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Home My WebLink About2016-442-E Arts - Rob Hamilton - Spring 2016 Arts Grant Agreement A DocuSign Envelope ID:ACA23B47-0495-420A-873B-7C5DA8D47D66 1 c r. 1111 O joe ORANGE COUNTY ARTS COMMISSION SPRING, 2016 GRANT AGREEMENT ° „ Y ` n THIS AGREEMENT, entered into this 8th day of August, 2016, by and between Orange County ("County"), by and through the Orange County Arts Commission ("Arts Commission") and Rob Hamilton("Grant Recipient"). WHEREAS, the Arts Commission is a countywide arts agency that ensures the growth of local arts experiences by providing funding and support for diverse high quality programs and projects. WHEREAS, the Arts Commission administers the Spring and Fall Arts Grants Program to provide economic opportunities to Orange County artists and non-profit organizations coordinating arts projects benefiting the citizens of Orange County. WHEREAS, the Spring Arts Grants Program is supported by Arts Commission with funds from the Grassroots Program of the North Carolina Arts Council, an agency of the Department of Cultural Resources and the National Endowment for the Arts. WHEREAS, the Grant Recipient was selected by the Arts Commission to receive the Spring Arts Grant through the procedures duly adopted by the Arts Commission; and WHEREAS, both parties wish to promote and maintain the integrity and clarity of the Grant Recipient's ideas and statements and delineate the Grant Recipient's obligations to the County; NOW, THEREFORE, the County and the Grant Recipient, for the consideration and under the conditions hereinafter set forth, agree as follows: 1. Approved Grant Project. Grant funds are provided under this Agreement for the project ("Project") described in the Grant Recipient's Grant Application, attached hereto and incorporated herein as Exhibit A. 2. Grant Award. Grant funds in an amount not to exceed One Thousand Dollars ($1,000) have been awarded by the Arts Commission to the Grant Recipient for the approved Project. These funds must be matched at least dollar-for-dollar with cash from the Grant Recipient's funds not derived from either Orange County appropriations or the North Carolina Arts Council. 3. Contingency. This grant is contingent on North Carolina Arts Council Grassroots Program funding to the Arts Commission. Final decisions on Grassroots Program funds to the North Carolina Arts Council are subject to approval by the North Carolina General Assembly. 4. Responsibilities of the Grant Recipient 1 Revised June 2015 DocuSign Envelope ID:ACA23B47-0495-420A-873B-7C5DA8D47D66 A. Implementation. The Project implementation shall take place between July 1, 2016 and June 30, 2017. The Project shall be implemented in the manner described in Exhibit A. Time is of the essence in the implementation of the Project. B. Modifications to project. Grant Recipient shall present major changes to the original proposal, including but not limited to changes in design, implementation schedule and increase in Project budget by more than 10%, in writing to the Arts Commission for approval. Arts Commission shall approve or disapprove Grant Recipient's request for modifications within seven (7) days of receipt thereof Consent to project modifications shall not be unreasonably withheld. Arts Commission's decisions shall be in writing. In the event the Arts Commission fails to approve or disapprove the requested modifications within the time stated herein, the modifications shall be deemed approved. C. Non—assignment. The grant cannot be assigned or transferred to a different project or artist without prior written approval of the Arts Commission. D. Records. Grant Recipient must maintain records and other evidence pertaining to costs incurred and revenues acquired during the Project implementation. Grant Recipient shall maintain financial records pertaining to the Project for three (3) years from the date of this Agreement, in case of audit. E. Use of Funds. Grant Recipient shall not use the grant funds to repay outstanding taxes or other debts of any nature. The grants shall be utilized solely for the purpose of implementing the Project and Project related expenses. F. Final Report. Grant Recipient shall submit to the Arts Commission a Final Report on July 7, 2017 . The Final Report shall be in the format required by the North Carolina Arts Council. Failure to submit the Final Report or late submission of the Final Report, for any reason, shall be grounds for denial and/or cancellation of grant funds for the Project and future grant proposals. 5. Responsibilities of the Arts Commission A. Payment. The Arts Commission shall release the grant funds in the amount of $1,000 to the Grant Recipient. 6. Publicity A. Acknowledgement. Credit must be given to the Orange County Arts Commission using the Arts Commission logo and if State funds are received to the North Carolina Grassroots Program in brochures, news releases, programs, and all other printed and online publications. Copies of such printed materials must accompany the evaluation report. When no printed information is used, verbal credit shall be given. In addition, all print and promotional material must include the following credit line (check all that apply): 2 Revised June 2015 DocuSign Envelope ID:ACA23B47-0495-420A-873B-7C5DA8D47D66 i. County Funds Only. "This program is supported by the Orange County Arts Commission." ii. X North Carolina Arts Council Funding. "This program is supported by the Orange County Arts Commission with funds from the Grassroots Program of the North Carolina Arts Council, a state agency. " B. The Grant Recipient must enter all events, exhibits and performances open to the public and related to this grant award on the ExploreChapelHillARTS.com website and display ExploreChapelHillARTS.com publicity materials (postcards, brochures, etc.) prominently and consistently at their venue or performance space. In addition, the Grant Recipient must add a link to the ExploreChapelHillARTS.com (ExploreChapelHillARTS.com logo preferred) to their main webpage. The Grant Recipient shall contact the Orange County Arts Commission for replacement ExploreChapelHillARTS.com publicity materials. 7. Indemnity. The Grant Recipient agrees to indemnify and hold harmless the County, the Arts Commission and the North Carolina Arts Council and their officers and employees from any and all claims or actual injury, damage or loss to a person, or real or personal property that results from or is in any way connected to the use of the grant funds. 8. Independent Contractor. The Grant Recipient is an independent contractor and not an employee, agent or other representative of the County and/or the Arts Commission. Nothing contained in this Agreement shall be construed to create the relationship of principal and agent, or employer and employee, between Grant Recipient and Arts Commission or Orange County Government. Grant Recipient understands and agrees that he/she is not authorized to incur any expenses or any liability whatsoever on behalf of the County or the Arts Commission and has no authority, expressed or implied, to obligate or make representations on behalf of the County or the Arts Commission. In addition, Grant Recipient agrees to maintain his or her own worker's compensation insurance for himself/herself and his or her employees for the duration of the art work's installation. 9. Termination A. In the event of any of the circumstances set forth below (hereinafter referred to as "default"), the Arts Commission may immediately terminate this Agreement: (i) Any fraudulent representation in any verification required to obtain payment under this Agreement or other dishonesty on a material matter relating to the performance of services under this Agreement. (ii) Nonperformance, incomplete service or performance, or failure to satisfactorily perform any part of the Project or to comply with any provision of this Agreement, as determined by the Arts Commission in its sole discretion. 3 Revised June 2015 DocuSign Envelope ID:ACA23B47-0495-420A-873B-7C5DA8D47D66 (iii) Failure to adhere to the terms of applicable county, state or federal laws, regulations, or stated public policy. B. In the event of default by the Grant Recipient, the Arts Commission has the discretion to elect to terminate this Agreement, in whole or in part and/or require the Grant Recipient to repay the grant funds within seven (7) from written notice of default or allow the grant recipient the opportunity to cure the default. This clause shall not be interpreted to limit the County's or the Arts Commission's remedies in law or in equity. 10. Miscellaneous. A. Entire Agreement. This Agreement and the attachments contain the final and entire understanding of the parties with respect to the subject matter of this Agreement. All modifications and amendments to this Agreement shall be in writing. This Agreement shall be binding upon the parties, their heirs, successors and assigns. B. Governing Law. This Agreement shall be interpreted in accordance with the laws of the State of North Carolina and the Orange County. C. Entire Agreement and Signatures. The parties have read this Agreement and agree to be bound by all of its terms, and further agree that it constitutes the complete and exclusive statement of the Agreement between the parties unless and until modified in writing and signed by the parties. This Agreement together with any amendments or modifications may be executed electronically. All electronic signatures affixed hereto evidence the intent of the Parties to comply with Article 1 1A and Article 40 of North Carolina General Statute Chapter 66. IN WITNESS WHEREOF, the Orange County and the Grant Recipient have signed this Grant Agreement, effective on the last date this Agreement is signed by both parties as indicated by the dates set forth under signatures below. F 7,4goaehalf of the Grant Recipient p � matOIA, 8/11/2016 A134E3394M... Rob Hamilton Date Forpan g om behalf of Orange County Government atruit, Nooltt-IrSt 8/15/2016 *B755E4n... Bonnie Hammersleys, County Manager Date 4 Revised June 2015 DocuSign Envelope ID:ACA23e47-0485-420A-873e-7C5oA8o47o00 1 Ii, Arf'~f Proj~rf Grant _ ~r r'ng �� 1 ��-1 ~7 Application Form � �� ~-� � � � ' ' `rr~''-~~~^~ ' � �~�r ' Orange County Arts Commission ORANGE COUNTY ARTS - - ~^ - - - / - mwmouo^ Promoting the artistic and cultural development of Orange County, North Carolina 1 Artist Information Applicant Name ��z "� �7�, i\V L�*� �u1 A . \ > �� . � J� � Mailing Address ��,- �- �c�� ~�� 7/�—^ p��~ �� / / Daytime Phone ��/xy- 6e�6 ~/��7z Fax| umber' -------- � � � /�} _----- Emai|Addreoa�� ..��y�� =' Web Site ��- a/'/^000�U�SNum�er �-� ��/ �-�� ------ _ / '^ ~ - . . � 2 Grant Request Summary, Arts Program Grant Request Total Cash Match :50��) Summary Statement for Propos Use of Arts Program Grant 42-7/5-7/u_ p ER&- L_—__ 3 Narrative Write a description, up to three pagou, single spaced,that describes the following under separate subheadings: • PmpoaodPrnjec\—whatwi||youdo^wherewi||itbeperformodordiup|ayed. whonwiUthepnaparnUiono and public component take place, list any organizational partners. • Community Impact—describe the project's public component, how many people will be impacted. • Artist Experience—include a brief description of your similar arts projects in the past. 4 Application Checklist (in this order;do not staple, bind, or put into individual folders) 1 copy each: (only 1 sided, 8 1/2"x 11", white paper)and 1 complete electronic copy(in PDF format): • Application Form, Page One, Including Signature • Narrative • Budget Sheet • Itemized Budget (if necessary) • Resumes of artist(s). • Sample pmgmma, pnaao,or other materials from this or similar past programs. • Sample work by artist produced in the last three years: For example,for visual arts submit a PC-compatible CD or DVD, slides or high quality photographs(5-10 images); for dance or theater arts submit a PC-compatible CD or DVD, or video tape (3-5 minute sample);for music and apokenwondoubmitaPC'compn0ib|oCDorDVD. oroudiotape (1'2ae|eu1iona);for literary arts submit a manuscript(10-15 pages). Label all sample work with artists'/organizations' name,title of work(s),date of work. For visual arts include sheet with work sions, media. Indicate top of image M o deli e signed original to the OC C office, including work samples. Email PDF of application to , . �~ *-� '° d^�� °�� / 1 `Al /�~v`-��`-/ 1'44 A�i ~� 'a1une Da�+ �vp�� ur Print�d Artiat Name INCOMPLETE APPLICATIONS WILL NOT BE FUNDED 91 / SB`2011 ' 1J1N/eat Margaret Lane, Room 216, Hillsborough, NC 27278—www.artsorange.org DocuSign Envelope ID:ACA23B47-0495-420A-873B-7C5DA8D47D66 The Four Underwear Models of the Apocalypse A dance/theatre interpretation of the end of the world Proposed project The Four Underwear Models of the Apocalypse is a suite of dances that incorporate masks, performing objects, projected scenery, and unique character costumes to present an unexpected, somewhat absurdist version of the Apocalypse, scheduled to be produced in April, 2017 by the UNC Department of Communication. Structurally, the dance opens with a quartet of Harbingers ushering in Doomsday before each assumes the persona of a traditional "horseman" Plague, War, Famine, and Death to dance a series of solos and duets before reforming as a quartet in a finale of hope and rebirth. Music selections range from the Sparrow Quartet to the Kronos Quartet, Frank Zappa to Hildegard von Bingen, ragtime to deathcore, and DIY tracks mashing together Tibetan singing bowls, ambient sound samples, whale songs, spoken-word texts, and a large dollop of to-be-determined. "Absurdist" aspects of the design are reflected in the iconic mask and costume of each "horseman." Plague's mask, for example, incorporates a removable gasmask, while War a mix of Wonder Woman and the Minotaur wears a horned mask, a Greek warrior's helmet, and gladiator armor. Famine presents as a burlesque fan dancer in the best Sally Rand tradition, but her fans are a pork chop and a T-bone steak. Death enters leading a Dixieland jazz funeral, complete with umbrellas and top hats. And if presenting these traditionally terrifying icons cavorting in their underpants wasn't taking enough liberties with the audience's expectations, dancing horse puppets introduce and accompany each section, the puppeteers costumed and masked to echo the soloists. The 4UMotA was initially envisioned as a dance film, with opening and closing scenes preshow preparation and post-performance notes from the choreographer to frame the piece as if it is a rehearsal. The live performance will therefore be recorded, then additional footage new locations, closeup details, digital effects work, etc incorporated in order to create two distinct, medium-specific versions of the piece. Conceptualization and design elements are by Rob Hamilton of the UNC-CH Communication Department, with choreography by Heather Tatreau of the Department of Exercise and Sports Science. The"Underwear Models" themselves are Ally Levine as Plague, Livian Kennedy as War,Alexis Hall as Famine, and Christine Jackson as Death. Two puppeteers are already involved with the project development:Amber Gibson and Scout Manhattan Howard. Work has begun on the masks and puppets so that they will be ready to use when full rehearsals begin in February, 2017. DocuSign Envelope ID:ACA23B47-0495-420A-873B-7C5DA8D47D66 Community Impact While there will be an intentional tension created by juxtaposing the humor and absurdity of the dance against the we're-doing-it-to-ourselves suggestions of humanity's complicity in its own doom appearing as projected background, the overall intent of the piece is less confrontational. Incorporating masks and other performing objects into dance is historically neither innovative nor uncommon, but it is a genre-within-a-genre that has been seen much less frequently since the advent of modern dance, when emphasis shifted away from pageantry and spectacle to focus on the unadorned body moving in space. Part of our hope with The 4UMotA is to engage the memories of some audience members while simultaneously introducing a new audience to a style of dance they have not had many opportunities to see; ultimately, to broaden the conventional expectations of what dance can be and do visually as well as narratively while enjoying an evening of exciting and fascinating performance by talented local artists. Artists Experience Rob Hamilton; concept/designer works as Lecturer/Designer/Technical Director in Performance Studies at the Department of Communication at UNC-CH. His M.F.A. in Design/ Technical Theatre is from the University of Montana, and his B.F.A. in Theatre is from the University of Southern Mississippi. He teaches in the areas of production technologies and the use of masks and puppets in performance. A member of United Scenic Artists, LU#829 as both Scenic Designer and Lighting Designer, Rob recently served as lighting designer for the Modernextension dance company in Chapel Hill; and performed in Basil Twist's The Rite of Spring at both Memorial Hall in Chapel Hill and Lincoln Center in New York. Current projects in development include his "magic lantern cantastoria"production of The Misdirection of Henry Walker, adapted from the novel Mr Sebastian and the Negro Magician by Daniel Wallace. Heather Tatreau; choreographer attended UNC-Chapel Hill before she went on to earn a Master's Degree in Dance Education from New York University. While living in New York City, she had the opportunity to train in classic modern dance techniques as well as avant-garde performance styles and somatic principles. She has performed and presented her choreography in NYC, Italy, and locally. She has been teaching in universities across NC since 2003. Heather is in her fifth year on faculty at Carolina, teaching the modern dance technique and theory course, and received a grant this spring to teach a site-specific movement course at the Ackland Art Museum. In addition, she works closely with Carolina Performing Arts to promote student and faculty engagement with visiting dance artists while also acting as choreographer and movement consultant for productions with StreetSigns, The Process Series, and the Kenan Theater Company. DocuSign Envelope ID:ACA23B47-0495-420A-873B-7C5DA8D47D66 Alexis Hall Famine is a double major at UNC in Exercise & Sports Science and Psychology; she has been dancing for sixteen years, studying modern, ballet, hip hop, tap,jazz, and other styles both in North Carolina and New York. Alexis dances with both Modernextension and the Misconception Hip Hip Dance Company. Christine Jackson—Death is a fourth-year MD/MPH at UNC School of Medicine, originally from Baltimore, Maryland. She has been dancing ever since she could walk and and has trained in modern, ballet,jazz, hip hop and tap. She has continued dancing throughout her undergraduate and medical school careers as a member of Modernextension. Livian Kennedy War has been involved in theatre and art since before she can remember, and while performative dance is a relatively new but strong passion of hers, she has recently succeeded in combining the three into a major in Interdisciplinary Studies at UNC. An incorrigible bibliophile and student of human behavior, Livian can be seen this summer in ARC1itE Theatre's production of Roaring Girl. Ally Levine Plague was classically trained in the Cecchetti Ballet Method for 13 years. She transitioned into the world of modern dance when she was 16 years old and has continued in modern dance as a member of Modernextension UNC's first dance company for which she will serve as the president during the 2016-2017 term. Ally is a Journalism major, with an emphasis on graphic design. Amber Gibson puppeteer started her dance training at age three and graduated from her studio with fifteen years of experience, after which she taught beginner and intermediate classes in hip hop and clogging for a year before relocating to Chapel Hill. She holds a degree in Business from NC State, and is the proud mother of a two-year old daughter. Scout Manhattan Howard—puppeteer is a senior biochemistry major who is looking forward to being onstage instead of off for the first time since her kindergarten ballet rehearsal. Her free time is spent volunteering as a technician for student performance groups and coordinating events as service co-chair of Alpha Chi Sigma, the professional chemistry fraternity. DocuSign Envelope ID:ACA23B47-0495-420A-873B-7C5DA8D47D66 2016-17 Artist Project Application — Page Two ORANGE COUNTY ARTS COMMISSION Financial Information Provide a projected budget for your proposed project utilizing the format below. Be as specific as possible. Project Expenses Cash = Grant Amount + Applicant Expenses Requested Cash Match A Personnel(Employees) Administrative staff( %)* Artistic staff(41, %)* 3c7 0D Technical/Production staff(f '%)* 6 0 0 *Show%of wages devoted to this project B Outside Fees and Services Artistic contracts Other contracts: C Space Rental D Travel E Marketing z71e7C) F Remaining Project Expenses /5 0 (Itemize on separate sheet) 4,7144446.9 G Total Cash Expenses e2C2 = /9047 + 1-/Se2C7 Project Income Cash Income A Admissions ZOO C7 B Contracted Services Revenue C Other Revenue(specify): D Private Support Corporate support(specify): Foundation support(specify): Other private support (specify): E Government Support Federal State/regional (not including this request) /4-47C2 Local (not including this request) F Applicant Cash f 3 G Grant Amount Requested / (2 C2 in this application H Total Cash Income 3 (must at least equal Total Cash Expenses, Item G in Project Expenses) DocuSign Envelope ID:ACA23B47-0495-420A-873B-7C5DA8D47D66 The Four Underwear Models of the Apocalypse Budget Supplemental (Remaining project expenses) costumes $500 shoes 400 masks 200 puppets 200 TOTAL $1300 DocuSign Envelope ID:ACA23B47-0495-420A-873B-7C5DA8D47D66 Curriculum Vitae Rob Hamilton Lecturer • Designer • Technical Director in Performance Studies Department of Communication—University of North Carolina 103A Swain Hall— 919-962-4966 Chapel Hill,NC 27599 hamiltn @email.unc.edu • dorisgetsheroats @gmail.com Education M.F.A. • Design & Technical Theatre University of Montana Teaching Assistant in Stagecraft and Scene Painting; dancer/lighting designer for Montana Dance Co.;propmaster for Drama Department and Montana Repertory Theatre; Company Manager& Assistant Designer for Montana Rep tour of Valley Forge B.F.A • Theatre Arts, University of Southern Mississippi Staff technician; construction and mounting of lab and mainstage productions; crew supervision; technical support for road shows and concerts; dancer/lighting designer for Orchesis Dance Co.; Louis Gentler Award for Technical Proficiency;Alpha Psi Omega Outstanding Contribution Award Experience Highlights Lecturer/Designer/ Technical Director UNC-CH • Department of Communication (current) Design, construction, installation, etc. of scenery and properties for Performance Studies projects; supervision/training of students and volunteers;purchasing, inventory and equipment maintenance; teaching in the areas of live performance methodologies, and the creation/use of mask/performing object in performance; faculty advisor to Company Carolina student performance group; technical advisor to The Process Series Scenic and Lighting Designer United Scenic Artists, LU#829 (current) Design and creation of design elements in all categories for Off-Off and Off-Broadway, LORT, regional, educational, and community theaters as well as trade shows and industrials in the US and Europe. DocuSign Envelope ID:ACA23B47-0495-420A-873B-7C5DA8D47D66 Exhibit Builder/Concept Renderer City of San Jose Associate designer and scenic artist for Christmas In The Park and Happy Hollow Park and Zoo: design, construction, maintenance and installation of animated outdoor displays and attractions; crowd control and security; supervision of volunteers ranging from teenage to senior to county prisoner work crews Scenic Carpenter/Properties Carpenter PlayMakers Repertory Company (LORT) Construction, installation, inventory/equipment maintenance, etc. of scenery and properties; student training and supervision Properties Carpenter San Jose Repertory Theatre (LORT) Construction and refurbishment of furniture and specialty props in wood, metal, fabrics and/or plastics; acting propmaster as needed Adjunct Faculty Indiana University Northwest Scenic and lighting design for departmental productions; developed/taught classes in Intro to Theatre,Scene Painting,Stagecraft,Scenic Design I&II, and Lighting Design I&II. Adjunct Faculty The Theatre School -- DePaul University Developed/taught course in theatrical rendering techniques for advanced seniors and graduate students Designer/Charge Scenic Artist Chicago Scenic Studios, Inc. Designer/Art Director for industrials (won Best of Show for HBO Video), special events, television and theatre; Paint Dept. Head: hiring and training of staff& freelance artists; material specification,purchasing and maintenance; MSDS upkeep; lacquer, foams, casting resins, fiberglas, vinyls and similar Lighting Director Hikari Baba/Baba Dancers Lighting design, graphic design and stage management for Japanese-American modern dance company. Propmaster/Puppeteer LITTLE SHOP OF HORRORS(Off-Broadway) Props and puppet maintenance; touchup scenic artist; running and general tech maintenance crews Adjunct Faculty Wagner College Instruction, scheduling and evaluation of stagecraft labs; design, construction,painting and coordination of SNOOPY! Tour DocuSign Envelope ID:ACA23B47-0495-420A-873B-7C5DA8D47D66 Freelance Drafter/Modelmaker Broadway: Dance a Little Closer,La Cage aux Folles,Private Lives (David Mitchell); 1st National and Bus & Truck Tours: Amadeus (Ursula Belden); Regional:Juno and the Paycock, The Price, Quilters (Ursula Belden); Industrial/Special Events (Peter Wexler); misc. "crunch" work- William Barclay, Steve Hendricksen, Ray Hussey, William Ritman Stage Manager/ Technical Director The Actor's Studio Upkeep of theatre and building; design and construction supervision of stage/house renovation; supervision of volunteer and professional crews; scheduling of rehearsal and performance spaces; recording and safekeeping of taped archives - Lee Strasberg, Elia Kazan, Harold Clurman, etc. For additional information: https://www.linkedin.com/in/rob-hamilton-a6a07612 Grants Orange County Arts Commission— $1000 Development of The Misdirection of Henry Walker, a theatrical adaptation of Daniel Wallace's Henry Walker& the Negro Magician using shadow puppetry(2013) UNC University Research Council— $1300 Development of The Misdirection of Henry Walker, a theatrical adaptation of Daniel Wallace's Henry Walker& the Negro Magician using shadow puppetry(2013) UNC Performing Arts and Special Activities Fund— $5000 Development of The Misdirection of Henry Walker, a theatrical adaptation of Daniel Wallace's Henry Walker& the Negro Magician using shadow puppetry(2013) Awards • Independent Weekly"Best" Citation— Twelfth Night(scenery);Jitney (scenery); Holy Hell(direction);Balzac and the Little Chinese Seamstress (production design & adaptation) • Dean Goodman Dramalogue Award--Redwood Curtain (scenery) • Dean Goodman Choice Award— The King and I(scenery) • Joseph Jefferson Citation— The Scarecrow (scenery& costumes) • Joseph Jefferson Award nominations --Hapgood(scenery); Puntila and His Hired Man (scenery& costumes) • Arty Award--Blood Brothers (scenery); The Heiress (scenery); Twelfth Night (scenery) • USITT Art for the Stage Exhibit/Tour--HAIR (scenery) DocuSign Envelope ID:ACA23B47-0495-420A-873B-7C5DA8D47D66 Supplemental As a puppeteer, Hamilton was a member of the crew for the original Off-Broadway production of Little Shop of Horrors in New York, and his collaboration/appearance with Tori Ralston's Theatre of Performing Objects—Harvesting Pomegranate Dreams—was included in the UNC Process Series in 2011. Most recently, he was a company member of Basil Twist's The Rite of Spring, performing at both Memorial Hall in Chapel Hill and as part of the White Light Festival at Lincoln Center in New York. He was invited to attend the National Puppetry Conference at the O'Neill Theater Center as a playwright in 2012 and again in 2013, and participated in two recent Puppeteers of America national conventions: presenting a workshop in light and lighting design in 2011 and as Director of Works-In-Progress in 2013. In 2015, he premiered an original work—Jiro Kaja Encounters A River Ningyo—in which rod puppets perform a"traditional"Japanese kyogen play. Hamilton's masks and costumes have received awards in Chicago—Lysistrata 2411, A.D.—and Chapel Hill, where his Balzac and the Little Chinese Seamstress (direction, adaptation, and production design)was lauded by the Independent Weekly, which said: "... the design and adaptation of Rob Hamilton's new... version of Dai Sijie's enchanting 2000 novel is basically unassailable. Indeed, many have justifiably respected Hamilton's talents for years now in regional productions with StreetSigns, Wordshed, Manbites Dog and Deep Dish Theater. " DocuSign Envelope ID:ACA23B47-0495-420A-873B-7C5DA8D47D66 CURRICULUM VITAE Heather L. Tatreau 215 Cobblestone Dr. Chapel Hill,NC 27516 Phone : 919-593-4295 Email: htatreau @email.unc.edu Education Graduate 2000 -2002 Master of Arts, Dance and Dance Education New York University,New York,NY Concentration: Teaching Dance in Higher Education, Curriculum Development Coursework:Advanced Modern Dance Techniques, Improvisation, Methods and Materials in Teaching Dance, Dance Alignment, Dance in Higher Education, Anatomy and Kinesiology, Movement Analysis I/II, Composition in Dance, Anthropology of Dance, Research in Dance, Human Development in the Arts, Curriculum Development Undergraduate 1994 - 1998 Bachelor of Arts with Distinction and Highest Honors Majors: Psychology and Women's Studies University of North Carolina, Chapel Hill,NC Certifications 2014 Yoga Alliance 200-hour Yoga Certification Loving Kindness Yoga School, Carrboro,NC 2010 TheMethod®Pilates Matwork: Initiation 201 Standing Pilates PhysicalMind Institute, New York, NY 2004 TheMethod®Pilates Matwork: Initiation 101 PhysicalMind Institute, New York, NY University Teaching Experience 2012 -present Lecturer, Department of Exercise and Sport Science University of North Carolina, Chapel Hill,NC Courses taught: PHYA 224: Beginning Modern Dance Technique, PHYA 324: Intermediate Modern Dance Technique, PHYA 424: Advanced Modern Dance Technique, EXSS 191: The Theory and Practice of Modern Dance, EXSS 396: Independent Study in Dance Composition, DR 255: Movement for the Actor II, EXSS 290: Site-Specific Performance 1 DocuSign Envelope ID:ACA23B47-0495-420A-873B-7C5DA8D47D66 HEATHER TATREAU 2003 -2012 Lecturer, Health and Exercise Studies Department North Carolina State University, Raleigh,NC Courses taught:Ballet, Modern Dance I, Modern Dance II, Pilates, Distance Education Pilates, Yoga I/II, Stress Management, Elements of Choreography, Independent Study:Fire Poi(2008), Independent Study:Advanced Pilates (2010), Independent Study: Teaching Methods in Yoga and Pilates (2011), Yoga for Athletic Conditioning 2001 Teaching Assistant,Department of Music and Performing Arts Professions,Dance Program New York University,New York,NY Movement Analysis course Guest Lectures/Workshops/Master Classes Taught 2015 Guest Lecture, WMST 555: Women and Creativity Was Martha Graham a Feminist? University of North Carolina, Chapel Hill,NC 2014 Guest Lecture, Emil Kang and Dr. James Moeser's First Year Seminar course Batsheva Dance Company and Ohad Naharin's Impact on Modern Dance University of North Carolina, Chapel Hill,NC 2014 Guest Movement Instructor, Department of Dramatic Art Three-day workshop on Laban Movement Analysis and Structured Group Improvisation Movement for MFA acting students University of North Carolina, Chapel Hill,NC 2013, 2014 Master Classes,American College Dance Association Regional Conferences Post-Modern Dance Composition George Mason University,Fairfax,VA(2014) University of North Carolina-Greensboro, Greensboro,NC (2013) 2013 Workshop, Honors Arts Fellows Taught an introductory Modern Dance workshop University of North Carolina, Chapel Hill,NC 2009 -2013 Master Classes,North Carolina Dance Alliance Annual Events Advanced Modern Dance Technique(Durham,NC,2013), Dance Alignment through Ideokinesis(Greensboro,NC,2012),Post-Modern Dance Composition (Durham,NC, 2011), Teaching Dance Conditioning(Elon,NC, 2010),Improvisation for Performance(Charotte,NC, 2009) 2009 -2011 Master Classes,NCSU Dance Company Yoga for Dance Conditioning;Dance Improvisation NC State University, Raleigh,NC 2 DocuSign Envelope ID:ACA23B47-0495-420A-873B-7C5DA8D47D66 HEATHER TATREAU 2010 Guest Instructor, Dance Composition course,Peace College Dance Department Improvisation-Based Choreographic Techniques Peace College, Raleigh,NC 2010 Workshop Series,NCSU Women's Tennis Team Yoga for Athletic Conditioning NC State University, Raleigh,NC 2010 Workshop,NCSU Health and Exercise Studies Department Faculty Teaching Yoga for Athletic Conditioning NC State University, Raleigh,NC 2004 -2009 Master Classes, Modernextension Dance Company Advanced Modern Dance Technique;Improvisation for Performance University of North Carolina, Chapel Hill,NC 2007 Workshop, NCSU Health and Exercise Studies Department faculty Yoga-Based Flexibility Training NC State University, Raleigh,NC 2007 Workshop series,NCSU Women's Soccer Team Pilates for Athletic Conditioning NC State University, Raleigh,NC 2004 Guest Movement Instructor, THEATRST 152: Movement for the Actor, Theater Studies Department Pilates for the Actor Duke University, Durham,NC Curriculum Development and Collaborations 2015 Ackland Art Museum and Department of Exercise and Sport Science Created EXSS 290 Special Topics:Site-specific Performance to fulfill a course development grant from the Ackland Art Museum; approved by EXSS Curriculum Committee University of North Carolina, Chapel Hill,NC 2015 Carolina Performing Arts,Arts at the Core Collaborated with Dr. James Hirschfield's First Year Seminar Course, The Artistic Temperment to create a project with Intermediate Modern Dance students; Movement workshops were used to facilitate student performance projects based upon Martha Graham's Lamentation;presented students'final performance projects in Gerrard Hall with support from Carolina Performing Arts on April 20, 2015 University of North Carolina, Chapel Hill,NC 2014 Department of Exercise and Sport Science Designed EXSS Independent Study course:Dance Composition,proposal 3 DocuSign Envelope ID:ACA23B47-0495-420A-873B-7C5DA8D47D66 HEATHER TATREAU approved by EXSS University of North Carolina, Chapel Hill,NC 2014 Department of Exercise and Sport Science, EXSS 191 Designed dance composition project for EXSS 191 in collaboration with Wilson Library Rare Books Collection University of North Carolina at Chapel Hill 2013 Department of Exercise and Sport Science and Communication Studies Collaborated with Professor Francesca Talenti to create a course project with COMM 647 and EXSS 191 students to produce their own dance films University of North Carolina, Chapel Hill,NC 2003 -2012 Health and Exercise Studies Department Created and implemented new courses approved by Departmental and University Curriculum Committees: Yoga II, Distance Education Pilates, and Yoga I course revision NC State University, Raleigh,NC 2003 -2012 Health and Exercise Studies Department Created and implemented special topics courses approved by Departmental Curriculum Committee:Elements of Choreography, Yoga for Athletic Conditioning, and three Independent Study projects. Developed course content for Yoga, Modern Dance I/II, Stress Management. NC State University, Raleigh,NC Committees 2010 -2012 Distance Education Committee, Department of Health and Exercise Studies NC State University, Raleigh,NC 2008 -2012 Assessment Task Force, Department of Health and Exercise Studies NC State University, Raleigh,NC 2006 -2012 Activity Chair,Yoga Committee, Department of Health and Exercise Studies NC State University, Raleigh,NC 2006 -2012 Dance Committee, Department of Health and Exercise Studies NC State University, Raleigh,NC 2006 -2012 Pilates Committee, Department of Health and Exercise Studies NC State University, Raleigh,NC 2007 -2009 Curriculum Committee, Department of Health and Exercise Studies NC State University, Raleigh,NC 2008 Advisory Committee, Department of Health and Exercise Studies NC State University, Raleigh,NC 4 DocuSign Envelope ID:ACA23B47-0495-420A-873B-7C5DA8D47D66 HEATHER TATREAU 2006 -2007 Fitness/Wellness Committee, Department of Health and Exercise Studies NC State University, Raleigh,NC 2001 Organization Committee, Congress on Research in Dance,NYU New York,NY Grants and Awards 2016 Ackland Art Museum Course Development Grant, $5000, for a new course, EXSS 290: Site-Specific Performance University of North Carolina, Chapel Hill,NC 2014 UNC Performing Arts and Special Activities Fund, $3500, for concert production costs for Modernextension Dance Company's 2014 Spring Concert University of North Carolina, Chapel Hill,NC 2013, 2014 Travel fund procurement for students and faculty to attend ACDA conferences Department of Exercise and Sport Science University of North Carolina, Chapel Hill,NC 2010, 2011 Innovative Summer School Grant, $5000, to develop and teach Yoga for Athletic Conditioning course Department of Health and Exercise Studies NC State University, Raleigh,NC 2002 Outstanding Achievement Award, Dance Education Program Department of Music and Performing Arts Professions New York University,New York,NY 2001 Graduate Assistant Scholarship, Dance Education Program Department of Music and Performing Arts Professions New York University,New York,NY Publications 2015 On Batsheva, Essay based on personal interview with Ohad Naharin of Batsheva Dance Company published in Carolina Performing Arts Season Program University of North Carolina, Chapel Hill,NC 2014 On L-E-V, Essay published in Carolina Performing Arts Season Program University of North Carolina, Chapel Hill,NC 2010 -2012 Editor,Focus on Fitness, 4th ed., Health and Exercise Studies Department NC State University, Raleigh,NC 5 DocuSign Envelope ID:ACA23B47-0495-420A-873B-7C5DA8D47D66 HEATHER TATREAU 2011 Author, Stress Management chapter in Focus on Fitness, 3rd ed., Health and Exercise Studies Department NC State University, Raleigh,NC 2008 Choreographing a Dilemma,published in Dancevoice, NCDA newsletter Directorial and Production Experience 2015 Director, The Existential Imagination: A Dance-Drama Kenan Theatre Company, Department of Dramatic Arts Kenan Theatre, University of North Carolina, Chapel Hill, NC 2015 Curator and Production Director, Lamentation Variation Project Carolina Performing Arts Process Series Gerrard Hall,University of North Carolina, Chapel Hill,NC 2014 Movement Coach, Freight, directed by Joseph Megel StreetSigns Production Company Swain Hall,University of North Carolina, Chapel Hill,NC 2014 Production Director, Haunted Modernextension Dance Company fall performance, in collaboration with Wilson Library Rare Books Collection Gerrard Hall,University of North Carolina, Chapel Hill,NC 2012 -2014 Production Director, Annual Spring Concerts UNC Modernextension Dance Company The Great Hall,University of North Carolina, Chapel Hill,NC 2014 Production Director, dance composition project performance Department of Exercise and Sport Science, PHYA 324 and 424 courses Ackland Art Museum,University of North Carolina, Chapel Hill,NC 2013 Movement Coach, The Uncanny Valley,by Francesca Talenti Department of Communication Studies Swain Hall,University of North Carolina, Chapel Hill,NC 2002 Production Staff,Near Escapes NYU Dance Education Master's Concert Frederick Loewe Theatre,New York,NY Choreography 2015 Title: The Existential Imagination: a dance-drama An evening length dance theater piece for 10 dancers and 4 actors created for the Kenan Theatre Company 2015-2016 season in collaboration with students enrolled in DRAMA 255 6 DocuSign Envelope ID:ACA23B47-0495-420A-873B-7C5DA8D47D66 HEATHER TATREAU Music/Text: various instrumental and electronic musical pieces,with text drawn from classic Existential novels and rearranged in a collage format Kenan Theatre,UNC, Chapel Hill,NC,November 19-23, 2015 2015 Trojan Barbie directed by Joseph Megel for StreetSigns Dance and fight choreography, Movement Coach Swain Hall, Departent of Communication Studies,UNC,Chapel Hill,NC,April 9-19, 2015 2014 Johnny Johnson directed by Serena Edhardt for the Kenan Theatre Company Dance and fight choreography, Movement Coach Kenan Theatre,UNC, Chapel Hill,NC,November 20-24, 2015 2014 Title: Push and Pull Structured improvisational dance piece created for Modernextension Dance Company while serving as Faculty Advisor Music: Felix Laband Gerrard Hall,University of North Carolina, Chapel Hill,NC, March 29, 2014 2014 Title: notes from the C train (revised) Recreated as an 8 minute duet for UNC Modernextension Dance Company while serving as Faculty Advisor Music: Trentmoller, subway sounds The Great Hall,University of North Carolina, Chapel Hill,NC,April 26-27, 2014 2013 Living Legends Series with Emil Kang Site-specific Improvisational piece created for Modernextension Dance Company to perform Friday Center,University of North Carolina,Chapel Hill,NC 2010 Title: Circus Eight minute dance for 4 dancers created as Resident Choreographer for UNC Modernextension Dance Company Music:Nino Rota Memorial Hall,University of North Carolina, Chapel Hill,NC,April 22-23, 2010 Peace College Dance Company guest choreographer for annual fall concert, Raleigh,NC, December 2-4,2010 NC Dances adjudicated concert showcasing NC professional choreographers, Cary Academy Theater, Cary,NC, May 2, 2010 2009 Title:I Am... Six minute dance for 7 dancers created as Resident Choreographer for UNC Modernextension Dance Company Music: Moby Memorial Hall,University of North Carolina, Chapel Hill,NC,April 15-16, 2009 7 DocuSign Envelope ID:ACA23B47-0495-420A-873B-7C5DA8D47D66 HEATHER TATREAU 2009 Title: The Lunchroom Structured improvisation piece for 15 dancers as Resident Choreographer for UNC Modernextension Dance Company Music: Trentmoller Memorial Hall,University of North Carolina, Chapel Hill,NC,April 15-16, 2009 2008 Title: Yes. Six minute dance for 9 dancers created as Resident Choreographer for UNC Modernextension Dance Company Music: Felix Laband Memorial Hall,University of North Carolina, Chapel Hill,NC,April 3-4,2008 NCDA Annual Event Adjudicated Showcase,Northwest School of the Arts, Charlotte,NC, October 24, 2009 2008 Title:Improvisation 101 Structured improvisation piece for 15 dancers created as Resident Choreographer for UNC Modernextension Dance Company Music: Felix Laband Memorial Hall,University of North Carolina, Chapel Hill,NC,April 3-4,2008 2007 Title: Constructing Strangers Six minute dance for 5 dancers created as Resident Choreographer for UNC Modernextension Dance Company Music: Felix Laband Memorial Hall,University of North Carolina, Chapel Hill,NC, March 22-23, 2007 NCDA Annual Event Adjudicated Showcase,UNC-Greensboro, Greensboro, NC, October, 20,2012 NC Dances adjudicated concert showcasing NC professional choreographers, Cary Academy Theater, Cary,NC,April 28, 2013 UNC Modernextension Dance Company Spring Concert, The Great Hall, University of North Carolina, Chapel Hill,NC,April 21-22, 2013 2006 Title: notes from the C train Six minute dance for 5 dancers created as Resident Choreographer for UNC Modernextension Dance Company Music: Pole Memorial Hall,University of North Carolina, Chapel Hill,NC,April 20-21, 2006 2002 Title:Exit Seven minute dance for 4 dancers created for Near Escapes, NYU Master's Concert; restaged as Resident Choreographer for UNC Modernextension Dance Company Music: Bjork arranged by Greg Rippin Frederick Loewe Theatre,NYU,New York,NY,April 26-28, 2002 The Women's Gym,University of North Carolina, Chapel Hill,NC,April 8-9, 2005 8 DocuSign Envelope ID:ACA23B47-0495-420A-873B-7C5DA8D47D66 HEATHER TATREAU Reviews January 3, 2007 The Year in Dance: Our datebook of memorable performances, by Byron Woods Independent Weekly, Durham,NC April 26,2006 New dance-with strings attached, by Byron Woods Independent Weekly, Durham,NC Performing Experience 2013 Constructing Strangers, by Heather Tatreau NC Dances,local professional choreographer's showcase Cary Academy Theater, Cary,NC,April 25, 2013 2012 Constructing Strangers, by Heather Tatreau North Carolina Dance Alliance annual event showcase UNC-Greensboro, Greensboro,NC, October 2012 2010 Circus, by Heather Tatreau NC Dances, local professional choreographer's showcase Cary Academy Theater, Cary, NC, May 2, 2010 2009 Yes., by Heather Tatreau North Carolina Dance Alliance annual event showcase Charlotte School of the Arts, Charlotte, NC, September 2009 2005 Naoko's Dream, by Rachel Booker Legs Mechanical Bickett Gallery, Raleigh, NC, December 2005 2002 Improvisational work with Anima Dance First Friday Art Walk Sizel Gallery, Carrboro, NC, October 2002 2002 Near Escapes, various choreographers NYU Dance Education Master's Concert Frederick Loewe Theatre, New York, NY, April 2002 2001 Site-specific improvisational work Coalition of Creative Artists The Frying Pan, Chelsea Piers, New York, NY, May 2001 2001 Highly-structured improvisational works choreographed by Douglas Dunn in collaboration with Ester Lamneck 9 DocuSign Envelope ID:ACA23B47-0495-420A-873B-7C5DA8D47D66 HEATHER TATREAU NYU New Music and Dance Ensemble Frederick Loewe Theatre, New York, NY, December 2001 Strada Facendo Festival, Pisa, Italy, July 2001 2000 Reciprocal Inhibition (premiere), by Douglas Dunn NYU Distinguished Faculty Concert Frederick Loewe Theatre, New York, NY, December 2000 1997 Works by Pilobolus, with Carol Parker and Jack Arnold 50`h Anniversary Golden Jubilee Gala North Carolina Art Museum, Raleigh, NC 1994 - 1998 Modernextension Annual Spring Concerts, various choreographers Modernextension Dance Company Memorial Hall, University of North Carolina, Chapel Hill, NC Training and Workshops Attended 2002 -present Loving Kindness Yoga School Weekly classes and monthly intensive workshops in the Kripalu yoga tradition Carrboro,NC 2012 -2015 Carolina Performing Arts and Arts at the CORE Teaching with the Performing Arts workshops with Joy Kasson and Emil Kang University of North Carolina, Chapel Hill,NC 2013 ACDA Annual Regional Conference Tanztheatre Master Class George Mason University,VA 2009 NDEO Annual Conference Workshops with Eric Franklin, Merce Cunningham Dance Company, and Harkness Institute for Dance Injuries New York,NY 2008 Laban Institute of Movement,NYC Bartenieff Movement Fundamentals Workshop: 15-hour training, Jackie Hand Raleigh,NC 2007 Triangle Yoga Anatomy for Yoga with Paul Grilley Chapel Hill,NC 2004 Pilates Method Alliance Chronic Pain Workshop with an emphasis on therapeutic movement education Denver, CO 10 DocuSign Envelope ID:ACA23B47-0495-420A-873B-7C5DA8D47D66 HEATHER TATREAU 2002 American Dance Festival Professionals Workshop Master Classes with Lisa Race, Gerri Houlihan, Jennifer Nugent, Miguel Gutierrez, John Jaspers (improvisation), and David Beadle (Mind-Body Centering) Durham,NC 2002 Balance Pilates Studio Anatomy for Pilates with Kriota Willberg:functional musculoskeletal anatomy New York,NY 2002 Movement Research, MELT Winter Workshop Improvisation Intensive with Sarah Pearson and Patrik Widrig; Modern Dance Technique based on somatic principles with Gwen Welliver New York,NY 2001 -2001 Limon Institute Advanced-level Limon technique classes New York,NY 2000 -2002 Douglas Dunn Dance Improvisation, Composition, Repertory and Cunningham Technique with post- modern dance pioneer Douglas Dunn New York,NY(2000 -2002) and Pisa, Italy(Summer 2001) 2000 -2002 Dancespace Modern dance technique classes, New York City guest artists New York,NY 1996 American Dance Festival Six-Week School Daily Master Classes with Betty Jones (Limon Technique), Carol Parker and Jack Arnold of Pilobolus (Partnering Skills), Mark Dendy (Choreography), Laura Dean (Choreography) Durham,NC 1991 -2000 Modern dance training at Arts Together, UNC Modernextension Dance Company, ACDA and NCDA festivals 1981 - 1990 Classical Ballet training at private dance studios in Florida and NC Arts Administration Experience 2013 -2014 Carolina Performing Arts Hosted master classes and lectures with various guest artists: LEV, Cloud Gate Dance Theatre of Taiwan, Bill T. Jones, Alvin Ailey, Martha Graham Dance Company University of North Carolina, Chapel Hill,NC 11 DocuSign Envelope ID:ACA23B47-0495-420A-873B-7C5DA8D47D66 HEATHER TATREAU 2012 -2014 UNC Modernextension Dance Company Faculty Advisor University of North Carolina, Chapel Hill,NC 2012 Carolina Performing Arts Facilitated the pre performance discussion with Compagnie Marie Chouinard's rehearsal director, Tony Chong University of North Carolina, Chapel Hill,NC 2009 Modernextension Dance Company Organized Somatic Practices Day of Dance series of master classes open to local college students University of North Carolina, Chapel Hill, NC 2004 -2006 InsideOut Body Therapies Administrative Director for a private Pilates and wellness center Durham, NC 2001-2002 NYU Dance Education Program Graduate Assistant and administrative coordinator for concert production, budget,press releases, database management, auditions, special events, studio maintenance, and for supervision of work study students New York University, New York, NY 2001 NYU Dance Education Program Assistant to Dr. Miriam Berger on the organization committee to host the Congress on Research in Dance conference New York University, New York, NY 1997 - 1998 Modernextension Dance Company Vice-President University of North Carolina, Chapel Hill, NC Conferences: 2013 -2014 American College Dance Association Annual Regional Conference 2009 -2013 North Carolina Dance Alliance Annual Event and Membership Meetings 2009 National Dance Education Organization Annual Conference,New York,NY 2001 American Dance Guild Annual Conference,New York,NY 2001 Congress of Research in Dance,New York,NY Professional Memberships 2007 -2014 North Carolina Dance Alliance 2012 -2014 UNC-CH faculty representative, American College Dance Association 2009 -2010 National Dance Education Organization 2007 -2008 NCAAHPERD 12