fiction),Devil's Den State Park Annual Mountain Biking Festival Poetry Night,April 2008 Featured poet, 17 Poets! Productions, New Orleans,Louisiana,August 2007 Featured poet,"State Street," Freebird Books and Goods,Brooklyn, New York,June 2007 Featured poet,"State Street," Everette Maddox Reading Series,The Maple Leaf,:New Orleans, Louisiana,June 2007 Featured poet,"State Street," 17 Poets! Productions, New Orleans,Louisiana,Februa!,,- 2007 Poetry and visual arts installation,"These City Streets,"K.Slingluff Photo Designs, New Orleans, October-December 2004 Featured poet, Everette Maddox leading Series,The Maple Leaf, New Orleans,lure 2004 Featured poet,So You're a Poet Productions,Penny Lane, Boulder, Colorado,2001 Featured poet,So You're a Poet Productions, Penny Lane, Boulder, Colorado„ 1999 Featured reader,Surrealist Festival, Da Da Productions,Boulder,Colorado, 1999 Featured poet,National Writers' Harvest Read-a-Thon,The Dairy Center for the Arts, Boulder, Colorado,1999 PUBLICATlit NS Books, linriqae Mfei-ez:His Life and Work. Historic New Orleans Collection, forthcoming. State Street. Bull City Press,August 2009 (chapbook), 6 DocuSign Envelope ID: DED368CC-D87F-4704-8F64-B8F2DB10EE93 Poetry and Fiction "Hardy Jackson,""Beneficiary," "Taking a New View," "Starting Over,"and"ColonyLottisiana Litemture, FA/Winter 2016 (poetry) "Recovery," The Southern Review,Autumn,2015 (poetry) "Chronology" and "The Path," The South Dakota Review, Fall/Winter 2010 (poetry) "Homesick,'" Limestone:A Journal of Art and Literature, Fall/Winter 2010 (poetry) "Trigger"and"Sticks and Leaves,'" Louisiana Literature, Spring/Summer 2011 (poetry) "Origin,"Eustown, June 2010 (fiction) Farrowing Down," Plainsongs. Volo,,,e 31, Number 1,October 2010 (poetry) "On the Ground," Folio;A Literary fa IA mai itAruerican Univer.5104 Spring 2010 (poetry) "Cornflower"and 'The End," The Louisiana Review, Spring 2008 (poetry) 'Taking It Like It is,' "Field of Ice,"and "Roots,"Constance, 2008 (poetry;anthology) "State Street,'Louisiana Literature, Fail/Winter 2007(poetry) "The Light in a Field of Late-Night Shadows,"Louisiana Literature, 2005 (poetry) "A Handful of Leaves,"Louisiana Literature,Winter 2003 (ficdon) Non-Fictio, (Memoir, Essay, and Features) International Roots, Homegrown Hospitality,"www.LINC.edu, August 27,2014 "Armed and Extremely Creative: The iconic Iniagely ofjohn Acorn,"Artee Magazine, September/October 2011 "The River That Hangs Like a Star„' The Arkansas Review.A journal of Delta Studies, Spring/Summer 2011 Trash and Burnsville:One Man's Trash is Another Man's Art,"Artsee Magazine, May/lune 2011 "'Take Me to the River Arts District,"Artsee Magazine, j uly/August 2011 "A Profile of Photographer Donn Young,"Artsee Magazine, January/February 2011 "The Need to Respect Books that Other Cultures Value," UNC Press blog, September 30, 2010 "Sandy Meng's Sediment;"Carolina Quarterly, Spring/Summer 2010 (book review) 7 DocuSign Envelope ID: DED368CC-D87F-4704-8F64-B8F2DB10EE93 "Life at the End of the Road," Louisiana Life, Spring 2008, "Rebuilding after Katrina -Through the Eyes of Louisiana Artisans," Louisiana Endowment for the Humanities Cultural Vistas, Spring 2008 "An interview with F. Scott Fitzgerald Scholar Matthew Rruccoli,' The Double Dealer Redux.„ Winter 2004 "hi Conversation with AndreilCodrescu on Poetry," The Double Dealer Redeye, Winter 2004 "M,usic'Made in America':After the Fest.the Jazz Goes on at the Historic New Orleans Collection," Living section cover story, The Times-Piegyedie;, May 1998 "New Deal Art a Cure for Dett ression," Lagniappe section,The Times-Picayune,March, 1998 "Heightened Awareness Is a Matter of Scale:Climbers Test Mettle on indoor Walls," Lagniappe section, The Times-Picayune, March 1998 "At the Rivershack," Lag iappe section, The Times-Picayune; February 1998 "National "Anthem': Filnunakers Stops in New Orleans on Cross-Country Search for the Spirit of America,"Living section cover story, The Times-Picayune, August 1997 'Players Take the Stage Instead of the Field,"Sports section, The Times-Picayane, January 1997 "Film Updates rove Classics Still Relevant,"Living section, The Times-Picayeine, January 1997 "Blues and Trouble:An interview with Tom Piazza," The Double Dealer Redux, Winter 1996 NON-FICTION (HEALTH SCIENCES) Dierker, 'Bucker.% Pierre and Bowler,Katie.'Expanding public health education in the years following Katrina."American journal of the Medical Sciences, 08/2008,Volume 336, Issue 2, pp. 166-167. "Revitalizing.a Rural Hospital,Building a Conri, Glohal Health, Fall/Winter 2007 "Providing Doctors with a Public Health Tool Kit,"Global.Health, Fall/Winter 2006 (with Heather He "Food As Medicine,"Alternative Medicine, October 2005 'Center for Evidence-Based Global Health Opens: Resources Increase for Randomized Controlled Trials and Scientific Evaluations,"Global Heath, .Falli 2004, "Solving the World's Most Critical health Problems," Thiene University Health,Sciences Report, 2003 8 DocuSign Envelope ID: DED368CC-D87F-4704-8F64-B8F2DB10EE93 SECTION IV ADDITIONAL StIPPORTINC ART I3Y VONN YOUNG TABLE OF CONTEMS 40 Days and 40 Nights- jitiy al:2008„, .Donn completed 3.3-year photo essay, 40 Days and 40 Nights, docutnentirtg the ethcts of Hurricane Katrina upon civilization. On the 3rd.,,31n tuvcrary of Katrina, with the endorsement of then 1.ie renant Covert Kit of Louisiana Jay. Darderme, the Ittnitsiinto State Atchlves produced and exhikted the 40 Days:essay, Withl)onn as director of 40 Days and 0 Nights the exhibition grew to include(wet Tao Loitisitna artisans of litany disciplines all teliing the 5110 Or Kria through their arc, I 1i exhibition went on to become the largest archive exhibition, in terms of duraioii oldie show and audience attendance in the history of the Louisiana State.Archivcs, Additionally, the Louisiana State„Archives established d ( f)orin'Mang Collection„a teller enee of images for ilti(ure genenitions to study. l)onn Young is the only living Fill iphor fl Ii s generation co be so horioreel. State Street- In Search 01 Huainan, Rights A photographic essay dodicated to doi:u mewing the hu awn condition, State Street IkLI tes individuals awl uniIi hey contend with. issue's of housin, health care„educa.tiort,and economic survival. the origins of dins 35-year-in-the-making essay dates back to 1.!:l75 wile 11 0111111'You lig created "Lead Paint for 13teakfist" A"Valley Advacidne newspaper assigrinatint du' a low int urine and feclerittly funded 1.-lotts iri, For lli.ban Development (HUD) progritrn in ellickapee, Massachusetts, A rtivotal point solidifying d L fuLuid aticm of the State Street essay happened in 989, while celebnaing the 150 yei:tr, 1,11niversary _1 photograph.v1)onn Young beguin .working with. Onive.rsity of'New () k in urban iii daroplogist, Dr, Marth a Ward.,docuntenting the ditily routine Of residents living in this nations Lagest housing projca, Ilksite " located in an area known as, New Orleans East,. Recent:additions to State Street include human rnigration with all CM pit Isis Oh rights of immigration, die path of in ii labor, their housing, their healill care imd the legal issues they Face!, detention and d.epo tuition, the fascinating story of exceptional children (special needs) and their rights to education as well as the rights of our gay,citizens including issues of tnarriage,adoptitm, retirement and held di care, 11,,,iving.Legends of jazz "Neht6c 1 way rap life thin has pulsated at the center of New Orleans since its French origins in the eighteenth century. The cityls most sign tfic on Iii usicaf contribution, Jazz, which appeared just pm io.t I CA 1900,was both an evolution of celebnitory traditions and tile voice or,111 oppressed African .American popularion seeking,s(:)cial justice:and,equality,”lrltro lio( to be 10I it jazz's driving rhythms and co.11ective improvisation reached Ill incomes, races and pi 1LL The heritage of.New Odeit[IS I'll CO it Li 111,10 today in several different styks,rodityls famous ninsicians represent only a'Nu-rail fraction of New Orleans rich wellspring of talented perfOrtners."_ wiater„nArdeia 4're Gon Ntivrirmr ir fl 2007 "'rear Sheets, A selection of pages, covr ts a.od posters, from the oven 200 local, srate„ mational and intern.ational publications created in the past. 44 years olwork. 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"1`11.11=I'Ii.I 11n U,+.'r ^L'AC, 1-"burner r Iraw .1:_lrbirijf'.I hr 1,..e.l 1 inn+I.11.111c:c' 1:".A•:15R,Il1'111'1 'I j,I :",Fl V/1,,11 Yuri 1,4 1151^^WWI II de Ile 1.1 Iui,..' {5{;141 lid Ir,1r1L ll.� .11.444-0. I 4 II i' L..l.....w_........,.; . .'�Ldu ..®,.. .�... m,." ,,.°.,.,",....._® ......... . m .�.... ..--- „„,--,, 1111. DocuSign Envelope ID: DED368CC-D87F-4704-8F64-B8F2DB10EE93 Guest Room Project Space GUC,0 ROOM i a profea space located in a private residence. Literally a guest room serving as a curated projed Guest Room feaures a wide variety of works with a special emphasis on examining issues qfProatss/preserttatian,performanceidocurnentation, cldraffnecoliaborationo,and high/low art-making, iJtowwwwaonatha. Tan isu Iiimeguad-rown-pro jrci-spacefrfamprut Guest Room Project Space in Carrboro,NC is fully in support of the The Walls We project.I will be happy to work with the event.organizers on curating artiSIS,performers,and ALL interested parties in creating an exhibition,reading,performance,and/or other public community events around this theme.This is an o carttinity for galleries and all interested people and spaces in the'Triangle to come together around a.theme that is thought-provoking and important—and one that allows.tbr cre'advity both in the art community and in other fields of study and interest, Andy:;erner Guest Room Project Space 106 Glass House Lane, Car oro North Carolina DocuSign Envelope ID: DED368CC-D87F-4704-8F64-B8F2DB10EE93 June 6,2017: Dear Den.n, Arttet .,„inifeei strikes me as a.necessary and thrilling project, and timely in, a nfanner that would have been. hard to foiesce„ .As Atne.rica.ris We drift through our lives on.der the lost and even.• forgotten assumptions that w are Caere people. hut at this point,in Ilistcry„ We SCelll to define ourselves by what divides us from ea.ch other. Because,of relatively'recent technological developments, which, faYor a subset of the population„, the divisions between those,who are tech savvy and those who aren't, 'between those who grew up in a digital landscape and th.ose who continue to struggle with increasingly obsolete modes of comnutoleation, threatens to create a permanent pa.rtition in our country that resembles the ancient division between landowners and 1.serfs, .recently beard a new word--nichilication—Which aptly describes the sort of psychological specialization tha.t separates us from each other, a.nd has been.doing so for decades,. Undoubtedly this recently new development,i,s the result of empowerm..ent--o.f women, of ethnic groups, of sexual orienanon in general—dlot empowerment seen as an absolute, as i purely necessary sta.rice, creates its own forni.•of isolation, a wall that—if it's high enough—can block out the sound of ArneriCa. Of course walls are important, but What's von mere important is that we learn what is taking place on the other side of the wall that blocks us from our fellow citizens.Arnsi United is a project that add.resses our n,eed to reach cat.and. understand to each other, to find. the binding human clement-4ere always is one—ahat ch.alleng,ca our various kinds of isolation, It recognizes both the need tbr"'community"1117.61 the tingers of exclusivity--that weird Silenee which we converse only with those who know what we already know, and little else.. The self satisla.ction of an enclave. We, use the word.'polarizatit.m"to characterize modern politics, to describe the overwhelming distance that exist between opinions concerning health-care and itn.migration and globalization. But our lanuaan,failure is a larger matter than..these broad topics suggest,. It's the failure to „sve. To see over the walls that separate us from each other, This failure to see and. to understand what we we i the underlying problem that the ArliP IllItted proposal addresses, It's a wend.crliti project. Sincerely.. John Rosenthal _........... DocuSign Envelope ID: ED368CC-D87F-4704-8F64-B8F2DB10EE93 4 0 D d ,Days and Nights R,qiik.,,,,,,,V I'd L:otItsialum i'l,rrisr '11-ttc Artistic Rik; „, ,,. riiisiatila Scare Archiiit:,,ii August 2010tt II. I$,N1.1iVAi«101'11..:1,Si ArChi Ilic iarte [ tiiitlittixst liviiilli .',Irtrtiitlei„texhiliiirilicilidlitit rIt,,,(111 I;ill-,s1 IliSniiilir y 01'. 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Neil:liboritt, d Ochl4rd A stortn tthat brought ;in American dry to its knees„,its ,_1(r...,,a u )on eivdiza.,:on „ 1 and the relmilrEng.of a society as Seen through the eyes — , .ARO of photographer Donn Young. 1 , - 1 1-..., : 0-/-* • ... .. , , .. ' -: -- __. , . .... ' 1 111111111111,y , N J:f,achooda Oil!Ward • . ' tl , , • . ..i. -.... ,., , P"viitit ix, • 0. 1 ii _ ', ar• • .1 ' '' bail.•5,1 1,;;,75..a._.,L., . .'.:?.......*"..!,.,4. •-.V.i.„....)5g51,....... ... . ',I - I 1 • -' • -I i • -7 a •:,- 7:ogg . :Ne 440V 7, , ? . ..,... , . . 1.1.,[1'.1 1 W I.H III Hid,vi4.1,14 , . . !a - is , ..N1 ISum ku 90,Wuxi Ne■.. 1 1 ! I.. .. A40` ' In‘PIP r ' '7' ''' ' . I.,, ,,,,•2' , j2 -,1I1B,Ill I,,;I.,j , ,,p,,, ,..*,4,„1. ,...,.„ d., 1 ' -, ,- ;-.., ;# - , -..."-•-% _.--;_.'—.1,,.... 5.-.-cdk... . . --. -, 444" ' . - :,' ..*A'-,:titik ' ' \-, - ' . ' ..- (pio„, *4- '$•,,- , . • . . . ,_. ,. , 6. •y.,...„ , ,, .,„.. , / , . . . . ......... . • :. ,.470 1 .• :40, ), “ . .4. ., • • .3... ti, : 1 ' ''''' • , • A '10)frifilliii6 41, irfir- f1 . * 'NI*lb &Wee 1 sl , e• 11 F , .._. . . „ .111:1111 Hint!4..;117,1,,nvilie .. - „P,...;cr, , • /r •, .‘. ' . = -• 4 '-- , ,..... ' ( b1)0.,I.I:4,..11...■ I..1,E),Aux DocuSign Envelope ID: DED368CC-D87F-4704-8F64-B8F2DB10EE93 Opening'Receiptiorili 40 DAys AND 40 NIGHTS 6, Saturday u , Augsri SH, 2008 On dkplay throu.0 .,',1,',orterober.30, 2008 The Artistic Resiliency of Louisiana Lot ;itn:: State.Aces Ji meet= rhh-u-1 11:11 1 .3851 Essen Lane ....... ..„„.,. Mon Rouge, LA 70809 (0 Day's arid •t he st•ory ( ti ourik. ii• Louisa-1i ..iiiiplines ; •I t; pa htillg, : : , I gC.155, 7:nr•rr«t`': ..• • • • 4 0664.10•'. r • dT•i.i:1;1.' II . :,,A11r411N ••• • ••,• •• - 7)' • • 404 "obo.13; awl • tt (11 , •• Exhibit opens at 6 pxn,,, Saturthty,August 91,200S Louisiana State Arthivos I Baton Rouge, Louisiana !Au •Ky.11 t■I .1"111N;::•135tate I 1 Yourj ENO Durham NC Permit 287 a retrospective of photo essays G A . • . E We cordially invite you to an opening reception for the artist in Hill5boirauc Friday, June 24 from 6 to 9:00 pm ion a chuitsil St Htilaborough NC 27278 910-883-1415 Exhibition dates June 24 thru July 2 weyMet ...v....v_facebook..corrienogallery --- • • Tues„ 1.2:23-5:00pin • me reiciay—sat • a:00 prn new exhibidionS operi'Las t Fridays' - -------------- ----- -- ----- - 1„„eph,,,opi, . "Itrt 'YEA 7":40. • " .r4 •fr ......... A raatro5pectlive exhibition or pilot° essays that spar the .46-ye.ar career of phot3grapher Donn Young, The exhibition pays tribute te Donn's permanent installation of art in the "Power of Place" GaHery at the Smithsonian National Museum of African American History and Culture, openOg on the National Mali in the fall of 2 0'16 DocuSign Envelope ID: DED368CC-D87F-4704-8F64-B8F2DB10EE93 , - '-"---- - 7 „ ..-• ' 4 l + Arts' (...e11tc.r yt { 1 !1 ■ y II r"":, 1, ..�. 1 4'• lam . l.L �l�+ -'�.. L.Y..i�A.• ✓. iiii-ailft• 4 l I� ] i �I 'II'A111�' I .11111.11-}' 'J ?(lf,l;„F yy II rr 7 '' ..'l.1lt1111f Rn�L �Iri�):tit'� .8t]L1. ^' 'SP Ni �1i . �Ii[.`e112111 ' •l'f1.q 1 oeof� Yt Q 00 tcj i> l0¢¢'ZZA� ? l 1 1-i�; .ary airi:,,:z, ....4, ,,r';`,� it I'-II V II Iuuu I ill 111111 I I I - I ,.rMI k "• * 1 I r R Fk r t- `. .,,pe �„”04,, '* 4,00, i s as n i. w. f • 'r, 4111011146 • P w L !1 •ll i VIII . +• g, 1 1 S r I W 7 y y„ ; ra, ..Y' 0 Jy' M } ! A.Y � ,�s. : , Dunn Young, official photographer r for the Port of New Orleans,lost his home, dg'. his stu,llio,an.more than 1 million photographs during Hurricane Katrina, Join Young for an eye-opening lecture about post-Katrina New rleans, featuring nor-before-published pllutul;raplis of the devastation and,the people working;to rebuild the city. DocuSign Envelope ID: DED368CC-D87F-4704-8F64-B8F2DB10EE93..., r: , "Young's pfisselitittii„in,itsinied p,11.41 henistifTtski itivii iJs.teaskolith) itisturkstrksg inix,,,ge,yiry of hisst. tKattiiut aftfiit(,tix! 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